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101. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. For the Sexes: The Gates of Paradise, Plate 6, "Air"

For the Sexes: The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. The Poems of Thomas Gray, Design 95, "Ode for Music."

The Poems of Thomas Gray, Design 95, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. America. A Prophecy, Plate 16, "In the Flames Stood...."

America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. America. A Prophecy, Plate 2, Title Page

America. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. The Poems of Thomas Gray, Design 59, "The Bard."

The Poems of Thomas Gray, Design 59, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Poems of Thomas Gray, Design 63, "The Bard."

The Poems of Thomas Gray, Design 63, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. America. A Prophecy, Plate 1, Frontispiece

America. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. America. A Prophecy, Plate 10, "The Terror Answered...."

America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. America. A Prophecy, Plate 8, "The Morning Comes...."

America. A Prophecy, Plate 8, "The Morning Comes...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Jerusalem, Plate 31, "His western heaven...."

Jerusalem, Plate 31, "His western heaven...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Jerusalem, Plate 43, "They saw their Wheels...."

Jerusalem, Plate 43, "They saw their Wheels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. The Poems of Thomas Gray, Design 99, "Ode for Music."

The Poems of Thomas Gray, Design 99, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Thomas Alphonso Hayley, Half-Length Drawing

Thomas Alphonso Hayley, Half-Length Drawing
Creator:
attributed to William Blake, 1757–1827
Date:
ca. 1800
Materials & Techniques:
Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

139. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Satan Approaching the Court of Chaos

Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

143. Landscape at Boxhill, Surrey

Landscape at Boxhill, Surrey
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 10 5/16 inches (17.6 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Boxhill from West Humble Lane

Boxhill from West Humble Lane
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. High Street at Bushey, Hertfordshire

High Street at Bushey, Hertfordshire
Creator:
Henry Monro, 1791–1814
Date:
1812
Materials & Techniques:
Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:
Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. A Wooded Track

A Wooded Track
Creator:
Henry Monro, 1791–1814
Date:
1813
Materials & Techniques:
Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. A View at Terracina

A View at Terracina
Creator:
Jacob More, 1740–1793
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:
Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. River Landscape

River Landscape
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 8 1/8 inches (12.1 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Mole Head, Algiers

Mole Head, Algiers
Creator:
Nicholas Pocock, 1740–1821
Date:
1816
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 11 1/4 inches (10.8 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
Creator:
John Nixon, ca. 1760–1818
Date:
1804
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 6 1/8 inches (8.6 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Eastbourne from Lord G.: Cavendish's Seat in the Park

Eastbourne from Lord G.: Cavendish's Seat in the Park
Creator:
John Nixon, ca. 1760–1818
Date:
1787
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 7 1/2 inches (13.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Mountainous Landscape with Cows

Mountainous Landscape with Cows
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 7/16 inches (18.1 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Mountain Rocks

Mountain Rocks
Creator:
David Hall McKewan, 1816–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 16 5/8in. (24.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. The Rescue of Lot

The Rescue of Lot
Creator:
John Martin, 1789–1854
Date:
1833
Materials & Techniques:
Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. The Walls of Jericho

The Walls of Jericho
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Edinburgh

Edinburgh
Creator:
Alexander Nasmyth, 1758–1840
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 16 5/16in. (27.3 x 41.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Study for Ceiling: Apollo and other Figures

Study for Ceiling: Apollo and other Figures
Creator:
Attributed to Domenico Mondo, 1723– c.1808
Date:
undated
Materials & Techniques:
Watercolor, gouache, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 7 1/4in. (25.1 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Apsley House and Piccadilly ... from Hyde Park Corner

Apsley House and Piccadilly ... from Hyde Park Corner
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Landscape with Tower and Approaching Storm

Landscape with Tower and Approaching Storm
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash, brown ink, graphite and scratching out on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream card
Dimensions:
Mount: 5 1/4 x 7 9/16 inches (13.4 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Christ Stilling the Tempest

Christ Stilling the Tempest
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Addington Place, Surrey

Addington Place, Surrey
Creator:
John Preston Neale, 1771/80–1847
Date:
1813
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Roundway Park, Wiltshire: Exterior View

Roundway Park, Wiltshire: Exterior View
Creator:
unknown artist
Date:
ca. 1840
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. View from Mr. Sheppard's Window, The Ridge, Gloucestershire

