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William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 31, "His western heaven...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
John William Inchbold In Richmond Park
John William Inchbold, 1830–1888
In Richmond Park
1869
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Richard Parkes Bonington Ancienne Porte a Stirling
Print made by Richard Parkes Bonington, 1802–1828
Ancienne Porte a Stirling
1826
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Robert Smirke Bachanalia Scene
Robert Smirke, 1752–1845
Bachanalia Scene
undated
Robert Smirke Five Vignettes of Scenes from Antiquity
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
unknown artist Boston Church and Grand Sluice, Lincolnshire
Print made by unknown artist
Boston Church and Grand Sluice, Lincolnshire
undated
John Doyle ('H.B.') The Fates
Print made by John Doyle ('H.B.'), 1797–1868
The Fates
1847
David Allan Peggy Advocates a Sweetheart
Print made by David Allan, 1744–1796
Peggy Advocates a Sweetheart
1808
William Gauci Dundry Tower, Leigh Wood, Hotwell House, Clifton
William Gauci, active 1825–1854
Dundry Tower, Leigh Wood, Hotwell House, Clifton
undated
William Gauci The Sea Walls, from the Leigh Wood Quarry, Clifton
William Gauci, active 1825–1854
The Sea Walls, from the Leigh Wood Quarry, Clifton
undated
Richard Parkes Bonington L'Eglise de St. Gervais et St. Protais
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
Richard Parkes Bonington Bergues - La Tour du Marché
Print made by Richard Parkes Bonington, 1802–1828
Bergues - La Tour du Marché
1824
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
Richard Parkes Bonington Rue du Gros-Horloge, Rouen
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros-Horloge, Rouen
1824
John Bell Charon's Boat
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Richard Parkes Bonington Edinbourgh vu de la Chapelle S. Antoine
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
Richard Parkes Bonington Croix de Moulin les Planches
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
Richard Parkes Bonington Rue du Gros Horloge
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
Richard Parkes Bonington Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
John Glover St. Davids Head, Pembrokeshire
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
James Basire the younger Frankley Chapel, S. E., Worcestershire
Print made by James Basire the younger, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
John Varley An Arch at Holy Island, Northumberland
John Varley, 1778–1842
An Arch at Holy Island, Northumberland
1809
James Pollard The Derby Day: Tits and Trampers on the Road to Epsom
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom
undated
Thomas Bonnor St. Martin's Church Westminster
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
Caroline Watson Garrick Reading the Ode at the Shakespeare Jubilee
Caroline Watson, 1760–1814
Garrick Reading the Ode at the Shakespeare Jubilee
1784
John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus
Print made by John Doyle ('H.B.'), 1797–1868
The Harpies Attacking the Daughters of Pandarus
1848
Louis Haghe Newstead Abbey, The Seat of the Late Lord Byron
Louis Haghe, 1806–1885
Newstead Abbey, The Seat of the Late Lord Byron
undated
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
Louis Haghe His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
ca. 1840
Richard Parkes Bonington Tour aux Archives a Vernon
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
Thomas Girtin Lichfield Cathedral, Staffordshire
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
Thomas Girtin Glasgow Cathedral
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
Arthur Keen The Baptist Church House, Southampton Row, W. C.
Arthur Keen, 1861–1938
The Baptist Church House, Southampton Row, W. C
ca. 1901
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
Samuel Hieronymus Grimm Haverfordwest, Pembrokeshire
Samuel Hieronymus Grimm, 1733–1794
Haverfordwest, Pembrokeshire
1791