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1
- A Recollection of the New R.A
- 1837
2
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
3
- Grotesque Male Head
- undated
4
- Study for the Foundlings
- ca. 1739
5
- Rome from Monte Mario
- ca. 1818
6
- Qaw el Kebir
- 1867
7
- Avenue of Trees
- 1867
8
- Sketch studies of camels
- January to April 1867
9
- Studies of Camels
- January to April 1867
10
- Near Belbeis
- 1867
11
- Salahiyeh
- 1867
12
- Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
- 1867
13
- Boats on the Nile
- 1867
14
- Boats
- 1867
15
- Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
- 1867
16
- Pettenasco, Lago d'Orta
- 1867
17
- Near Suez, evening, 15 January 1849 (43)
- 1849
18
- Near Suez, 1 pm, 16 January 1849 (48)
- 1849
19
- Greek Woodcutter, June 13 /56
- 1856
20
- Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
- 1867
21
- Opposite Beni Hassan
- 1867
22
- Howatke
- 1867
23
- A Dry Halfeh Grass
- 1867
24
- Boats on the Nile
- 1867
25
- Near Korosko
- 1867
26
- Wady Halfeh
- 1867
27
- Study of an Egyptian Man on a Camel
- 1867
28
- Opposite Kom Ombos Abu Jer
- 1867
29
- El Areesh
- 1867
30
- Near Khan Yunas
- 1867
31
- Pettenasco, Lago d'Orta
- 1867
32
- Egpytian Man on Camel
- 1867
33
- Studies of Camels and Egyptian Men
- 1867
34
- Study of figures and a camel
- 1867
35
- Zereeba, near Belbeis
- 1867
36
- Belbeis
- 1867
37
- Kurayim
- 1867
38
- Between Bir El Abt
- 1867
39
- Near Bajoura
- 1867
40
- Shelaal
- 1867
41
- Sheikh El Wachshee, El Luxor
- 1867
42
- Below Rabat, Malta
- 1866
43
- El Ousta
- 1854
44
- Harb. Gozo
- 1866
45
- Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
- 1849
46
- Prison Scene
- undated
47
- Classical Male Nude with a Rearing Horse
- undated
48
- Shepherdess Cutting an Inscription on a Tree
- undated
49
- Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
- ca. 1888
50
- Castle with Figures in a Classical Landscape
- undated
51
- Haymaking
- 1792
52
- Cat Like Courtship
- undated
53
- The Arrival of Ferries at London Bridge (?)
- undated
54
- The Village of Kirkstall, Yorkshire
- 1801
55
- Reading Lesson at a Dame School
- undated
56
- Chalfont Lodge, Buckinghamshire
- undated
57
- Sketches of Peasants and Work-Horses
- undated
58
- The Undergraduate's Room
- undated
59
- The Actresses Dressing Room at Drury Lane
- between 1800 and 1810
60
- Tom Thumb at Bay
- undated
61
- A Coat of Arms for a Stamp on Income
- undated
62
- Interior of a Stable
- undated
63
- Bucks of the First Head
- ca. 1785
64
- The Recruiting Officer
- 1797
65
- The Thatched Cottage
- undated
66
- A Farm near Windsor
- 1789
67
- A View at Lucerne
- 1775
68
- Two Kneeling Figures
- undated
69
- Characters in the Streets of London
- 1799
70
- Landscape with Lake and Figures on a Rocky Road
- 1777
71
- Group of Three Young Women
- undated
72
- Fisherman's Quarters, Robin Hood's Bay
- undated
73
- The Gypsy Fortune-Teller
- ca. 1758
74
- A Group of Men on Westminster Pier
- ca. 1752
75
- Capriccio of a Venetian Courtyard
- undated
76
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
77
- The Smock Exposed
- 1817
78
- Hogarth Drawing Sarah Malcolm
- 1817
79
- The Reconcilation
- 1817
80
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
81
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
82
- Hogarth Sitting to Roubiliac for His Bust
- 1817
83
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
84
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
85
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
86
- The Eleventh Hour
- 1817
87
- Design for Medal: Both Hands Fil'd for Britain
- undated
88
- Musicians and a Performing Bear
- undated
89
- Two Girls Carrying a Basket
- undated
90
- The Manse, Cults, Fife: The Artist's Old Home
- undated
91
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
92
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
93
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
94
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
95
- Street Scene at Stratford by Bow
- undated
96
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
97
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
98
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
99
- A Family in Hyde Park
- undated
100
- The Porch, Reims Cathedral
- ca. 1840