Associated Places: Scotland / Image Use: Free to Use - YCBA Collections Search Search Results

101. Fife

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 5 1/8 x 7 1/8 inches (13 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Roslin Castle, Midlothian

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Gouache on medium laid paper, mounted on board
Dimensions:: Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

107. View from Craig-y-Barns, Dunkeld, Looking South

Creator:: John Henry Mole, 1814–1886
Date:: 1855
Materials & Techniques:: Watercolor and white gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 21 1/8 inches (35.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

108. Hamlet in Scotland

Creator:: Print made by Robert Dighton, 1752–1814
Date:: 1794
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

109. Jedburgh Abbey from the South East

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

110. Ashestiel

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 8 3/4 inches (34 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; touched engraver's proof with chine-collé on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Dumbarton Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. New Abbey, near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Abbotsford from the Northern Bank of the Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, India proof, published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Wolf's Hope

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Loch Oich

Creator:: James Moore, 1762–1799
Date:: ca. 1791
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Invergarry Castle, Loch Oich, Scottish Highlands

Creator:: James Moore, 1762–1799
Date:: ca. 1791
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Kelso Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Stirling Castle, No. 2

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1909
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 1/4 x 15 5/8 inches (26.1 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

127. Dunimarle

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1909
Materials & Techniques:: Drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 3/8 x 15 5/8 inches (26.3 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

128. Inverness

Creator:: David Roberts, 1796–1864
Date:: 1859
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 7 1/16 inches (12.5 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Design for Bridge over Great Western Road

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1826
Materials & Techniques:: Graphite, pen and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 7/16 × 8 15/16 inches (18.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. A View of Edinburgh from the South Looking towards Dalkeith

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

131. Jedburgh Abbey, Roxburghshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Pluscardine Abbey, Elgin

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Melville Castle, Midlothian

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Dumbarton Rock and Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Distant View of Jedburgh

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/16 inches (16.5 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Study from Nature: Inveruglas

Creator:: Joseph Noel Paton, 1821–1901
Date:: 1857
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund, and Mr. and Mrs. Bart T. Tiernan, Yale LLB 1968, with additional support from: Mr. and Mrs. Ronald R. Atkins; Elizabeth Ballantine, Yale BA 1971, MA 1974, MSL 1982, PhD 1986; Mr. and Mrs. Henry E. Bartels; The Ajax Foundation on behalf of Mr. and Mrs. Richard Bressler; Bruce Budd; Homer Byington, III, Yale BA 1956; Mr. and Mrs. Norman C. Cross, Jr.; Lee MacCormick Edwards; The Forbes Foundation; Mr. and Mrs. Brian Hopkinson; Mr. and Mrs. Thomas Israel, Yale BA 1966; Katherine Haskins; Mr. and Mrs. Lowell Libson; Mr. and Mrs. Robert A. Martin, Yale BA 1954; Virginia Mattern; Mona Pierpaoli and David Adler; and Mr. and Mrs. Ross D. Siragusa, Jr., Yale BA 1953

137. The Prospect of ye Town of Perth

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Castle of Dumbritton from Kilpatrick

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. The Prospect of the Town of Dunkeld

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 x 17in. (27.3 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. The Prospect of their Majesties Castle of Sterling

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Argile House

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 3/4 x 17in. (29.8 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Prospect of the Town of St. Andrews

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Prospect of the Town of Dumblane

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 x 16 3/4in. (26.7 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Palace of Falkland

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Abbotsford, Vignette Title

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Abbotsford, Vignette Title

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834, reprinted 1851
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Loch Achray (Vignette)

Creator:: Print made by William Miller, 1796–1882
Date:: 1853 reprint
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 4 7/8 inches (20.3 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Sandy Knowe, or Smailholm Tower (Vignette)

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 11 7/8 inches (38.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Abbotsford, Large Vignette

Creator:: Print made by William Miller, 1796–1882
Date:: 1841
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Ashestiel

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Smailholm Tower

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Fingal's Cave Staffa

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Ashestiel

Creator:: Print made by John Horsburgh, 1791–1869
Materials & Techniques:: Steel engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Abbotsford, Large Vignette

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 13/16 x 4 15/16 inches (4.6 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Edinbourgh vu de la Chapelle S. Antoine

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Ancienne Tour Près de Lanark

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Paisley Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1887
Materials & Techniques:: Etching on parchment
Dimensions:: Plate: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

163. Ayr Prison

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching with plate tone on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

164. The Canongate Tollbooth

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1906
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Plate: 12 9/16 x 5 5/16in. (31.9 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

165. Strathearn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1917
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Plate: 4 7/16 x 13 7/8in. (11.3 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

166. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 3/4 × 16 1/2 inches (27.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Head of Loch Lomond, with Ben Lomond in the Distance

