Illustration for The New Doll: It's Mine, You may Look at It
undated
12
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
13
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
14
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
15
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
16
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
17
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
18
Edward Francis Burney, 1760–1848
Wedding of a God
undated
19
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
20
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
21
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
22
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
23
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
24
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
25
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
26
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
27
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
28
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
29
Peter Casteels, 1684–1749
Feeding Ducks
undated
30
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
31
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
32
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
33
Edward Francis Burney, 1760–1848
Norbury Park
undated
34
Edward Francis Burney, 1760–1848
Elevation of a House
undated
35
Edward Francis Burney, 1760–1848
Watley
undated
36
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
37
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
38
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
39
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
40
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
41
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
42
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
43
Robert Mabon, died 1798
Retreat Beating at Poona
undated
44
William Collins, 1788–1847
Dartmouth
undated
45
Gangaram Chintaman Tambat, active 1790s
Drawing of a Column from Ekvera
undated
46
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
47
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
48
James Lewis, 1751–1820
Design for a Country House
undated
49
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
50
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
51
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
52
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
53
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
54
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
56
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
61
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
62
unknown artist
Grave of the Supposed William Lyndewode
1852
63
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
64
unknown artist
Peers' Entrance
undated
65
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
66
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
67
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
70
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
73
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
74
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
75
Gangaram Chintaman Tambat, active 1790s
Interior View of the Temple at Ekvera (Karle)
ca. 1793
76
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
77
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
80
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
82
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
83
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
84
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
85
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
86
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
87
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
88
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
89
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
90
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
91
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
92
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
93
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
94
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
95
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
96
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
97
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
98
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
99
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard