Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
3
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
4
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
5
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
6
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
7
unknown artist
View of Cumberland Terrace
undated
8
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
9
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
10
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
11
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
12
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
13
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
14
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
15
unknown artist
Elevation of the Ordnance Office
after 1780
16
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
17
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
18
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
19
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
20
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
21
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
22
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
23
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
24
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
25
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
26
William Payne, active 1850s
Private View of the Royal Academy
1858
27
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
35
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
36
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
44
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
45
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
46
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
47
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
48
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
49
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
50
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
51
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
52
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
53
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
54
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
55
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
57
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
58
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
60
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
64
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
65
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
66
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
67
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
71
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
74
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
75
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
76
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
80
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
82
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
83
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
85
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
86
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
87
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
88
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
89
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
90
unknown artist
Grave of the Supposed William Lyndewode
1852
91
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
92
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
93
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
94
unknown artist
Peers' Entrance
undated
95
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
96
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
97
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
98
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
99
unknown artist
Henry VII Chapel, Westminster Abbey
undated
100
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster