The City of Westminster from Near the York Water Gate
between 1746 and 1747
6
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
7
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
8
William Payne, active 1850s
Private View of the Royal Academy
1858
9
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
10
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
11
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
12
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
13
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
14
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
15
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
16
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
17
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
18
unknown artist
Elevation of the Ordnance Office
after 1780
19
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
20
unknown artist
View of Cumberland Terrace
undated
21
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
22
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
23
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
24
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
25
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
26
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
27
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
44
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
45
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
46
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
47
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
48
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
49
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
51
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
56
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
57
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
58
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
60
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
63
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
64
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
65
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
66
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
67
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
68
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
69
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
70
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
71
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
72
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
73
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
74
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
75
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
76
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
77
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
78
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
79
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
80
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
81
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
82
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
83
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
84
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
85
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
86
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
87
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
92
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel