Period: 19th century / Associated Places: Europe / Subject Terms: horses (animals)

1. Near Quillebeuf

Creator:: Richard Parkes Bonington, 1802–1828
Date:: between 1824 and 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 x 21 inches (42.5 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. The Wolverhampton Racecourse

Creator:: unknown artist
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 23 x 33 inches (58.4 x 83.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Euxton, with John White Up, at Heaton Park

Creator:: John Ferneley, 1782–1860
Date:: 1829
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Lord Rivers's Stud Farm, Stratfield Saye

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 60 x 84 inches (152.4 x 213.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. An Extensive View of the Oxford Races

Creator:: Charles Turner, 1774–1857
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/8 x 36 1/4 inches (63.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Liverpool and National Steeplechase at Aintree, 1843

Creator:: William Tasker, 1808–1852
Date:: ca. 1843
Materials & Techniques:: Oil on canvas
Dimensions:: 34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester

Creator:: William Tasker, 1808–1852
Date:: ca. 1839
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 x 29 5/8 inches (49.5 x 75.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Kenilworth Castle, Warwickshire

Creator:: James Ward, 1769–1859
Date:: 1840
Materials & Techniques:: Oil on panel
Dimensions:: 23 5/8 x 46 5/8 inches (60 x 118.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Archery Meeting in Bradgate Park, Leicestershire

Creator:: John Ferneley, 1782–1860
Date:: 1850
Materials & Techniques:: Oil on canvas
Dimensions:: 46 1/2 x 99 inches (118.1 x 251.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Last of the Mail Coaches at Newcastle upon Tyne

Creator:: James Pollard, 1792–1867
Date:: 1848
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 27 inches (45.7 x 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

Creator:: Charles Cooper Henderson, 1803–1877
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed

Creator:: Charles Cooper Henderson, 1803–1877
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

Creator:: Benjamin Marshall, 1768–1835
Date:: ca. 1804
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Muly Moloch

Creator:: Benjamin Marshall, 1768–1835
Date:: 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire

Creator:: James Pollard, 1792–1867
Date:: 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/4 x 12 1/8 inches (23.5 x 30.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The London-Faringdon Coach passing Buckland House, Berkshire

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/8 x 27 5/8 inches (50.5 x 70.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire

Creator:: John Frederick Herring, 1795–1865
Date:: 1838
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/8 x 50 1/8 inches (101.9 x 127.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

Creator:: James Pollard, 1792–1867
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 13 inches (43.2 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. The Serpentine, Hyde Park

Creator:: Attributed to George Sidney Shepherd, 1784–1862
Date:: mid-19th century
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Outside the Pike and Anchor Inn at Ponders End, Middlesex

Creator:: James Pollard, 1792–1867
Date:: 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 12 × 18 inches (30.5 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. A View of Westminster Bridge and the Abbey from the South Side

Creator:: William Anderson, 1757–1837
Date:: 1818
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/8 x 12 9/16 inches (16.2 x 31.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Theophilus Levett and a Favorite Hunter

Creator:: James Ward, 1769–1859
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/4 x 51 1/4 inches (99.7 x 130.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. J. & W. Chaplin's Dover-London Stage on the Road

Creator:: John Cordrey, active 1765–1825
Date:: 1814
Materials & Techniques:: Oil on canvas
Dimensions:: 20 3/8 x 30 1/8 inches (51.8 x 76.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Old Smithfield Market

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: 1824
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 27 1/2 inches (50.8 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Chichester Cathedral

Creator:: Joseph Francis Gilbert, 1792–1855
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 24 9/16 x 37 7/16 inches (62.4 x 95.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Study for 'Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper mounted on board
Dimensions:: 17 × 20 1/2 inches (43.2 × 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Westminster Bridge

Creator:: Frederick Nash, 1782–1856
Date:: ca. 1825
Materials & Techniques:: Oil on artist's board
Dimensions:: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. North Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Tours: Sunset: Looking Backwards

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1826 and 1830
Materials & Techniques:: Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Coast Scene near Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:: Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Exeter College, Oxford

Creator:: Joseph Murray Ince, 1806–1859
Date:: 1835
Materials & Techniques:: Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Notre Dame, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1845
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Mountains of Africa, from the Hospital at Gilbraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Wychwood Forest

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1806
Materials & Techniques:: Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Welsh Fair

Creator:: John Preston Neale, 1771/80–1847
Date:: 1813
Materials & Techniques:: Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 3/16 inches (15.6 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Strand with Astley's Theatre

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Gateway to Battle Abbey

Creator:: Henry Morton, ca. 1807–1825
Date:: after 1819
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Pass in the Mountains Between Nisa and Villa Velha

