A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
4
George Arnald, 1763–1841
A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
1808
Not on view
5
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
6
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
7
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
8
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
9
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
10
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
11
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
12
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
13
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
14
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
15
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
16
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
17
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
18
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
19
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
20
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
21
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
22
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
23
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
24
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
25
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
26
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
27
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
28
Print made by James Basire the younger, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
29
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
30
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
31
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
32
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
33
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
34
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
35
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
36
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
37
Robert Polhill Bevan, 1865–1925
Aldwych
1924
Not on view
38
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
39
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
40
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
41
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
42
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
43
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
44
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
45
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
46
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
47
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
48
Print made by Sir Muirhead Bone, 1876–1953
Somerset House
1905
49
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
50
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
51
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
52
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
53
John Boydell, 1720–1804
St. Clement Danes
1751
54
Print made by Thomas Shotter Boys, 1803–1874
Buckingham Palace from St. James's Park
1842
55
Print made by Thomas Shotter Boys, 1803–1874
Westminster Abbey, Hospital &c
1842
56
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
57
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
58
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
59
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
60
Print made by R. F. Cahusac, active 1830
Athenaeum
1830
61
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
62
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
63
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
64
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
65
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
66
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
67
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
71
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
75
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
80
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
82
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
83
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
85
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
86
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
88
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
89
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
90
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
91
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
92
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
93
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
94
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
95
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
96
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber