The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
9
Print made by Robert Wallis, 1794–1878
Havre
1833
10
Print made by W. Floyd, active 1845
Fish Market, Rotterdam
1834-1856
11
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
12
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
13
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
14
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
15
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
16
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
17
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
18
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
19
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
20
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
21
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
22
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
23
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
24
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
25
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
26
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
27
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
28
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
29
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
30
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
31
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
32
Print made by Robert Wallis, 1794–1878
William Tell's Chapel (vignette)
1830
33
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
34
Print made by James C. Allen, active 1821–1831
The Custom House
1827
35
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
36
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
37
Print made by David Lucas, 1802–1881
Flatford Mill
1844
38
Print made by David Lucas, 1802–1881
Noon
1830
39
Print made by David Lucas, 1802–1881
A Mill
1830
40
Print made by David Lucas, 1802–1881
Summer Morning
1831
41
Print made by David Lucas, 1802–1881
Summer Evening
1831
42
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
43
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
44
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
45
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
46
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
47
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
48
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
49
Print made by John Bogle, 1746–1804
Night Watchman
1776
50
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
51
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
52
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
53
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
54
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1830
55
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
56
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828-1837
57
Print made by Robert Wallis, 1794–1878
Saumur
1830
58
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
59
Print made by James C. Allen, active 1821–1831
The Custom House
1827
60
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
61
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
62
Print made by Robert Wallis, 1794–1878
Saumur
1830
63
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
64
Print made by Robert Wallis, 1794–1878
Havre
1832
65
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
66
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
67
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
68
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
69
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
70
Print made by Robert Brandard, 1805–1862
Tours
1833
71
Print made by Robert Wallis, 1794–1878
Saumur
1833
72
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
73
Print made by James T. Willmore, 1800–1863
Montjen
1833
74
Print made by Robert Wallis, 1794–1878
Scene on the Loire
1833
75
Print made by Robert Brandard, 1805–1862
Château de Tancarville, with Town of Quilleboeuf
1834
76
Print made by Robert Brandard, 1805–1862
Graville
1834
77
Print made by James T. Willmore, 1800–1863
Tancarville
1834
78
Print made by John Cousen, 1804–1880
Harfleur
1834
79
Print made by James T. Willmore, 1800–1863
Lillebonne, Château
1834
80
Print made by Thomas Jeavons, ca. 1800–1867
Lillebonne, Château and Tower
1834
81
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
82
Print made by Robert Brandard, 1805–1862
Quilleboeuf
1834
83
Print made by James T. Willmore, 1800–1863
Pont de l'Arche
1835
84
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
85
Print made by William Miller, 1796–1882
Rouen, Looking Down the River
1833
86
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
87
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and the Pont-au-Change
1835
88
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
89
Print made by James Charles Armytage, 1802–1897
Confluence of the Seine and Marne
1835
90
Print made by James Charles Armytage, 1802–1897
Troyes
1835
91
Print made by William Miller, 1796–1882
Melun
1835
92
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
93
unknown artist
The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)
94
Print made by unknown artist
Panthei Fidelissime Dimensi Exterior et Interior
1553
95
Print made by Ambrogio Brambilla, active ca. 1579–1599
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
96
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
97
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
98
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
99
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
100
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex