Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
2
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
3
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
4
William Payne, active 1850s
Private View of the Royal Academy
1858
5
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
6
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
7
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
8
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
9
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
10
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
11
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
12
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
13
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
14
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
15
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
16
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
17
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
18
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
19
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
20
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
26
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
27
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
28
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
29
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
40
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
41
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
44
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
45
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
46
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
47
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
48
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
49
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
50
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
51
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
52
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
53
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
54
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
55
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
56
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
57
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
58
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
59
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
60
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
61
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
62
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
63
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
64
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
65
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
66
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
67
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
68
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
69
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
70
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
71
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
72
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
73
Attributed to John Carter, 1748–1817
Springing of groins
1815
74
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
75
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
76
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
77
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
78
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
80
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
82
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
83
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
unknown artist
Grave of the Supposed William Lyndewode
1852
100
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance