Search Constraints
You searched for:
Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkImage Available Available
Remove constraint Image Available: AvailableSubject Terms genre subject
Remove constraint Subject Terms: genre subjectSearch Results
101
- An Illustration to Rob Roy: Interior with a Party Drinking
- undated
102
- A Study for the Pilkington Crest, a mower with a scythe
- undated
103
- Rustics with Poultry Returning from Market
- undated
104
- Thatched Roof and Tree
- undated
105
- View of Lucan House
- 1782
106
- The Picnic
- undated
107
- The Blind Man
- 1853
108
- Classical Study of Three Figures
- undated
109
- Design for a Greenhouse at Kew Gardens
- undated
110
- London Cries: A Muffin Man
- ca. 1759
111
- London Cries: "Do You Want any Spoons..."
- ca. 1759
112
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
113
- London Cries: A Milkmaid
- ca. 1759
114
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
115
- London Cries: Boy with a Donkey
- ca. 1759
116
- Peasants in a Grotto
- undated
117
- Sketches from Life in Paris: Man in Blue Trousers
- ca. 1835
118
- The Fish Ponds
- undated
119
- Scenes from Life in Paris: Man Seated and Man Carrying Basket
- ca. 1835
120
- The Dying Man
- ca. 1853
121
- London Cries: A Lace Seller
- ca. 1759
122
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
123
- Landscape at Ambleside
- ca. 1800
124
- Capriccio of a Venetian Courtyard
- undated
125
- Haymakers
- undated
126
- Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
- undated
127
- Kingston Lacy, Dorset
- undated
128
- Ponte Lucano, Near Tivoli
- between 1660 and 1690
129
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
130
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
131
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
132
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
133
- Humorous Family Scene
- undated
134
- Figures Harvesting
- undated
135
- Gate Toward Bursit, Aix-la-Chappelle
- 1785
136
- Girl and Boy Anglers
- 1791
137
- A Lady Painting
- 1837
138
- Flying the Kite
- ca. 1740
139
- Battledore and Shuttlecock
- ca. 1740
140
- Game Keeper and Boy Ferreting a Rabbit
- ca. 1828
141
- Interior of a Bus
- ca. 1890
142
- Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
- undated
143
- Fish Market, Hastings
- 1824
144
- A Fashionable Audience
- undated
145
- Author Reading from a Manuscript to Four Ladies
- undated
146
- The Visiting Card - Langham Sketching Club Subject
- undated
147
- Wayfarers
- undated
148
- A London Street Crier
- undated
149
- Classical Composition
- undated
150
- Classical Composition
- undated
151
- A Street at Night with Figures at a Stall
- 1849
152
- View of Old London Bridge
- 1825
153
- A Farmyard
- ca. 1815
154
- A Street in a Country Village
- ca. 1815
155
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
156
- Woodcutters in a Forest
- undated
157
- Dr. Munro's Carpenter at Work
- ca. 1815
158
- Study of a Young Girl, Seated
- undated
159
- Accepted
- 1853
160
- Rejected
- 1853
161
- Two Girls Carrying a Basket
- undated
162
- Weeke's Museum, Coventry Street, London
- undated
163
- Industrious Jenny
- undated
164
- Rural Scene
- undated
165
- Figure Sketches
- undated
166
- A Scene at Windsor
- undated
167
- Church and Cottages
- undated
168
- The Manse, Cults, Fife: The Artist's Old Home
- undated
169
- Hotel de Ville, Hague
- 1859
170
- Coast Scene near Plymouth
- undated
171
- Study of Trees
- undated
172
- Sketch for "Reading the Will"
- before 1820
173
- The Porch, Reims Cathedral
- ca. 1840
174
- Venetian Fantasy
- undated
175
- The Monnow Bridge, Monmouthshire
- before 1814
176
- River Ferry with Many Passengers and Animals
- undated
177
- Dr. Syntax Made Free of the Cellar
- undated
178
- Man Haranguing a Gatepost
- undated
179
- The Long Minuet as Danced at Bath
- after 1787
180
- Musicians and a Performing Bear
- undated
181
- Page Boy Asleep
- undated
182
- The Reconcilation
- 1817
183
- The Smock Exposed
- 1817
184
- Hogarth Drawing Sarah Malcolm
- 1817
185
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
186
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
187
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
188
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
189
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
190
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
191
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
192
- Hogarth Sitting to Roubiliac for His Bust
- 1817
193
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
194
- Interior of a Coppersmith's, Shoe Lane
- undated
195
- Street Scene at Stratford by Bow
- undated
196
- Harwich, Essex
- ca. 1820
197
- Figures in Boats
- undated
198
- A Coat of Arms for a Stamp on Income
- undated
199
- Tom Thumb at Bay
- undated
200
- View at Valmontone. November 1790
- 1790