Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
209
Joseph Wright of Derby, 1734–1797
Landscape with Rainbow, View near Chesterfield
undated
210
Cornelius Varley, 1781–1873
Study of Boats with Horses and Carts
undated
211
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
212
John Robert Cozens, 1752–1797
Statues and Ruins
undated
213
follower of Sir James Thornhill, 1675–1734
The Fall of Phaeton: A Study for a Ceiling
undated
214
Sir James Thornhill, 1675–1734
Neptune
undated
215
James Ward, 1769–1859
Landscape with Three Horses and a Tree in the Foreground
undated
216
Cornelius Varley, 1781–1873
Farm Buildings with Stack Makers
ca. 1810
217
unknown artist
The Globe Inn
undated
218
Richard Wilson, 1713/4–1782
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
219
Hugh William "Grecian" Williams, 1773–1829
Wychwood Forest
1806
220
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
221
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
222
Charles Hamilton Smith, 1776–1859
River Landscape
undated
223
James Pattison Cockburn, 1779–1847
Form Open Column in Rear of Right
undated
224
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
225
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
226
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
227
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
228
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
229
attributed to Peter DeWint, 1784–1849
Building a Stack (Study for Carrying Hay)
undated
230
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
231
Paul Sandby, 1731–1809
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
undated
232
Paul Sandby, 1731–1809
The Light Dragoons
undated
233
Paul Sandby, 1731–1809
A Good-bye
undated
234
Paul Sandby, 1731–1809
Bayswater - London
undated
235
Robert Bremmel Schnebbelie, active 1803–1849
The Strand with Astley's Theatre
undated
236
Thomas Hosmer Shepherd, 1792–1864
Temple Bar
undated
237
Peter Tillemans, 1684–1734
Cavalry Troops and Camp Followers on the Move
undated
238
unknown artist
A Forest Road
undated
239
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
240
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
241
James Ward, 1769–1859
A Timber Cart Laden with Tree Trunks, Drawn by a Pair of Horses and a Pair of Oxen
undated
242
James Miller, active 1773–1814
View of a House
undated
243
Paul Sandby, 1731–1809
Pony and Hooded Gig
undated
244
Paul Sandby, 1731–1809
Girl with Packhorse
undated
245
Paul Sandby, 1731–1809
Two Laden Hay Carts With Horses
undated
246
Paul Sandby, 1731–1809
Light Dragoon, Mounted, Facing Left
undated
247
Joseph Crawhall, 1861–1913
The Riding School
undated
248
Thomas Rowlandson, 1756–1827
Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds
undated
249
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
250
James Ward, 1769–1859
Farmyard and Horses
undated
251
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
252
Peter DeWint, 1784–1849
Harvest Time
undated
253
Sir Alfred J. Munnings, 1878–1959
Walking Up to the Start
undated
254
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
255
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
256
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
257
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
258
unknown artist
Evening
1799
259
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
260
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
261
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
262
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
263
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
264
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
265
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
266
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
267
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
268
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
269
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
270
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
271
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
272
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
273
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
274
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
275
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
276
Thomas Rowlandson, 1756–1827
The Military Adventures of Johnny Newcome
undated
277
Paul Sandby, 1731–1809
Studies of a Carter Pumping Water For His Horses
undated
278
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
279
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
280
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
281
James Seymour, 1702–1752
Rider in Armour
undated
282
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
283
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
284
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
285
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
286
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
287
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
288
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
289
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
290
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
291
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
292
John Wootton, 1682–1764
The Meet
undated
293
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
294
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'