On-site Access: Accessible by appointment in the Study Room / Subject Terms: sea

1. A Page from a Cornish Sketchbook: Cornwall 32

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, white wove paper
Dimensions:: Sheet: 4 1/4 x 7 inches (10.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Rock Slip near Boscastle

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache, black chalk, yellow chalk, and blue chalk on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 10 5/8 inches (24.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Page from a Cornish Sketchbook: Cornwall 30

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, smooth, white wove paper
Dimensions:: Sheet: 4 3/16 x 7 inches (10.6 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880-1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Brighton Beach Looking West

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Four East Indiamen at Archor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 12 3/4 inches (19.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Two Ships at Anchor

Creator:: John Constable, 1776–1837
Date:: 1803
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (b), touched by the artist in graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Coast of Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 5/8 inches (28.9 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fishing Boats Becalmed off le Havre

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/4 inches (14 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Ship Aground, Brighton

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, brushed black ink, gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Cricket on the Goodwin Sands

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor, gouache and white chalk on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; trial proof
Dimensions:: Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; 1872 impression
Dimensions:: Sheet: 6 x 8 3/8in. (15.2 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Modern Impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's Proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 3/4 inches (29.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Coast of Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Yarmouth Sands

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Shipping Scene, with Fishermen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1815 and 1820
Materials & Techniques:: Brown wash, brushed brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Rhodes

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1823 and 1824
Materials & Techniques:: Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Shipping

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1828 and 1830
Materials & Techniques:: Brushed brown ink, pen and brown ink, gouache, graphite and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View near Palermo

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 19 1/8 inches (31.8 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Gozo, near Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen in brown ink over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 5/16 x 9 3/4 inches (16 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Pontine Marshes above Terracina

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Wied Zurrik (Malta)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. El Areesh (Torrens Ægypti)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 2 9/16 x 8 15/16 inches (6.5 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. The Capo Sant' Angelo, Amalfi

Creator:: Edward Lear, 1812–1888
Date:: ca. 1885
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 x 13 1/8 inches (22.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Visions, Frontispiece (Plate 1)

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Serpent who Girds the Earth (Design 77)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Illustrations of Imitation of Eclogue I, Page 17

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/4 inches (14 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

44. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Creator:: Attributed to William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. St. Donat's Castle, Glamorganshire

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:: Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Studland Dock Yard

Creator:: John Baverstock Knight, 1785–1859
Date:: 1822
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 18 1/2 inches (14.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Miraculous Draught of Fishes

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The North Foreland Lighthouse, Kent

Creator:: James Malton, 1761–1803
Date:: 1791
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Fanali di Villa Franca

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 × 7 7/16 inches (12.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. On the Sands at Brighton: Figures Walking on the Shore

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 inches (14.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Pale Melancholy

Creator:: William Havell, 1782–1857
Date:: ca. 1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Castle on the Sea Coast

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 × 6 3/4 inches (10.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Strand Gateway, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Windmill on the Sea Coast Near Hastings

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/16 × 7 1/2 inches (13.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Tilly Whim Cave, Dorset

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Tropical Coast, Sunset

Creator:: John Martin, 1789–1854
Date:: between 1840 and 1850
Materials & Techniques:: Watercolor, gouache, and brown ink over graphite with scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Landing of William of Orange at Tor Bay

Creator:: Peter Monamy, 1681–1749
Date:: 1688
Materials & Techniques:: Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ships on a Stormy Sea

Creator:: Samuel Owen, 1768–1857
Date:: 1836
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Shipping in a Choppy Sea

Creator:: Follower of William Owen, 1769–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 10 1/2in. (19.1 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Christ Stilling the Tempest

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Scarborough: Shipwreck at the Foot of the Castle Cliff

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1808
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 16 1/2in. (30 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of Leghorn

Creator:: William Marlow, 1740–1813
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 13 15/16in. (25.9 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Squadron at Anchor

Creator:: Peter Monamy, 1681–1749
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 11 15/16 inches (18.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Shipping in a Choppy Sea

Creator:: Follower of William Owen, 1769–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Composition: Italian Seascape Effect

Creator:: Dr. Thomas Monro, 1759–1833
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 10 1/8 inches (13 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Seashore with Sand Dunes

Creator:: Dr. Thomas Monro, 1759–1833
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, white chalk, and black chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 11 11/16 x 17 3/4in. (29.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Fishmarket on the Beach

Creator:: Giles F. Phillips, 1780–1867
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 × 8 1/4 inches (13.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

Creator:: John Nixon, ca. 1760–1818
Date:: 1804
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 × 6 1/8 inches (8.6 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. View of Revel, Capital of Esthonia

