An easy and familiar treatise on the art of drawing in perspective
1831
203
Hassell, J. (John), d. 1825
The young artists assistant, or, A familiar introduction to the art of drawing, with instructions for colouring &c.
1810
204
Rowlandson, Thomas, 1756–1827
Rowlandson's world in miniature
1816
205
Fielding, Newton Limbird Smith, 1799–1856
What to sketch with, or, Hints on the use of coloured crayons, water colours, oil colours, black and white chalks, black-lead pencil
[1856]
206
Brookshaw, George, 1751–1823
Groups of fruit
1819
207
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
208
The complete guide to the fine arts
1841
209
Edwards, Edward, 1738–1806
A practical treatise of perspective, on the principles of Dr. Brook Taylor
1803
210
Traité de la peinture au pastel ..
1788
211
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1803
212
The florist
[between 1770 and 1784?]
213
Pyne, W. H. (William Henry), 1769–1843
Rudiments of landscape drawing
1812
214
Quadal, Martin Ferdinand, 1736–1808
A variety of tame & wild animals
May 25, 1793
215
Brown, Richard, architect
The rudiments of drawing cabinet and upholstery furniture
1820
216
Gilpin, William, 1724–1804
Practical illustration of Gilpin's day
1811
217
Cousin, Jehan, ca. 1522–ca. 1593
L'art de dessiner
MDCCLXXVIII [1778]
218
Young ladies' drawing book, or, complete instructor in drawing and colouring flowers, fruits & shells; with directions for purchasing and using all the materials connected with that fine art
1832
219
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
220
A New drawing book
1796
221
Harding, James Duffield, 1798–1863
Elementary art, or, The use of the chalk and lead pencil advocated and explained
[1854]
222
Berchem, Nicolaas Pietersz, 1620–1683
A drawing book of figures and animals from Berghem
[ca. 1790]
223
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
224
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
225
Dibdin, Thomas Colman, 1810–1893
T.C. Dibdin's Pleasing self instructor in the art of drawing
[185-?]
226
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
227
Orme, William, active 1797–1819
Studies from nature
1810
228
Harley, George, 1791–1871
First principles of landscape drawing
[1829]
229
Picart, Bernard, 1673–1733
Second drawing book of heads
1757
230
Bartolozzi, Francesco, 1727–1815
Thirty four lessons for drawing the human figure
[1828]
231
Powell, Joseph, 1780–1834
Progressive lessons in drawings
1820-1821
232
O'Neill, Henry, 1798–1880
A guide to pictorial art
1849
233
The florist
[ca. 1760]
234
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.
1751
235
Prout, Samuel, 1783–1852
A series of easy lessons in landscape drawing
1820
236
Prout, Samuel, 1783–1852
Easy lessons in landscape drawing
[1819]
237
The art of drawing, and painting in water-colours
1763
238
Serlio, Sebastiano, 1475–1554
A book of perspective & geometry
1657
239
Robson, William
Grammigraphia;
1799
240
The compleat drawing-master
1763
241
Leonardo, da Vinci, 1452–1519
A treatise on painting
1802
242
Craig, William Marshall, 1763 or 1764–1829
An essay on the study of nature in drawing landscape
1793
243
The student's treasure
MDCCLXXXIX [1789]
244
Metz, C. M. (Conrad Martin), 1755–1827
Fores's new chalk drawing-book, of heads and academy figures
1795-1799
245
Tracing aid
early 20th century?
246
Walton, John
Walton's drawing book in the tinted style
18--]
247
Laurie, Robert, 1755?-1836
The artist's assistant in drawing, etching, engraving, mezzotinto-scraping, painting on glass, and on silks, satins, &c.
1842
248
Prout, Samuel, 1783–1852
Progressive fragments
1817
249
Prout, Samuel, 1783–1852
Bits for beginners
1817
250
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing
1829
251
The art of drawing without a master
[ca. 1840?]
252
Heckel, Augustin, approximately 1690–1770
The florist, or, An extensive and curious collection of flowers, for the imitation of young ladies, either in drawing, or in needle-work
[1759]
253
Art of drawing and painting in water-colours
1770
254
Harding, James Duffield, 1798–1863
The guide and companion to the "Lessons on art"
[1854]
255
Vandenburgh's drawing book and young artists' preceptor
[ca. 184-]
256
Purcell, Edward, fl. 1812–1831
[Sketchbook, with pen and ink watercolor studies of figures, heads, and rural and classical figures]
[ca. 1829?]
257
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
258
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
259
Sherlock, William P., 1775–
Drawing book of landscapes, shipping & animals
1819
260
Wood, John George, 1768–1838
The principles and practice of sketching landscape scenery from nature
1813-[1815]
261
The principles of drawing, design, and engraving;
1800
262
Sanderson, William, Sir, 1586?-1676
Graphice
1658
263
Cox, David, 1783–1859
A series of progressive lessons, intended to elucidate the art of landscape painting in water colours
1811
264
Moriarty, Henrietta Maria
Fifty plates of green-house plants, drawn and coloured from nature
1807
265
Maslov, Aleksandr
Rukovodstvo kʺ risovanīi︠u︡ akvarelʹi︠u︡ ili vodi︠a︡nymi kraskami bezʺ pomoshchi uchiteli︠a︡
1857
266
The elements of drawing in all its branches
1802
267
Alston, J. W. (J. William)
Hints to young practitioners in the study of landscape painting
[1804]
268
Willson, Harry, 19th cent
A practical treatise on composition, light and shade, and colour
MDCCCLI [1851]
269
Brookshaw, George, 1751–1823
Six birds
1819
270
Harley, George, 1791–1871
First principles of landscape drawing
[1836?]
271
Bickham, George, 1706?-1771
An introduction to the art of drawing,
[17--]
272
Lairesse, Gérard de, 1640–1711
The principles of drawing, or, An easy and familiar method whereby youth are directed in the practice of that useful art
MDCCLII [1752]
273
Fielding, Newton Limbird Smith, 1799–1856
How to sketch from nature, or, Perspective and its application