Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
10
Edward Lear, 1812–1888
El Ousta
1854
11
Edward Lear, 1812–1888
Below Rabat, Malta
1866
12
Edward Lear, 1812–1888
Harb. Gozo
1866
13
Edward Lear, 1812–1888
Howatke
1867
14
Edward Lear, 1812–1888
Qaw el Kebir
1867
15
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
16
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
17
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
18
Edward Lear, 1812–1888
Avenue of Trees
1867
19
Edward Lear, 1812–1888
Sketch studies of camels
January to April 1867
20
Edward Lear, 1812–1888
Boats on the Nile
1867
21
Edward Lear, 1812–1888
Studies of Camels
January to April 1867
22
Edward Lear, 1812–1888
Boats on the Nile
1867
23
Edward Lear, 1812–1888
Zereeba, near Belbeis
1867
24
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
25
Edward Lear, 1812–1888
Belbeis
1867
26
Edward Lear, 1812–1888
Kurayim
1867
27
Edward Lear, 1812–1888
Salahiyeh
1867
28
Edward Lear, 1812–1888
Between Bir El Abt
1867
29
Edward Lear, 1812–1888
Shelaal
1867
30
Edward Lear, 1812–1888
Near Belbeis
1867
31
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
32
Edward Lear, 1812–1888
Opposite Kom Ombos Abu Jer
1867
33
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
34
Edward Lear, 1812–1888
Study of figures and a camel
1867
35
Edward Lear, 1812–1888
El Areesh
1867
36
Edward Lear, 1812–1888
Near Khan Yunas
1867
37
Edward Lear, 1812–1888
Boats
1867
38
Edward Lear, 1812–1888
Near Korosko
1867
39
Edward Lear, 1812–1888
Wady Halfeh
1867
40
Edward Lear, 1812–1888
Near Bajoura
1867
41
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
42
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
43
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
44
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
45
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
46
George Romney, 1734–1802
Prison Scene
undated
47
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
48
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
49
Peter La Cave, active 1769–1810
Haymakers
undated
50
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
51
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
52
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
53
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
54
John Thomas Smith, 1766–1833
The Smock Exposed
1817
55
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
56
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
57
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
58
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
59
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
60
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
61
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
62
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
63
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
64
Paul Sandby, 1731–1809
Musicians and a Performing Bear
undated
65
Benjamin West, 1738–1820
Page Boy Asleep
undated
66
Sir David Wilkie, 1785–1841
Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him
undated
67
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
68
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
69
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
70
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
71
Paul Sandby, 1731–1809
River Ferry with Many Passengers and Animals
undated
72
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
73
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
74
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
1841
75
Thomas Heaphy, 1775–1835
Inattention
1808
76
Thomas Heaphy, 1775–1835
Man and Children with a Street Organ and a Monkey
undated
77
Samuel Howitt, 1756–1822
Horses and Wagon Outside a Cottage
undated
78
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
79
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
80
Thomas Hearne, 1744–1817
The Welsh Curate
undated
81
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
82
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
83
John Nixon, ca. 1760–1818
Brighton Races
1805
84
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
85
Walter Greaves, 1846–1930
Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
undated
86
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
87
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
88
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
89
William Henry Hunt, 1790–1864
View of Old London Bridge
1825
90
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
91
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
92
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
93
William Marlow, 1740–1813
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
94
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
95
unknown artist
Thatched Roof and Tree
undated
96
Thomas Rowlandson, 1756–1827
The Picnic
undated
97
John Linnell, 1792–1882
Woodcutters in a Forest
undated
98
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)