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Materials & Techniques black ink

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Period 18th century

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1. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Spring, from Songs of Innocence

Spring, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Plate 16, "Night" (Bentley 20)

Songs of Innocence, Plate 16, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View at Terracina

A View at Terracina
Creator:
Jacob More, 1740–1793
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:
Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Smithills Hall, Lancashire: Exterior View

Smithills Hall, Lancashire: Exterior View
Creator:
unknown artist
Date:
1769
Materials & Techniques:
Black ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 20 1/2 inches (33.8 x 52 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Falls at Schaffhausen

Falls at Schaffhausen
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793
Date:
1783
Materials & Techniques:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Samos

Samos
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Is'Tmo di Cizico unito al Continente

Is'Tmo di Cizico unito al Continente
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 3/4 inches (37.8 x 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. View of Tivoli in the Direction of the North Wind

View of Tivoli in the Direction of the North Wind
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 5/16 inches (38 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Aquedotto Angolare

Aquedotto Angolare
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of the Ruined Baths at Hadrian's Villa at Tivoli

View of the Ruined Baths at Hadrian's Villa at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of a Passage Cut into a Hillside

View of a Passage Cut into a Hillside
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/8 x 15 inches (53.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of a Long Aqueduct

View of a Long Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 22 inches (38.4 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Is'Tmo e Penisola di Cizico

Is'Tmo e Penisola di Cizico
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/4 inches (37.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. View of Sigacik (Ancient Teos)

View of Sigacik (Ancient Teos)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/4 inches (37.2 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)

Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 1/16 inches (54.1 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View of Tivoli

View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. View of Ruins at Tivoli

View of Ruins at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The South View of Berwick Upon Tweed

The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Gaeta

Gaeta
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 7/8 inches (18.4 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Florence

Florence
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Between Ambrogiana and La Lastra

Between Ambrogiana and La Lastra
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Mola di Gaeta

Mola di Gaeta
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Ascent to the Cascade of Terni

Ascent to the Cascade of Terni
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 7/8 inches (18.4 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Temple Perched on a Rocky Outcrop Seen Across a Lake

A Temple Perched on a Rocky Outcrop Seen Across a Lake
Creator:
Alexander Runciman, 1736–1785
Date:
ca. 1767
Materials & Techniques:
Watercolor, gray wash, blue wash and pen and black ink; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Donnybrook Fair, 1782

Donnybrook Fair, 1782
Creator:
Francis Wheatley, 1747–1801
Date:
1782
Materials & Techniques:
Black ink with watercolor on medium, smooth, cream laid paper
Dimensions:
Sheet: 12 5/8 x 21 1/2 inches (32.1 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Landscape

Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 9 3/8 inches (16.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

36. Landscape with House at the Riverbank

Landscape with House at the Riverbank
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 × 6 1/4 inches (10.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

37. Two Men in a Landscape and a Castle on a Hill

Two Men in a Landscape and a Castle on a Hill
Creator:
Rev. William Gilpin, 1724–1804
Date:
1769
Materials & Techniques:
Gray wash, graphite, pen and black ink on thick, rough, beige laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

38. Two Men Looking Into Landscape with Castle, River and Mountain Scene

Two Men Looking Into Landscape with Castle, River and Mountain Scene
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 x 10 3/8in. (16.5 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

39. Landscape (unfinished)

Landscape (unfinished)
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, verso: Gray wash, brown wash, pen and black ink and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

40. Pianura dell'Hermo in Faccia a Sardes

Pianura dell'Hermo in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 5/16 inches (37.5 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. View of the Theater and Plan of the Ionic Temple at Sardis

View of the Theater and Plan of the Ionic Temple at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black and brown ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (54 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. View of the Valley of Sardis and View of a Ruined Bridge

View of the Valley of Sardis and View of a Ruined Bridge
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash and watercolor over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 5/16 x 14 15/16 inches (54.1 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Veduta Occidentale del Monte Tabor

Veduta Occidentale del Monte Tabor
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 7/16 inches (37.8 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Napolosa in Samaria

Napolosa in Samaria
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 1/2 inches (38.3 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Monte delle Beatitudini

Monte delle Beatitudini
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 7/16 inches (38 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune

View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Plan of Lake Tiberias

Plan of Lake Tiberias
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 7/16 inches (37.7 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. View of Hill Towns or Ruins near Damascus

View of Hill Towns or Ruins near Damascus
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1751
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 21 5/8 inches (37.1 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of Micale Promontorio

