Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
3
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
4
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
5
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
6
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
7
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
8
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
9
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
10
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
11
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
12
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
13
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
14
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
16
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
17
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
18
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
19
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
31
Print made by James Basire the younger, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
32
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
35
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
38
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
39
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
42
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
43
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
45
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
46
unknown artist
Grave of the Supposed William Lyndewode
1852
47
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
48
unknown artist
Peers' Entrance
undated
49
unknown artist
New Rooms at Westminster for the Bishops
undated
50
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
51
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
52
unknown artist
Exterior of Painted Chamber, North View
undated
53
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
54
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
55
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
56
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
57
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
58
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
59
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
60
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
61
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
62
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
63
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
64
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
65
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
66
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
67
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
68
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
69
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
70
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
71
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
72
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
73
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
74
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
75
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
76
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
77
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
78
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
79
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
80
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
81
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
82
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
83
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
84
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
85
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
88
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
89
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
92
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
96
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel