Materials & Techniques: line engraving / Period: 19th century - YCBA Collections Search Search Results

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by James Basire the younger, 1769–1822

A View of the Chapel and Hall of Oriel College

1807

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of Exeter College, All Saints Church, from the Turl

1806

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire the younger, 1769–1822

Seals of Whalley Abbey

1800

Print made by James Basire the younger, 1769–1822

Browsholme

1800

Print made by James Basire the younger, 1769–1822

Townley Hall

1800

Print made by James S. Storer, 1771–1853

Hampton Court, Herefordshire

1801

Print made by William Finden, 1787–1852

An Arrival

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by James Basire the younger, 1769–1822

The Sherburne Chapel in Mitton Church

1801

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Print made by John Greig, active 1803–1853

Windsor from the Forest, Berks

1804

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Edward Goodall, 1795–1870

Venice

1830

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

Print made by Daniel Allen, active 1830s

Travelling Monks

1830

Print made by Daniel Allen, active 1830s

The Borghese Vase

1830

Print made by Daniel Allen, active 1830s

A Grecian Drinking Cup

1830

Print made by Daniel Allen, active 1830s

An Etruscan Vase

1830

Print made by William Chapman, 1817–1879

Dover from Shakespeare's Cliff

1860

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1818

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1821

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1821

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Print made by Samuel Rawle, 1771–1860

Gibside, County of Durham

1819

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Period 19th century

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Period 19th century

Search Results