View of Micale Promontorio
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 3/8 inches (37.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View of the Source of the Lycus River (Nahr el-Kelb)

View of the Source of the Lycus River (Nahr el-Kelb)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1751
Materials & Techniques:
Gray wash black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. View of the Valley of Laodicea

View of the Valley of Laodicea
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Gierusalemme

Gierusalemme
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/16 x 21 1/2 inches (36.4 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Scutari

Scutari
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A Valley

A Valley
Creator:
Alexander Cozens, 1717–1786
Date:
between 1775 and 1780
Materials & Techniques:
Brushed black ink, graphite, brown wash and gray wash on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond

An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
Creator:
William Taverner, 1703–1772
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 16 3/8 inches (19.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. A Prospect of Vapourland

A Prospect of Vapourland
Creator:
Richard Bentley, 1708–1782
Date:
1759
Materials & Techniques:
Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Crowcombe Court: a gentleman with his dog walking by the river

Crowcombe Court: a gentleman with his dog walking by the river
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1775
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Soldiers and Country Women

Soldiers and Country Women
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Brighton Town and Church

Brighton Town and Church
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Lismore Castle, Ireland

Lismore Castle, Ireland
Creator:
Francis Wheatley, 1747–1801
Date:
1783
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Tank

The Tank
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper joined to cream wove paper
Dimensions:
Sheet: 3 1/4 × 13 7/8 inches (8.3 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A View of Edinburgh from the South Looking towards Dalkeith

A View of Edinburgh from the South Looking towards Dalkeith
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

65. Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/16 × 24 1/4 inches (33.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Views in the Levant: View of a Harbour and Town From the Sea, Turkey

Views in the Levant: View of a Harbour and Town From the Sea, Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 14 1/8 inches (19.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)

Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 28 5/8 inches (22.2 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. London from Highgate Hill

London from Highgate Hill
Creator:
Thomas Girtin, 1775–1802
Date:
1792
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Dumbarton Rock and Castle

Dumbarton Rock and Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Waterfall at Terni

Waterfall at Terni
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1780
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 7 1/8 inches (23.8 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Castle in a Landscape

Castle in a Landscape
Creator:
Alexander Cozens, 1717–1786
Date:
between 1770 and 1779
Materials & Techniques:
Black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Tree and Distant Hills

Tree and Distant Hills
Creator:
Alexander Cozens, 1717–1786
Date:
between 1750 and 1755
Materials & Techniques:
Brushed black ink and brown wash on thin, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, laid paper
Dimensions:
Sheet: 6 3/8 x 7 7/8 inches (16.2 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Glade

The Glade
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1750
Materials & Techniques:
Brushed black ink and orange-brown ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, wove paper
Dimensions:
Sheet: 5 5/8 x 7 7/8 inches (14.3 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. A Road in a Mountain Landscape with Trees to the Right

A Road in a Mountain Landscape with Trees to the Right
Creator:
pupil of Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brushed black ink, gray wash and brown ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 14 1/8 inches (28.9 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Tivoli

Tivoli
Creator:
John Robert Cozens, 1752–1797
Date:
1778
Materials & Techniques:
Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Falls of the Reichenbach

The Falls of the Reichenbach
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Between Chamonix and Martigny

Between Chamonix and Martigny
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Lake of Geneva from the Canton of Berne

The Lake of Geneva from the Canton of Berne
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. River and Boat

River and Boat
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1770
Materials & Techniques:
Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Study of Two Willows

Study of Two Willows
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1760
Materials & Techniques:
Brushed black ink, brushed brown ink, yellowish-brown ground and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Landscape with a Lake and Distant Mountain

Landscape with a Lake and Distant Mountain
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1750
Materials & Techniques:
Brushed black ink with graphite and buff ground on medium, sightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 7 7/8 inches (15.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Landscape with Mountain and Lake

Landscape with Mountain and Lake
Creator:
Alexander Cozens, 1717–1786
Date:
1750s
Materials & Techniques:
Pen and brown ink, brushed black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 x 7 3/4 inches (9.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Landscape with Castle on a Hill at Left

Landscape with Castle on a Hill at Left
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/8 inches (13.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Landscape with a Ruined Castle on the Right

Landscape with a Ruined Castle on the Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, black ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with pink wash
Dimensions:
Sheet: 5 1/2 x 7 3/8in. (14 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Queen Square, London

Queen Square, London
Creator:
Edward Dayes, 1763–1804
Date:
1786
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Entrance to Festiniog, Wales

Entrance to Festiniog, Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection