Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
3
James Lewis, 1751–1820
Design for a Country House
undated
4
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
5
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
6
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
7
Peter Casteels, 1684–1749
Feeding Ducks
undated
8
Gangaram Chintaman Tambat, active 1790s
Drawing of a Column from Ekvera
undated
9
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
10
William Collins, 1788–1847
Dartmouth
undated
11
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
12
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
14
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
15
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
16
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
17
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
18
Gangaram Chintaman Tambat, active 1790s
Interior View of the Temple at Ekvera (Karle)
ca. 1793
19
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
20
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
21
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
22
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
23
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
24
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
26
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
27
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
28
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
29
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
30
unknown artist
Grave of the Supposed William Lyndewode
1852
31
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
32
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
33
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
34
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
35
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
36
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
37
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
38
unknown artist
Peers' Entrance
undated
39
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
40
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
41
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
42
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
45
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
46
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
47
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
48
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
49
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
50
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
51
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
52
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
53
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
54
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
55
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
56
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
57
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
58
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
59
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
60
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
61
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
62
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
64
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
65
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
68
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
69
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
70
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
71
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
72
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
73
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
74
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
75
George Chinnery, 1774–1852
A Sailor and His Family
undated
76
George Chinnery, 1774–1852
A Market Place and Crowd
undated
77
Thomas Creswick, 1811–1869
Fisherman by a River
undated
78
Robert Cleveley, 1747–1809
Shipping in the Mediterranean
undated
79
Robert Cleveley, 1747–1809
The Battle of Cape St. Vincent
1797
80
Samuel Collings, active 1784–1795
The Struggles of Virtue
undated
81
Samuel Collings, active 1784–1795
Manning the Navy
undated
82
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated
83
George Chinnery, 1774–1852
Temple by the Lake
undated
84
George Chinnery, 1774–1852
Old Man and Children Seated, Cooking
1840
85
George Chinnery, 1774–1852
Street Scene with Merchants Selling Wares
ca. 1843
86
George Chinnery, 1774–1852
A Forge
1843
87
George Chinnery, 1774–1852
An Elephant
undated
88
Jean B. C. Chatelain, 1710–1771
Classical Landscape with Figures
undated
89
Robert Cleveley, 1747–1809
Shipping and Warehouses
undated
90
Charles Golding Constable, 1821–1879
Shipping Scene
undated
91
James Pattison Cockburn, 1779–1847
Group of Figures Round a Distant Bonfire in a Wood