Materials & Techniques: black ink / On-site Access: Accessible by appointment in the Study Room

301. Jerusalem, Plate 86, "I see thy Form...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Jerusalem, Plate 87, "Repelling weeping Enion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Jerusalem, Plate 89, "Tho divided by the Cross...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Jerusalem, Plate 90, "The Feminine separates...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Jerusalem, Plate 92, "What do I see!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Jerusalem, Plate 93, "Enitharmon heard...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827
Date:: 1803 to 1805
Materials & Techniques:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

313. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. The Entrance Front of Hayley's House at Eartham

Creator:: William Blake, 1757–1827
Date:: 1801
Materials & Techniques:: Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827
Date:: 1795 to 1805
Materials & Techniques:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

321. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 1/8 × 22 5/8 inches (84.1 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Apollo and Daphne

Creator:: Master of the Giants, active 1779
Date:: between 1770 and 1799
Materials & Techniques:: Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Part of Regent's Park

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Road Between Hills

Creator:: pupil of John Malchair, 1730–1812
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. The North Foreland Lighthouse, Kent

Creator:: James Malton, 1761–1803
Date:: 1791
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Gaunt's House, Wimborne

Creator:: John Preston Neale, 1771/80–1847
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and graphite on medium, slightly textured, cream wove paper mounted on very thick, smooth, cream wove paper
Dimensions:: Sheet: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Study for The Woodman's Daughter

Creator:: Sir John Everett Millais, 1829–1896
Date:: 1849
Materials & Techniques:: Pen and gray ink, pen and black ink, gray wash, graphite and scraping on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

337. A Chaisse passing Through the Alps

Creator:: William Marlow, 1740–1813
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, white chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 13 1/2in. (47.6 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Rochester

Creator:: William Marlow, 1740–1813
Date:: 1780
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/8 × 20 1/4 inches (37.1 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

340. Ships on a Stormy Sea

Creator:: Samuel Owen, 1768–1857
Date:: 1836
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Margate Harbor

Creator:: Samuel Owen, 1768–1857
Date:: ca. 1806
Materials & Techniques:: Brown wash and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 19 1/8 inches (30.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Prospero Summoning Ariel

Creator:: William Young Ottley, 1771–1836
Date:: ca. 1800
Materials & Techniques:: Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. A Wooded Track

Creator:: Henry Monro, 1791–1814
Date:: 1813
Materials & Techniques:: Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Peasants Resting

Creator:: George Morland, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 15/16 × 8 1/16 inches (15.1 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Two Men Fighting Before a Woman

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1771
Materials & Techniques:: Pen and black ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 5 1/8 inches (8.9 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Choir and Orchestra (A Choral Band)

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/8 inches (21 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Three Soldiers in Armour Sitting on Stone Blocks

Creator:: John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 7 5/8 inches (17.5 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Two Heads in a Roundel

Creator:: attributed to John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 x 4 3/4 inches (12.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Saint Paul Preaching to the Britons

Creator:: John Hamilton Mortimer, 1740–1779
Date:: between 1775 and 1778
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 11 inches (20.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Poulterer's Shop

Creator:: William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink and pen and red ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/16 × 4 5/16 inches (11 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. In Mr. Barnard's Boat, Kingston

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 7/8 inches (12.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. A Review on Epson Downs

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Entrance to Stonehouse Creek, between Plymouth and Dock, Devon

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 14 3/8in. (26.7 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Title page from She Stoops to Conquer

Creator:: Alfred Parsons, 1847–1920
Date:: 1884
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 8 3/4in. (30.2 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection (The Edwin Abbey Memorial Collection)

356. Valentino, Servitore de Piazza

Creator:: Thomas Patch, 1725–1782
Date:: 1769
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 9 7/8in. (20.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Study for, In Mr. Barnard's Boat, Kingston

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. On the Wye

Creator:: Pupil of William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. A Cave in Sunlight, with Figures

Creator:: William Payne, active 1850s
Date:: 1825
Materials & Techniques:: Watercolor, gouache, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 1/4 inches (21.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Coquet Island

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 16 5/8 inches (8.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. A Study for the Pilkington Crest, a mower with a scythe

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Pen and brown ink, pen and black ink, gray wash, and graphite, squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 11in. (31.1 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Three Ships

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/8 × 8 1/8 inches (13 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Cornelius Vanderbilt

363. Shrubland Hall, Suffolk: Elevation

Creator:: James Paine, 1717–1789
Date:: ca. 1770
Materials & Techniques:: Graphite, pen and black ink, gouache and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 21 5/8 inches (31.8 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Moonlit Scene of Castle and Ships

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, with pen and black ink, brown ink, graphite, gouache and gum arabic on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/8 × 5 13/16 inches (11.1 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Two Trees

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, black wash, gray wash, graphite, scratching out, and sponging on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 × 9 1/8 inches (30.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Landscape with Waterfall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brushed black ink, white gouache, and graphite; verso: pen and black ink and gray wash on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 7 1/8 × 5 1/2 inches (18.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 7 7/8 inches (16 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Belfast from Bunker's Hill / On the Road to Hollywood

Creator:: John O'Connor, 1830–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Indian Statue

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/16 × 9 1/8 inches (26.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Landscape with Smokestack

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 10 7/16 inches (18.1 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Shanklin Church/ Isle of Wight

