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301. Covent Garden Market

Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Bridewell, The Pass Room, House of Correction

Bridewell, The Pass Room, House of Correction
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11 1/16 inches (19.4 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Venezia

Venezia
Creator:
Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Blue chalk with pen and brown ink on thick, slightly textured, brown board
Dimensions:
Sheet: 12 1/2 x 9 inches (31.8 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

304. A Race Meeting at Newmarket Heath

A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1671
Materials & Techniques:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

305. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. A Review in a Market Place

A Review in a Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. View of the Market Place at Juliers in Westphalia

View of the Market Place at Juliers in Westphalia
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Bodmin Cornwall: French Prisoners on Parole

Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Bradwell Lodge, Bradwell Quay, Essex

Bradwell Lodge, Bradwell Quay, Essex
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Bodmin Moor

Bodmin Moor
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Giant's Causeway, Antrim, Ireland.

Giant's Causeway, Antrim, Ireland.
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-gray and gray ink, over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Four Women at a Well in Rome

Four Women at a Well in Rome
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 inches (15.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. A Military Encampment in Hyde Park

A Military Encampment in Hyde Park
Creator:
James Malton, 1761–1803
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Donkey Beside a Tree, Hampstead

Donkey Beside a Tree, Hampstead
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, smooth, beige wove paper
Dimensions:
Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. In Portsmouth Harbor

In Portsmouth Harbor
Creator:
George Jackson, active 1839–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 4 3/16 inches (8.6 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. A Groom, Berkshire

A Groom, Berkshire
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1816
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 x 6 1/4 inches (33 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Greenwich

Greenwich
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795 to 1800
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Encampment at Maestricht

Encampment at Maestricht
Creator:
Thomas Sandby, 1721–1798
Date:
1747
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 2 1/2 × 16 1/16 inches (6.4 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. The Banqueting House, Whitehall, from the River

The Banqueting House, Whitehall, from the River
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1810
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. The Quorn towards Ashby de la Zouch, Leicestershire

The Quorn towards Ashby de la Zouch, Leicestershire
Creator:
Lionel Edwards, 1878–1966
Date:
1919
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Skating in Hyde Park

Skating in Hyde Park
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. A Race on the Knavesmire at York

A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. 'A Whistler!'

'A Whistler!'
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 3/8 inches (21.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Creator:
Possibly Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Temple of Minerva Medica, Rome

Temple of Minerva Medica, Rome
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, moderately textured cream laid paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

332. Figures with a Bull From Parthenon Frieze

Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Sketch of a Horseman, From the Parthenon Frieze

Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Landscape with Temple Ruins at Sunium

Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Design for a London Townhouse: Elevation

Design for a London Townhouse: Elevation
Creator:
Michael Searles, 1750–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 3/4 inches (18.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Design for a London Townhouse: Elevation

Design for a London Townhouse: Elevation
Creator:
Michael Searles, 1750–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Design for a London Townhouse: Elevation

Design for a London Townhouse: Elevation
Creator:
Michael Searles, 1750–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. The Leicestershire Hunt - A Struggle for the Start

The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. The Leicestershire Hunt - The Death

The Leicestershire Hunt - The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Creator:
Attributed to Thomas Baker of Leamington, 1809–1864
Date:
1848
Materials & Techniques:
Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. A Ball at Scarborough

A Ball at Scarborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
Creator:
Thomas Daniell, 1749–1840
Date:
1796
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Trees in the Villa Negroni Planted by M. Angelo

Trees in the Villa Negroni Planted by M. Angelo
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

351. Langley Park, Norfolk: Elevation

Langley Park, Norfolk: Elevation
Creator:
John Sanderson, active 1730; died 1774
Date:
1757
Materials & Techniques:
Pen and black, brown, and gray ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 18 3/16 inches (28.7 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. St. Catherine's Castle at Fowey, Cornwall

St. Catherine's Castle at Fowey, Cornwall
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 19 1/2in. (30.5 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

353. Near Hackney

Near Hackney
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 14 1/8 inches (45.4 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Views in the Levant: The Columns of Augustus at Brundisium

Views in the Levant: The Columns of Augustus at Brundisium
Creator:
Willey Reveley, 1760–1799
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. On the Seine

On the Seine
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:
Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. An Encampment in St. James Park

An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Thornbury Castle, Gloucestershire

Thornbury Castle, Gloucestershire
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. A Pier at Amsterdam

A Pier at Amsterdam
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. A View of Esq. Turner's Garden at Valence in Kent

A View of Esq. Turner's Garden at Valence in Kent
Creator:
John Donowell, active 1753–1786
Date:
undated
Materials & Techniques:
Pen and gray ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 16 1/8 inches (25.4 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground...