View from Mr. Sheppard's Window, The Ridge, Gloucestershire
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 x 9 inches (18.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. A Prospect of Vapourland

A Prospect of Vapourland
Creator:
Richard Bentley, 1708–1782
Date:
1759
Materials & Techniques:
Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Windsor Castle, Berkshire

Windsor Castle, Berkshire
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
ca. 1823
Materials & Techniques:
Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Moonlit Landscape with a Ruined Castle

Moonlit Landscape with a Ruined Castle
Creator:
John Martin, 1789–1854
Date:
between 1820 and 1830
Materials & Techniques:
Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. The Assumption

The Assumption
Creator:
John Baptist Medina, 1655–60–1710
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Road Between Hills

Road Between Hills
Creator:
pupil of John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Nîmes from the Tour Magne

Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Sailing Ships and Small Boats in Rough Sea off the Coast

Sailing Ships and Small Boats in Rough Sea off the Coast
Creator:
Samuel Owen, 1768–1857
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 4 1/4 inches (13.3 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Shipping in a Choppy Sea

Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Ships on a Stormy Sea

Ships on a Stormy Sea
Creator:
Samuel Owen, 1768–1857
Date:
1836
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Classical Landscape

Classical Landscape
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:
Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. High Tor, Matlock

High Tor, Matlock
Creator:
Henry Moore, 1831–1895
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 15/16 x 20 3/8in. (35.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Unidentified Landscape: Trees with Church

Unidentified Landscape: Trees with Church
Creator:
William Pearson, 1772–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 11 inches (17.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Landscape near Ageles - Gazost at the foot of the Pyrenees

Landscape near Ageles - Gazost at the foot of the Pyrenees
Creator:
Edward John Poynter, 1836–1919
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 8 3/8 inches (14.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

178. Design for an Unidentified Country House

Design for an Unidentified Country House
Creator:
James Wyatt, 1746–1813
Date:
ca. 1800
Materials & Techniques:
Watercolor and graphite, with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 3/8 x 29 1/4 inches (51.8 x 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Design for a Mythological Scene, with Jupiter and Juno

Design for a Mythological Scene, with Jupiter and Juno
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Design for a Wall Panel

Design for a Wall Panel
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Design for London Bridge Approach

Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Shipping in Southampton Water, off Calshott Castle

Shipping in Southampton Water, off Calshott Castle
Creator:
Dominic Serres, 1722–1793
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 3/16 inches (16.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Morning

Morning
Creator:
David Muirhead, 1867–1930
Date:
1925
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Illustration to Homer's Iliad

Illustration to Homer's Iliad
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink with brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Birnam Wood

Birnam Wood
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
before 1801
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 3/4 inches (38.1 × 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Extensive wooded landscape with figures in foreground left

Extensive wooded landscape with figures in foreground left
Creator:
James Baynes, 1766–1837
Date:
Undated
Materials & Techniques:
Watercolor on thick, moderately textured, white wove paper
Dimensions:
Sheet: 16 3/8 x 23 1/8 inches (41.6 x 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. The Road to East Grinstead

The Road to East Grinstead
Creator:
John James Barralet, 1747–1815
Date:
Undated
Materials & Techniques:
Pen and ink and watercolor on medium, moderately textured, cream laid paper laid down on rough, cream laid paper
Dimensions:
Sheet: 13 11/16 x 22 5/8 inches (34.8 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Near Broadstairs

Near Broadstairs
Creator:
William J. Blacklock, 1805–1858
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1818
Materials & Techniques:
Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. The Rhine at Assmannshausen

The Rhine at Assmannshausen
Creator:
William Callow, 1812–1908
Date:
1863
Materials & Techniques:
Watercolor, with pen, and brown ink, graphite, and scraping out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Bridgenorth

Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Rochester

Rochester
Creator:
Print made by James Walker, 1748–1808
Date:
1794
Materials & Techniques:
Line engraving, 1st published state on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Rochester

Rochester
Creator:
Print made by James Walker, 1748–1808
Date:
1794
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Chepstow

Chepstow
Creator:
Print made by James S. Storer, 1771–1853
Date:
1794
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Alum Bay, Isle of Wight

Alum Bay, Isle of Wight
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. View of Oxford from the South Side of Heddington Hill

View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection