Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Subject Terms: curls and man

Gerard Edelinck, 1640–1707

Édouard Colbert, Marquis de Villacerf

1696

Print made by John Condé, 1765–1794

His Royal Highness George Prince of Wales

1794

Print made by Philip Dawe, ca.1750–ca.1790

Theodosius

1780

Print made by R. Clamp, fl.1789–1798

Sir John Hawkins

1794

Print made by William Faithorne, ca. 1620–1691

Sir Thomas Fairfax

ca. 1646

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Print made by James Basire the younger, 1769–1822

George Vertue, Engraver

1812

Edward Harding, 1755–1840

Robert Williams

1796

Print made by James Caldwall, 1739–1819

Omai

1777

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

James Hardy, active 1770s

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

undated

Print made by Frederick Bromley, active 1856–1860

Joseph Wilton, Esq

1862

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by Francesco Bartolozzi, 1728–1815

Paris and Oenone

1780

Print made by unknown artist

Richard Cosway

1788

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Thomas Chambars, ca. 1724–1789

Samuel Cooper

undated

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Isaac Fuller

1762

Print made by Thomas Chambars, ca. 1724–1789

Edward Courtney, Earl of Devonshire

undated

Print made by Thomas Chambars, ca. 1724–1789

Sebastian Ricci

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Medina

undated

Print made by Thomas Chambars, ca. 1724–1789

Cornelius Ketel

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

Print made by Thomas Chambars, ca. 1724–1789

Gerard Honthorst

undated

Print made by Thomas Chambars, ca. 1724–1789

Enoch Seeman

undated

Print made by John Kirby Baldrey, active 1750–1821

Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

1798

Print made by Thomas Chambars, ca. 1724–1789

Enoch Seeman

undated

Print made by Thomas Chambars, ca. 1724–1789

Godfrey Schalcken

1763

Print made by Thomas Chambars, ca. 1724–1789

Godfrey Schalcken

1763

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Print made by Charles Bretherton, ca. 1760–1783

Sir James Thornhill

1782

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by unknown artist

Sir Godfrey Kneller

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Hilliard

undated

Print made by Francesco Bartolozzi, 1728–1815

Alvise Pisani

1793

Print made by Frederick Atkinson, active 1800

Hugh Robinson

1800

Print made by Thomas Chambars, ca. 1724–1789

John Sybrecht

undated

Print made by Thomas Chambars, ca. 1724–1789

Henry Tilson

1762

Print made by Thomas Chambars, ca. 1724–1789

Peter Tillemans

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir John Vanbrugh

undated

Print made by unknown artist

Peter Vanderbank (1649–1697)

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

William Dickinson, 1746–1823

Rosamund and the Fair Annett

1784

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

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Subject Terms man

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