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 16 3/16 × 21 13/16 inches (41.1 × 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Ealing House, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, smooth, white wove paper
Dimensions:: Sheet: 6 7/8 × 8 1/8 inches (17.5 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Great Oakley Hall, Northamptonshire

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Pen and black ink, wash; (verso) graphite and pen and brown ink on smooth, thick, white card
Dimensions:: Sheet: 3 11/16 × 5 3/16 inches (9.4 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. The Farm Consisting of Kirkland Drumcroy, Auchenfloor, Cannee, Barhill and Silvercraigs (formerly Nuntons)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 15/16 × 22 13/16 inches (86.2 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Whinny Liggate; Balgreddan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 7/8 × 22 9/16 inches (86 × 57.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Whinny Liggate; Balgredan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Adam and Eve

Creator:: attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Fall of a City

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. The Death of Ananias

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Lot Fleeing Sodom

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. The Ravens Feeding Elijah

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. The Release of Saint Peter from Prison

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Christ Preaching to the Elders in the Temple

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. The Stoning of Saint Stephen

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. The Conversion of Saul

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Daniel in the Den of Lions

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. An Elderly Man Petitioning Christ

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Christ Stilling the Tempest

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Christ Healing the Palsied Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Christ Healing a Blind Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Wild Indian

Creator:: Philip William May, 1864–1903
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/16 × 2 7/8 inches (17.9 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

395. The Wreck of the Apollo Frigate, 1803

Creator:: William H. Overend, 1851–1898
Date:: undated
Materials & Techniques:: Gray wash, white gouache, and pen and black ink on very thick, smooth, cream wove card
Dimensions:: Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

396. Design for a Church: Elevation of the West Front

Creator:: James Paine, 1717–1789
Date:: ca. 1750
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 9 3/8 inches (25.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Seashore with Sand Dunes

Creator:: Dr. Thomas Monro, 1759–1833
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, white chalk, and black chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 11 11/16 x 17 3/4in. (29.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Blundeston near Lowestoft, Sussex

Creator:: John Claude Nattes, 1765–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. A Man Kneeling

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1770
Materials & Techniques:: Pen and black ink; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/8 x 4 1/4 inches (8.6 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Literary Characters Assembled Around the Medallion of Shakespeare

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques black ink

On-site Access Accessible by appointment in the Study Room

Search Results

301. Jerusalem, Plate 86, "I see thy Form...."

302. Jerusalem, Plate 87, "Repelling weeping Enion...."

303. Jerusalem, Plate 89, "Tho divided by the Cross...."

304. Jerusalem, Plate 90, "The Feminine separates...."

305. Jerusalem, Plate 92, "What do I see!...."

306. Jerusalem, Plate 93, "Enitharmon heard...."

307. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

308. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

309. Jerusalem, Plate 99, "All Human Forms identified...."

310. Christ Giving Sight to Bartimaeus

311. Joseph and Potiphar's Wife

312. Sealing the Stone and Setting a Watch

313. Mary Magdalen at the Sepulchre

314. Pity

315. Abraham and Isaac

316. Moses Receiving the Law

317. Tiriel Supporting the Dying Myratana and Cursing His Sons

318. The Entrance Front of Hayley's House at Eartham

319. The Parable of the Wise and Foolish Virgins

320. Christ Appearing to the Apostles after the Resurrection

321. An Angel with a Trumpet

322. Pembroke College, Cambridge

323. Bishopton

324. Apollo and Daphne

325. Westminster Abbey from Dean's Yard

326. Part of Regent's Park

327. Road Between Hills

328. The North Foreland Lighthouse, Kent

329. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

330. Gaunt's House, Wimborne

331. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

332. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

333. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

334. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

335. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

336. Study for The Woodman's Daughter

337. A Chaisse passing Through the Alps

338. A Street in Florence with the Duomo and Campanile in the Background

339. Rochester

340. Ships on a Stormy Sea

341. Margate Harbor

342. Prospero Summoning Ariel

343. A Wooded Track

344. High Street at Bushey, Hertfordshire

345. Peasants Resting

346. Two Men Fighting Before a Woman

347. Choir and Orchestra (A Choral Band)

348. Three Soldiers in Armour Sitting on Stone Blocks

349. Two Heads in a Roundel

350. Saint Paul Preaching to the Britons

351. Poulterer's Shop

352. In Mr. Barnard's Boat, Kingston

353. A Review on Epson Downs

354. Entrance to Stonehouse Creek, between Plymouth and Dock, Devon

355. Title page from She Stoops to Conquer

356. Valentino, Servitore de Piazza

357. Study for, In Mr. Barnard's Boat, Kingston

358. On the Wye

359. A Cave in Sunlight, with Figures

360. Coquet Island

361. A Study for the Pilkington Crest, a mower with a scythe

362. Three Ships

363. Shrubland Hall, Suffolk: Elevation

364. Moonlit Scene of Castle and Ships

365. Two Trees

366. Landscape with Waterfall

367. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

368. Belfast from Bunker's Hill / On the Road to Hollywood

369. Indian Statue

370. Landscape with Smokestack

371. Shanklin Church/ Isle of Wight

372. Ealing House, Middlesex

373. Great Oakley Hall, Northamptonshire

374. The Farm Consisting of Kirkland Drumcroy, Auchenfloor, Cannee, Barhill and Silvercraigs (formerly Nuntons)