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Period 18th century
Remove constraint Period: 18th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms trees
Remove constraint Subject Terms: treesSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- A Church in the Trees
- ca. 1800
- Not on view
2
- Rievaulx Abbey
- ca. 1745
- Not on view
3
- A Bridge Over the River Wye
- 1776
- Not on view
4
- Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland
- 1771
- Not on view
5
- The Hermitage
- ca. 1772
- Not on view
6
- Winter Landscape with Figures
- ca. 1785
- Not on view
7
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
8
- The Rev. and Mrs. Thomas Gisborne, of Yoxall Lodge, Staffordshire
- 1786
- Not on view
9
- Saint Vincents, near West Malling, Kent
- ca. 1779
- Not on view
10
- A View Supposedly Near Arundel, Sussex, with Figures in a Lane
- mid-18th century
- Not on view
11
- Portrait of a Woman
- ca. 1750
- Not on view
12
- Mrs. Stevens
- ca. 1795
- Not on view
13
- Landscape with Cattle
- ca. 1773
- Not on view
14
- Landscape with Cottagers
- ca. 1775
- Not on view
15
- Kirkstall Abbey, Yorkshire
- 1747
- Not on view
16
- Elizabeth Gunning, Duchess of Hamilton and Argyll
- ca. 1760
- Not on view
17
- Robert Gwillym of Atherton and His Family
- 1745 to 1747
- Not on view
18
- Jonathan Tyers, with His Daughter Elizabeth, and Her Husband John Wood
- between 1750 and 1752
- Not on view
19
- Lovers in a Park
- ca. 1745
- Not on view
20
- Winter Landscape
- 1790
- Not on view
21
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
22
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
23
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
24
- Songs of Innocence and of Experience
- 1789-1794
25
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
26
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
27
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
29
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
30
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
31
- Apollo and Daphne
- between 1770 and 1799
32
- View in Wales
- undated
33
- Italianate Landscape with Travellers no. 2
- ca. 1760
34
- Ann Elizabeth, Countess of Aldborough
- 1788
35
- Miss Crockatt as Julia de Roubigné
- 1786
36
- Catherine, Lady Bampfylde
- 1779
37
- An Artist Sketching in Windsor Park
- 1789
38
- Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
- between 1779 and 1780
39
- Couple in a Farmyard
- 1782
40
- Dunkerswell Abbey, August 20, 1783
- 1783
41
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
42
- Adelaide
- between 1785 and 1786
43
- Italianate Landscape with Travelers, No. 1
- ca. 1765
44
- Conway Castle
- 1789
45
- Viscountess Duncannon
- ca. 1785
46
- Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope
- 1789
47
- Miss Johnson
- ca. 1794
48
- Miss Ann Catley in the Character of Euphrosyne
- 1777
49
- Venus and Cupid
- ca. 1768
50
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
51
- The Cheesecake House, Hyde Park
- ca. 1795
52
- Alope
- 1787
53
- Sensibility
- 1789
54
- Lady Hamilton as The Sempstress
- 1787
55
- Miss Ann Parry
- 1777
56
- Lavinia, Countess Spencer, Viscountess Althorp
- 1787
57
- Miss Farren
- 1792
58
- Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough
- 1776
59
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
60
- Credulity
- 1796
61
- Near Putney
- 1770s
62
- Atalanta and Hippomanes
- 1763
63
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
64
- Mrs. Abington as Thalia
- ca. 1783
65
- Richard and Maria Cosway, and Ottobah Cugoano
- 1784
66
- Netting Partridges
- ca. 1750
67
- Cottage near Newcastle, Northumberland
- ca. 1797
68
- Country House
- ca. 1797
69
- Guisborough Priory
- undated
70
- Valle Crucis Abbey, near Llangollen
- between 1798 and 1801
71
- Lincoln Cathedral
- ca. 1795
72
- A Devonshire Farm
- ca. 1798
73
- Melville Castle, Midlothian
- ca. 1796
74
- Turver's Farm, Wimbish, Essex
- ca. 1799
75
- The New Walk, York
- ca. 1798
76
- In Her Love-Darting Eyes Awakes the Fires
- between 1735 and 1757
77
- Mary, Countess of Seaforth
- 1751
78
- Rinaldo and Armida
- 1775
79
- Sensibility
- 1789
80
- Sensibility
- 1789
81
- Georgiana, Countess Spencer
- 1783
82
- Mrs. Fitzherbert
- 1792
83
- Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
- 1770
84
- Ticket: Anacreontic Society Meeting
- 1779
85
- Georgiana, Countess Spencer
- 1782
86
- Maria Cosway
- 1785
87
- Celadon and Amelia
- 1782
88
- Virtuous Love
- 1793
89
- Baskerville House, the Residence of John Ryland, Esq
- 1792
90
- Man and Woman Digging
- 1737
91
- Mrs. Abington as Thalia
- 1783
92
- Ticket: Anacreontic Society Meeting
- 1773
93
- Haweswater, Westmoreland
- ca. 1795
94
- Ophelia's Death
- ca. 1781
95
- A Milkmaid Climbing a Stile
- ca. 1750
96
- Wooded Landscape with Figures outside a Cottage Door
- between 1775 and 1780
97
- Between Chiswick and Brentford
- 1774
98
- Landscape
- undated
99
- Open Landscape with Figures, Cows and Cottage
- between 1785 and 1788
100
- Lady Cadogan
- 1787