Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
3
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
4
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
5
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
6
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
7
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
8
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
9
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
10
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
11
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
12
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
13
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
14
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
15
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
16
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
17
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
18
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
19
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
20
unknown artist
View of Cumberland Terrace
undated
21
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
22
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
23
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
24
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
25
unknown artist
Elevation of the Ordnance Office
after 1780
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
27
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
33
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
34
Print made by Stanley Anderson, 1884–1966
Somerset House, London
1910
35
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
36
Print made by Sir Muirhead Bone, 1876–1953
Somerset House
1905
37
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
38
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
39
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
40
Charles Heath, 1785–1848
Green Park
1825
41
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
42
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
43
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
44
Charles Heath, 1785–1848
The Penitentiary and Distant View of Westminster Bridge
1825
45
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
46
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
47
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
48
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
49
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
50
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
51
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
52
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
53
John Maurer, active 1713–1761
A Perspective View of Whitehall
54
unknown artist
The Royal Palace of St. James's next the Park
55
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
56
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
57
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
58
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
59
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
60
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
61
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
62
Print made by Michael Hanhart, active 1841–1852
L'Adieu
ca. 1858
63
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
64
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
65
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
66
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
67
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
68
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
69
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
70
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
71
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
72
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
73
Print made by unknown artist
Part of Westminster
ca. 1850
74
Print made by John Thomas Smith, 1766–1833
Ceiling of the Star Chamber
1805
75
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
76
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
77
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
78
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
79
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
80
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
81
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
82
Charles Heath, 1785–1848
Regent's Canal Basin, City Road
undated
83
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
84
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
85
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
86
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
87
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
88
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
89
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
90
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
91
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
92
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
93
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
94
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
95
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
96
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
97
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
98
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
99
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
100
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber