Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
8
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
9
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
11
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
12
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
13
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
14
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
15
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
18
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
19
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
20
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
22
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
23
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
24
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
25
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
26
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
27
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
28
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
29
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
30
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
31
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
34
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
35
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
36
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
37
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
38
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
39
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
40
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
41
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
42
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
43
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
44
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
45
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
46
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
47
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
48
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
49
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
50
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
51
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
54
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
55
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
56
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
57
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
58
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
59
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
60
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
61
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
62
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
63
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
64
Print made by John Dean, 1754–1798
Miss Crockatt as Julia de Roubigné
1786
65
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
66
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
67
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
68
Print made by Henry William Bunbury, 1750–1811
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
69
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
70
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
71
Print made by William Richardson, active 1842–1877
Ashestiel
1835
72
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
73
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
74
Print made by John Doyle ('H.B.'), 1797–1868
Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
1847
75
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
76
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
77
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
78
Valentine Green, 1739–1813
Rinaldo and Armida
1775
79
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)