Creator:: Nicholas Pocock, 1740–1821
Date:: undated
Materials & Techniques:: Gray wash, brown wash, pen and black ink, and graphite on medium, slightly textured cream laid paper
Dimensions:: Sheet: 4 13/16 x 17 3/4in. (12.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Island of Portland

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 × 4 3/8 inches (7.6 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Three Ships

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/8 × 8 1/8 inches (13 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Cornelius Vanderbilt

72. Bray Head and the F (cut-off)

Creator:: James Arthur O'Connor, 1792–1841
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 11 inches (17.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View near Auckland: Maori Warrior and Women

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Aloes and Prickly Pears, Tarragona, Spain

Creator:: Harry John Johnson, 1826–1884
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 inches (26 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Study of Sailing Ships

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Admiral House, Simon's Town, Cape of Good Hope

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

Creator:: Giles King, active 1732–1746
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A General View of the City of Dantzick

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A View of Rotterdam, and the River Maese with Variety of Shipping

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

84. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

85. A Perspective View of the City of Naples

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Gale of Winds

Creator:: George Jackson, active 1839–1844
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/16 × 4 1/4 inches (8.4 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Storm, Representing that Violent one, which drove his Majesty King George I into Rye

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Sea Engagement between the English and Algerines

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: ca. 1743
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Morning, or Sun rising

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: Print made by John Couse, active 1753–1764
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Fish Haulers

Creator:: Gertrude Hermes, 1901–1983
Date:: 1926
Materials & Techniques:: Wood-engraving on thin, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 1/8 x 10 1/2 inches (20.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

93. A View of the City of Oporto

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Sweet William's Farewell to Black Eyed Susan

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Cutter and Other Shipping in a Breeze

Creator:: unknown artist
Date:: 1827-1828
Materials & Techniques:: Watercolor, pen and brown ink, blue ink, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 7 3/4 inches (14.8 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Untitled

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 3 7/16 inches (13.3 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

YCBA Collections Search

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1. A Page from a Cornish Sketchbook: Cornwall 32

2. The Rock Slip near Boscastle

3. A Page from a Cornish Sketchbook: Cornwall 30

4. Moeris and Galatea

5. Moeris and Galatea

6. Brighton Beach Looking West

7. Four East Indiamen at Archor

8. Two Ships at Anchor

9. A Sea Piece - A Rough Sea with a Fishing Boat

10. Original Sketch of a Picture for W. Leader, Esq.

11. Coast of Yorkshire

12. Fishing Boats Becalmed off le Havre

13. Ship Aground, Brighton

14. Cricket on the Goodwin Sands

15. Catania, Sicily

16. Catania, Sicily

17. Glaucus and Scylla

18. Glaucus and Scylla

19. Ships in a Breeze

20. Ships in a Breeze

21. Dunstanborough Castle

22. Flint Castle, Vessels Unloading

23. Ships in a Breeze

24. Coast of Yorkshire

25. Original Sketch of a Picture for W. Leader, Esq.

26. Flint Castle, Vessels Unloading

27. Yarmouth Sands

28. Shipping Scene, with Fishermen

29. Rhodes

30. Shipping

31. View near Palermo

32. Gozo, near Malta

33. The Pontine Marshes above Terracina

34. Wied Zurrik (Malta)

35. The Dead Sea, 16 and 17 April 1858

36. El Areesh (Torrens Ægypti)

37. The Capo Sant' Angelo, Amalfi

38. Visions, Frontispiece (Plate 1)

39. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

40. The Serpent who Girds the Earth (Design 77)

41. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

42. Illustrations of Imitation of Eclogue I, Page 17

43. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

44. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

45. St. Donat's Castle, Glamorganshire

46. Studland Dock Yard

47. The Miraculous Draught of Fishes

48. The North Foreland Lighthouse, Kent

49. Fanali di Villa Franca

50. On the Sands at Brighton: Figures Walking on the Shore

51. Pale Melancholy

52. Castle on the Sea Coast

53. Strand Gateway, Winchelsea

54. Windmill on the Sea Coast Near Hastings

55. Tilly Whim Cave, Dorset

56. A Tropical Coast, Sunset

57. Landing of William of Orange at Tor Bay

58. Ships on a Stormy Sea

59. Shipping in a Choppy Sea

60. Christ Stilling the Tempest

61. Scarborough: Shipwreck at the Foot of the Castle Cliff

62. View of Leghorn

63. A Squadron at Anchor

64. Shipping in a Choppy Sea

65. Composition: Italian Seascape Effect

66. Seashore with Sand Dunes

67. Fishmarket on the Beach

68. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

69. View of Revel, Capital of Esthonia

70. The Island of Portland

71. Three Ships

72. Bray Head and the F (cut-off)

73. View near Auckland: Maori Warrior and Women

74. Aloes and Prickly Pears, Tarragona, Spain