Creator:: Paul Jacob Naftel, 1817–1891
Date:: 1859
Materials & Techniques:: Watercolor and gouache on moderately textured, cream wove paper
Dimensions:: Sheet: 25 × 31 1/2 inches (63.5 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

169. Old Tower, Leith

Creator:: Print made by John Clerk of Eldin, 1728–1812
Date:: undated
Materials & Techniques:: Etching with pen and brown ink and gray wash on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 2 1/2 × 4 1/8 inches (6.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

170. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

Creator:: Print made by John Browne, 1741–1801
Date:: after 1762
Materials & Techniques:: Etching on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Bending Pillars at Staffa (from Smith's Geography)

Creator:: Alfred William Warren, active 1791–1809
Date:: 1810
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Manse and Church of Cults, the Birthplace of Wilkie

Creator:: John Cousen, 1804–1880
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Ancienne Porte a Stirling

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Lac de Killin

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Brackline

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 13 3/16 inches (26.7 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Glenfinlas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

180. The Palace, Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

181. The Palace of the Stuarts

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

182. The Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1912
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

183. Glasgow Cathedral

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

184. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

185. Inverlochy

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

186. Roslyn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

187. Rosslyn Chapel

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

188. Ben Ledi

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1911
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

189. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

192. Glasgow Exhibition: Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:: Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

193. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

194. The Ballantrae Road

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1907
Materials & Techniques:: Drypoint and etching, with plate tone on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 7 13/16 x 10 3/8 inches (19.9 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

195. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving and etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Critchton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Murthly on the Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1905
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Plate: 3 7/8 x 10 1/8in. (9.8 x 25.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

198. Evening on the Garry

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1906
Materials & Techniques:: Etching and drypoint
Dimensions:: Plate: 3 15/16 x 5 7/8in. (10 x 15cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

199. Arran Peaks

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1912
Materials & Techniques:: Drypoint with etching
Dimensions:: Plate: 11 1/4 x 15 1/4in. (28.6 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

200. After-glow (or Evening) on the Findhorn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint
Dimensions:: Plate: 9 x 8 1/16in. (22.9 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Search Results

101. Fife

102. The Murder of Banquo

103. The Manse, Cults, Fife: The Artist's Old Home

104. The Manse, Cults, Fife: The Artist's Old Home

105. Roslin Castle, Midlothian

106. Macbeth and Banquo on the Heath

107. View from Craig-y-Barns, Dunkeld, Looking South

108. Hamlet in Scotland

109. Jedburgh Abbey from the South East

110. Ashestiel

111. Loch Katrine

112. Dumbarton Castle

113. Loch Achray

114. New Abbey, near Dumfries

115. Inverness

116. Abbotsford from the Northern Bank of the Tweed

117. Dryburgh Abbey

118. Wolf's Hope

119. Loch Leven Castle

120. Loch Leven Castle

121. Loch Leven Castle

122. Loch Leven Castle

123. Loch Oich

124. Invergarry Castle, Loch Oich, Scottish Highlands

125. Kelso Abbey, Scotland

126. Stirling Castle, No. 2

127. Dunimarle

128. Inverness

129. Design for Bridge over Great Western Road

130. A View of Edinburgh from the South Looking towards Dalkeith

131. Jedburgh Abbey, Roxburghshire

132. Pluscardine Abbey, Elgin

133. Melville Castle, Midlothian

134. Dumbarton Rock and Castle

135. Distant View of Jedburgh

136. Study from Nature: Inveruglas

137. The Prospect of ye Town of Perth

138. The Castle of Dumbritton from Kilpatrick

139. The Prospect of the Town of Dunkeld

140. The Prospect of their Majesties Castle of Sterling

141. Argile House

142. The Prospect of the Town of St. Andrews

143. The Prospect of the Town of Dumblane

144. Palace of Falkland

145. Abbotsford, Vignette Title

146. Abbotsford, Vignette Title

147. Loch Achray (Vignette)

148. Sandy Knowe, or Smailholm Tower (Vignette)

149. Dunfermline

150. Sandy Knowe, or Smailholm Tower

151. Abbotsford, Large Vignette

152. Ashestiel

153. Smailholm Tower

154. Fingal's Cave Staffa

155. Ashestiel

156. Abbotsford, Large Vignette

157. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

158. Dryburgh Abbey

159. Highland Dancers

160. Edinbourgh vu de la Chapelle S. Antoine

161. Ancienne Tour Près de Lanark

162. Paisley Abbey

163. Ayr Prison

164. The Canongate Tollbooth

165. Strathearn

166. Dryburgh Abbey

167. Stirling

168. Head of Loch Lomond, with Ben Lomond in the Distance

169. Old Tower, Leith

170. Inverlochy Castle, Invernesshire

171. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

172. The Bending Pillars at Staffa (from Smith's Geography)

173. Manse and Church of Cults, the Birthplace of Wilkie

174. Medallions of F. Hutcheson and L. Natter