St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground...
Creator:
Attributed to Edward Edwards, 1738–1806
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen, ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Views in the Levant: Malta

Views in the Levant: Malta
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Views in the Levant: Paestum

Views in the Levant: Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Plans for Hinton St. George: Design for Gateway with Heraldic Lions

Plans for Hinton St. George: Design for Gateway with Heraldic Lions
Creator:
James Allen, active 18th century
Date:
undated
Materials & Techniques:
Pen and black ink and wash on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 14 7/8 × 12 1/8 inches (37.8 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Design for Ardgowan House, Scotland: Ground Floor Plan

Design for Ardgowan House, Scotland: Ground Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Design for Ardgowan House, Scotland: Chamber Floor Plan

Design for Ardgowan House, Scotland: Chamber Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Stainborough Hall, Yorkshire: Front and Back Elevations

Stainborough Hall, Yorkshire: Front and Back Elevations
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Design for Ardgowan House, Scotland: Attic Floor Plan

Design for Ardgowan House, Scotland: Attic Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Design for Ardgowan House, Scotland: North North West Elevation

Design for Ardgowan House, Scotland: North North West Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Thirlestane Castle, near Lauder, Vale of Tweed

Thirlestane Castle, near Lauder, Vale of Tweed
Creator:
John Slezer, died 1717
Date:
ca. 1677
Materials & Techniques:
Pen and brown ink, and gray ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 5/8 × 16 7/8 inches (27 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. On the Wye

On the Wye
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

373. Isola Bella, Lago Maggiore

Isola Bella, Lago Maggiore
Creator:
Charles Gore, 1729–1807
Date:
ca. 1776
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Snowdon

Snowdon
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:
Sheet: 6 1/4 x 10 1/16in. (15.9 x 25.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. A Southeast View of the Castle of Grigan in Provence near Dauphine

A Southeast View of the Castle of Grigan in Provence near Dauphine
Creator:
Michel Vincent Brandoin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 3/4 inches (31.8 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Buildwas Abbey, Shropshire

Buildwas Abbey, Shropshire
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. The Island of Hoy, the Orkneys

The Island of Hoy, the Orkneys
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, graphite, gray ink, and gray wash on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Elgin Cathedral, Moray

Elgin Cathedral, Moray
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Bridge on the Malton Road from York

Bridge on the Malton Road from York
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 17 3/4 inches (37.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. The Peake of Tenerife

The Peake of Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1829
Materials & Techniques:
Watercolor, pen, gray ink, brown ink, black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 x 16 7/8 inches (34.9 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham

Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham
Creator:
Richard Dighton, 1795–1880
Date:
between 1837 and 1848
Materials & Techniques:
Gouache, watercolor, pen, black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 8 3/4 inches (27.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Isola Bella, Lago Maggiore

Isola Bella, Lago Maggiore
Creator:
John Skinner Prout, 1806–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Stainborough Hall, Yorkshire: Three Floor Plans

Stainborough Hall, Yorkshire: Three Floor Plans
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 x 4 5/8 inches (24.1 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Bush Hill, Edmonton, London: Plan of a Knot Garden

Bush Hill, Edmonton, London: Plan of a Knot Garden
Creator:
unknown artist
Date:
1713
Materials & Techniques:
Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 5 1/2 inches (25.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Design for Ardgowan House, Scotland: Principal Floor Plan

Design for Ardgowan House, Scotland: Principal Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Pen and black ink, and gray wash on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Design for Ardgowan House, Scotland: Principal Floor Plan

Design for Ardgowan House, Scotland: Principal Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 3/16 × 18 9/16 inches (28.4 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Design for Ardgowan House, Scotland: South South East Elevation

Design for Ardgowan House, Scotland: South South East Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. View near Walton on Naze

View near Walton on Naze
Creator:
Lionel Constable, 1828–1887
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite with scratching out on medium, smooth, cream wove paper laid to paperboard
Dimensions:
Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Design for Grosvenor House, London: Plan

Design for Grosvenor House, London: Plan
Creator:
Thomas Cundy, 1790–1867
Date:
1842
Materials & Techniques:
Graphite, pen and black ink, wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 6 3/8 × 13 1/8 inches (16.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Cookham on the Thames, Berkshire

Cookham on the Thames, Berkshire
Creator:
Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Matlock High Tor, Derbyshire

Matlock High Tor, Derbyshire
Creator:
John Emes, 1762–1810
Date:
ca. 1786
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Matlock Baths, Derbyshire

Matlock Baths, Derbyshire
Creator:
William Day, 1764–1807
Date:
ca. 1789
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Renard's Hole, Dovedale, Derbyshire

Renard's Hole, Dovedale, Derbyshire
Creator:
William Day, 1764–1807
Date:
1789
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. The Head of Loch Fyne, with Dindarra Castle

The Head of Loch Fyne, with Dindarra Castle
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1850
Materials & Techniques:
Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Shipping off Staffa

Shipping off Staffa
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1842
Materials & Techniques:
Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 3/8 inches (31.1 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Archiepiscopal Palace, Wrotham, Kent

Archiepiscopal Palace, Wrotham, Kent
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Ashtead

Ashtead
Creator:
Attributed to Hon. Daniel Finch, 1789–1868
Date:
1833
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 inches (20.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. At Ashford

At Ashford
Creator:
Attributed to Rev. Daniel Finch, 1757–1840
Date:
1818
Materials & Techniques:
Pen and brown ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Valley of Rocks, Lynton, North Devon

Valley of Rocks, Lynton, North Devon
Creator:
Francis Oliver Finch, 1802–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. The Fair at Cheltenham

The Fair at Cheltenham
Creator:
Edward Eyre, active 1771–1792
Date:
1775
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 15 1/8 inches (24.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection