Subject Terms: clouds and grass - YCBA Collections Search Search Results

1. West Gate of Pevensey Castle, Sussex

Creator:: John Hamilton Mortimer, 1740–1779
Date:: between 1773 and 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 27 7/8 x 35 3/4 inches (70.8 x 90.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Two Fishing Boats on the Banks of Inland Waters

Creator:: George Chambers, 1803–1840
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 17 5/8 inches (34.3 x 44.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. At South Mickleham

Creator:: Frederick W. Watts, 1800–1862
Date:: 1829
Materials & Techniques:: Oil on millboard
Dimensions:: 6 3/4 x 4 3/4 inches (17.1 x 12.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Showery June, Picardy

Creator:: Henry Moore, 1831–1895
Date:: between 1870 and 1880
Materials & Techniques:: Watercolor with some scratching out over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 1/4 inches (28.1 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. View from Craig-y-Barns, Dunkeld, Looking South

Creator:: John Henry Mole, 1814–1886
Date:: 1855
Materials & Techniques:: Watercolor and white gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 21 1/8 inches (35.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Mountainous Landscape with Cows

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 7/16 inches (18.1 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. High Tor, Matlock

Creator:: Henry Moore, 1831–1895
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 15/16 x 20 3/8in. (35.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Roundway Park, Wiltshire: Exterior View

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Boxhill from West Humble Lane

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Poor House, Hadley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: 1802
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Classical Landscape

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:: Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Wooded Landscape

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, smooth, beige Aisian paper
Dimensions:: Sheet: 6 9/16 × 6 3/16 inches (16.7 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lillebonne - Château d'Harcourt

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Kirkstall Abbey from the N.W.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Romantic Landscape

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 20 1/2 inches (31.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. View of Rochester

Creator:: Thomas Girtin, 1775–1802
Date:: 1791
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Pluscardine Abbey, Elgin

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Carlisle Cathedral, Cumberland, from the South-west

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Melville Castle, Midlothian

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Watermill Above the Bridge at Charenton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream wove paper, (two sheets mounted together)
Dimensions:: Sheet: 7 11/16 x 12 3/4 inches (19.5 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Lichfield Cathedral, Staffordshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1794
Materials & Techniques:: Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:: Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Jedburgh Abbey, Roxburghshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Tolleshunt-Beckingham, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Classical Composition

Creator:: Thomas Girtin, 1775–1802
Date:: 1798 to 1799
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:: Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Death on a Pale Horse

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1775
Materials & Techniques:: Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 5/16 inches (30.2 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 5/16 inches (28.9 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Credulity

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Combe Bottom

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 4 7/16 x 6 1/8 inches (11.3 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

50. Cottages behind Horsley's House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 13 1/16 inches (21.6 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. Eve

Creator:: Print made by Edward Anthony Carrick, 1905–1998
Date:: undated
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 7 11/16 inches (27.6 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

52. In Belgium

Creator:: William Lee Hankey, 1869–1952
Date:: 1917
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 11 5/8 inches (25.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 15/16 x 7 5/16 inches (30.3 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Frankley Chapel, S. E., Worcestershire

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1812
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Dudley Priory in Worcestershire, Plate 2

Creator:: M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Dudley Priory in Worcestershire, Plate 1

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Penzance, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1833
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1793
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Evening

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 5/8 inches (33 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Sleepest or Wakest Thou?

Creator:: Print made by Richard Ansdell, 1815–1885
Date:: ca. 1853
Materials & Techniques:: Etching on moderately thick, smooth, cream card
Dimensions:: Sheet: 4 1/4 × 5 7/8 inches (10.8 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bristol High Cross

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1734
Materials & Techniques:: Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Haddon Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Returning from the Spring. Virginia.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Belle of the Village

Creator:: Print made by George Baxter, 1804–1867
Date:: 1854
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:: Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Chepstow Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Vue Generale des Ruines du Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Wild Bull of Chillingham

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1781
Materials & Techniques:: Wood-engraving on vellum
Dimensions:: Sheet: 10 1/16 × 13 9/16 inches (25.5 × 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Bath: The North Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Windmill Hill, no. 1

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

80. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cottages behind Horsley's House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 7/16 inches (23.2 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

82. Encombe Woods, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881-1882
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 11/16 x 17 inches (29.7 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

83. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: ca. 1793
Materials & Techniques:: Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Brahmins at a Toolsee Altar

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.5 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Wooded Landscape with Herdsman and Cows

Creator:: Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Gray and black wash with black chalk, pen and black ink, heightened with white chalk on medium, slightly textured, cream laid paper, set into contemporary mount
Dimensions:: Sheet: 10 7/8 x 14 1/4 inches (27.6 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. February

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 x 13 5/16 inches (41 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. June

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Marlowe Meadows

Creator:: Edward P. Brandard, 1819–1898
Date:: 1884
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 16 11/16 inches (31.5 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

89. An Apotheosis Scene

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 inches (11.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

YCBA Collections Search

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1. West Gate of Pevensey Castle, Sussex

2. Two Fishing Boats on the Banks of Inland Waters

3. At South Mickleham

4. The Meet

5. Corpo di Cava, 28 June 1838

6. The Poems of Thomas Gray, Design 65, "The Bard."

7. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

8. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

9. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

10. Showery June, Picardy

11. Windsor Castle, Berkshire

12. View from Craig-y-Barns, Dunkeld, Looking South

13. Freshwater Bay

14. Freshwater Bay

15. Nîmes from the Tour Magne

16. Mountainous Landscape with Cows

17. High Tor, Matlock

18. Roundway Park, Wiltshire: Exterior View

19. Boxhill from West Humble Lane

20. The Poor House, Hadley, Hertfordshire

21. Classical Landscape

22. Wooded Landscape

23. Lillebonne - Château d'Harcourt

24. Kirkstall Abbey from the N.W.

25. Romantic Landscape

26. Glasgow Cathedral

27. Country House

28. The New Walk, York

29. View of Rochester

30. Pluscardine Abbey, Elgin

31. Carlisle Cathedral, Cumberland, from the South-west

32. Melville Castle, Midlothian

33. The Watermill Above the Bridge at Charenton

34. Tynemouth Priory, Northumberland

35. Lichfield Cathedral, Staffordshire

36. Tempio d' Antonio e Faustina

37. Jedburgh Abbey, Roxburghshire

38. Tolleshunt-Beckingham, Essex

39. Guisborough Priory

40. Rochester, Kent: from the North

41. Classical Composition

42. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

43. Death on a Pale Horse

44. A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

45. A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

46. Credulity

47. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

48. Clare Hall

49. Combe Bottom

50. Cottages behind Horsley's House

51. Eve

52. In Belgium

53. Cowdray Ruins

54. A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

55. Frankley Chapel, S. E., Worcestershire

56. Dudley Priory in Worcestershire, Plate 2

57. Dudley Priory in Worcestershire, Plate 1

58. Dudley Priory in Worcestershire, Plate 2

59. Penzance, Cornwall

60. Blockley Church

61. Evening

62. Sleepest or Wakest Thou?

63. Bristol High Cross

64. Four Subjects

65. Four Subjects

66. Four Subjects

67. Haddon Hall

68. Four Subjects

69. Returning from the Spring. Virginia.

70. The Belle of the Village

71. Chepstow Castle

72. Newstead Abbey

73. Balmoral Castle

74. Vue Generale des Ruines du Château d'Arlay