Search Constraints
You searched for:
Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- A Harrow in the Orchard
- ca. 1896
2
- Cornfields with Barn, Shoreham
- ca. 1829
3
- The Primitive Cottage, Shoreham
- undated
4
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
5
- Opening the Fold: Early Morning
- ca. 1880
6
- An Ancient Barn at Shoreham
- undated
7
- Study of Waves
- undated
8
- Shoreham, Kent
- between 1831 and 1832
9
- Boxhill
- 1868
10
- A Cottage among Trees, Shoreham
- undated
11
- Study for "The Shearers"
- between 1833 and 1834
12
- Cottage among Trees
- ca. 1795
13
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
14
- Mr. Hobson of Markfield and Family
- ca. 1806
15
- Trees and Deer
- 1825
16
- Helmingham: The Silent Pool
- ca. 1800
17
- Rheinfels Looking to Katz and Gourhausen
- 1817
18
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
19
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
20
- The Capo Sant' Angelo, Amalfi
- ca. 1885
21
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
22
- Siege at Badajoz
- ca. 1813
23
- The Mansion House, London: Elevation
- undated
24
- Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
- 1838
25
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
26
- Design for London Bridge Approach
- between 1827 and 1835
27
- Design for London Bridge Approach
- between 1827 and 1835
28
- Sarcophagus in a Church
- May 10, 1806
29
- Beauvais
- ca. 1831
30
- Chowringhee Road from No. XI Esplanade
- undated
31
- Statue of the Marquis of Hastings in Tank Square - Calcutta
- undated
32
- Water View near Calcutta
- undated
33
- Design for a Gothic Screen
- undated
34
- Garden Reach - Calcutta
- undated
35
- Town and Port of Calcutta
- 1812
36
- Office of the Sudder Board of Revenue from Kyd Street - Calcutta
- undated
37
- Erlestoke Park
- ca. 1825
38
- Carnarvon
- 1802
39
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
40
- Conway (Castle, North Wales), Nov. 1809
- 1809
41
- Costume at Procida-Naples
- 1818
42
- An Execution, Rome
- 1819
43
- Study of a Thistle and Other Plants, Sept. 8
- early 19th century
44
- Soliders in Costume of the Middle Ages around a Blazing Idol
- undated
45
- Bowmen at a Moonlit Lake Shooting Wildfowl
- undated
46
- Totness
- 1823
47
- A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
- ca. 1805
48
- Hints for Composition by Varley - 1805
- 1805
49
- Two Hunters and Two Dogs in Winter Scene
- undated
50
- Landscape with Figures in Field
- undated
51
- Capri
- ca. 1818
52
- Naples, Chiaia
- 1818
53
- Rome From the Baths of Caracalla
- 1818
54
- Campagna/ Rome
- 1818
55
- Dolbadarn Castle (North Wales)
- 1809
56
- Funeral Procession at Rome
- 1818
57
- Yarmouth Bridge, Aug. 1829
- 1829
58
- Fishermen at a Mountain Stream
- undated
59
- Landscape with Castle in Background
- undated
60
- Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)
- ca. 1817
61
- Einsiedein, Switzerland
- ca. 1817
62
- On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
- ca. 1817
63
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
64
- Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
- 1817
65
- Sion (Switzerland)
- ca. 1817
66
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
67
- Simplon (Switzerland)
- ca. 1817
68
- Village on a Lake
- ca. 1817
69
- Caernarvon (Castle)
- 1809
70
- St. Martyns Bruche
- ca. 1826
71
- Mountainous Landscape with a Bridge and House
- ca. 1816
72
- The Building of Waterloo Bridge
- ca. 1816
73
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
74
- High Street at Bushey, Hertfordshire
- 1812
75
- Part of Goodrich Castle
- 1842
76
- Wychwood Forest
- 1806
77
- Decorative Design with Heads of a Cat, Hare and Goose
- undated
78
- View of London from Richmond House, Whitehall
- undated
79
- Ben Lomond, August 17
- ca. 1805
80
- The Old Double Bridge, Bury St. Edmunds
- 1833
81
- Temple of Jupiter and Minerva, Thugga
- 18th century
82
- Part of the Monastery of St. Saviours, Southwark
- 1809
83
- A Dromedary and a Camel
- 1813
84
- Bolton Abbey
- undated
85
- St. James Market, Saturday
- 1818
86
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
87
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
88
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
89
- Interior of a Coppersmith's, Shoe Lane
- undated
90
- Welsh Landscape
- ca. 1800
91
- Pale Melancholy
- ca. 1804
92
- Chiddingstone Place, View from the Lake
- ca. 1850s
93
- Mayfield
- 1812
94
- Farm of Highbanks
- 1813
95
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
96
- The Walls of Jericho
- 1834
97
- Moonlit Landscape with a Ruined Castle
- between 1820 and 1830
98
- Hounds and Hunters Attacking Deer
- 1831
99
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
100
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802