Creator:: William Bradford, active 1809
Date:: 1809
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1815
Materials & Techniques:: Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. View of Pont St. Michel, Taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Tower Hill

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lough Foyle, Londonerry

Creator:: John J. Hinchliff, 1805–1875
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 × 7 3/8 inches (16.4 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Lincoln from the River Witham

Creator:: Print made by S. T. Davies, active ca. 1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Île de la Cité, Paris

Creator:: James McNeill Whistler, 1834–1903
Date:: 1859
Materials & Techniques:: Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

56. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Brighton

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:: Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bridge of Don, Old Aberdeen

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1809 and 1823
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1809 and 1823
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

74. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Smith's Yard

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1895
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 x 7 3/8 inches (27.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

77. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Leicestershire Hunt - The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Night Riders of Nacton: The Finish. Nacton Church and Village

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Netting Deer in Richmond Park

Creator:: Sir George Hayter, 1792–1871
Date:: undated
Materials & Techniques:: Graphite, with white gouache on moderately thick, slightly textured, green-gray, wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Brussels from the Paris Road

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1831
Materials & Techniques:: Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

86. Witley Court in Worcestershire, the Seat of Lord Foley

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Wareham Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 x 10 7/8 inches (20.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

91. Wareham Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream antique laid paper
Dimensions:: Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

92. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Salisbury Cathedral

Creator:: Print made by David Lucas, 1802–1881
Date:: 1837
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 x 31 1/2 inches (67.9 x 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Abbotsford, Large Vignette

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Hussars

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Brown ink, brown wash, and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Bologna, View in the Strada Maggiore

Creator:: John Augustus Atkinson, 1775–1831
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Associated Places Europe

Subject Terms horses (animals)

Search Results

1. Near Quillebeuf

2. The Wolverhampton Racecourse

3. Euxton, with John White Up, at Heaton Park

4. Lord Rivers's Stud Farm, Stratfield Saye

5. An Extensive View of the Oxford Races

6. The Liverpool and National Steeplechase at Aintree, 1843

7. Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester

8. Kenilworth Castle, Warwickshire

9. Archery Meeting in Bradgate Park, Leicestershire

10. The Last of the Mail Coaches at Newcastle upon Tyne

11. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

12. Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed

13. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

14. Muly Moloch

15. The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire

16. The London-Faringdon Coach passing Buckland House, Berkshire

17. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

18. Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire

19. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

20. The Serpentine, Hyde Park

21. Outside the Pike and Anchor Inn at Ponders End, Middlesex

22. A View of Westminster Bridge and the Abbey from the South Side

23. Theophilus Levett and a Favorite Hunter

24. J. & W. Chaplin's Dover-London Stage on the Road

25. Old Smithfield Market

26. Chichester Cathedral

27. Study for 'Battle of Waterloo'

28. Westminster Bridge

29. North Country Mails at the Peacock, Islington

30. Tours: Sunset: Looking Backwards

31. Coast Scene near Plymouth

32. View of the Pantheon, Paris

33. Edinburgh Castle and Horse Fair

34. The 48th Regiment with Casemate, Gibraltar

35. Exeter College, Oxford

36. Notre Dame, Paris

37. The Mountains of Africa, from the Hospital at Gilbraltar

38. Wychwood Forest

39. Welsh Fair

40. The Strand with Astley's Theatre

41. Gateway to Battle Abbey

42. A View of Core's Library, Dawlish, Devon

43. Pass in the Mountains Between Nisa and Villa Velha

44. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

45. Left Bank, Meuse

46. Croix de Moulin les Planches

47. View of Pont St. Michel, Taken from Pont Neuf

48. Tower Hill

49. Lough Foyle, Londonerry

50. Yarmouth, Norfolk

51. Lincoln from the River Witham

52. The Departure from Wakefield

53. The Welcome

54. Attendance on a Nobleman

55. Île de la Cité, Paris

56. Newbury Market Place, Berkshire

57. Brighton

58. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

59. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

60. Unloading the Luggage From The Exeter Coach

61. The St. Leger, Doncaster: Preparing to Start

62. The St. Leger, Doncaster: The Finish

63. Bridge of Don, Old Aberdeen

64. View of the City with the Louvre &c. taken from Pont Marie

65. View of the City with the Louvre &c., taken from Pont Marie

66. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

67. The Esquire's Intrusion

68. The Vicar's Family on the Road to Church

69. Harvesters in Landscape in Sussex

70. Doctor Syntax loses his Money on the Race Ground at York

71. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

72. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

73. L'Eglise de St. Gervais et St. Protais