Materials & Techniques: laid paper / On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Associated Places: England

401. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1797
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 13 7/8in. (50.2 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1793
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. The Norman Gate and Deputy Governor's House

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Gloucester Cathedral

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Night Watchman

Creator:: Print made by John Bogle, 1746–1804
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

411. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. The Admiralty Office

Creator:: Print made by Thomas Bowles, ca. 1712–died 1753
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Little Missenden Church from the Southeast

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

415. The South-West View of Battel-Abbey, in the County of Sussex

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 17 13/16 inches (28.4 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. The North Terrace, Windsor Castle, Looking West

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Gouache and watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 21 1/2 inches (38.1 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. A View of Boxhill from Norbury Park, Surrey

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

419. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. The Great Court, Trinity College, Cambridge

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. An Artist Sketching in Windsor Park

Creator:: Benjamin West, 1738–1820
Date:: 1789
Materials & Techniques:: Pen in brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/4 x 18 inches (27.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Bath: The North Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. South View of Bath

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Bath: Queen Square

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. The City of Bath taken from the London Road

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Bath: The Crescent

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 14 7/8 inches (28.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Bath: The Circus

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Hoober Stand at Wentworth Woodhouse, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. The Conservatory at Wentworth Woodhouse, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. The Monument of King Edward III in Westminster Abbey

Creator:: Claude Du Bosc, c.1711–1740
Date:: undated, ca. 1726-1740
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. The Monument in Westminster Abbey of King Henry V

Creator:: George Vertue, 1684–1756
Date:: between 1699-1756
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

436. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Bordesley Hall, the Seat of John Taylor, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Eddystone Lighthouse

Creator:: Hamlet Winstanley, 1698–1756
Date:: 1703
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 39 1/2 x 28in. (100.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. The New Meeting

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 11 3/4 inches (22.1 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Coits Played opposite the Horns, Kennington Common

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Details of Capitals and Arches, Painted Chamber

Creator:: unknown artist
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/16 inches (14.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Details of one of the Figures

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Figure study, Henry VII Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Window, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Fives played at the Tennis court Leicester Fields

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Foot Ball played at Market Place, Barnet

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Four Corners Played at the Swan, Chelsea

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Cricket played by the Gentlemens Club, Whiteconduit House

Creator:: Robert Dighton, 1752–1814
Date:: 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Trap Ball Played at the Black Prince, Newington, Butts

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1784
Materials & Techniques:: Pen and black ink and brown ink and watercolor
Dimensions:: Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. The Entrance to Wookey Hole, Somerset

Creator:: Bernard Lens III, 1682–1740
Date:: ca. 1719
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. A London Riot

Creator:: Charles Reuben Ryley, 1752–1798
Date:: undated
Materials & Techniques:: Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Ludlow Castle

Creator:: Samuel Scott, 1701/2–1772
Date:: between 1765 and 1769
Materials & Techniques:: Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:: Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

478. Tintagel Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 9/16 x 12 inches (24.3 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Earlham House, Elevation Plan with Dimensions

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Earlham Park, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. Earlham, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1775
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 × 9 3/4 inches (18.6 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

486. A View of the Prince's House at Kew

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

487. Facade for a Temple of Peace, Kew Gardens, Surrey

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Cumberland Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Shelton Hall Lands

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Earlham House, Front Elevation and Footprint

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. The River Stour, St. Mildred's Church and the Castle of Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. Study of the North Side of Canterbury Cathedral

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 7 1/8 inches (10.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. At Dover

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/4 inches (11 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Design for Ceiling

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1765
Materials & Techniques:: Pen and black and brown ink, watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 x 9 3/8 inches (33 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Bush Hill, Edmonton, London: Plan of a Knot Garden

Creator:: unknown artist
Date:: 1713
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 5 1/2 inches (25.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1760-1764
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/4 inches (30.5 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. The Grotto and the Temple of Contemplation, Stowe

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: 1752
Materials & Techniques:: Watercolor, graphite, brown wash, gray wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. A View of the Rotunda in the Garden at Stowe, Buckinghamshire

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: 1753
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Matlock Baths, Derbyshire

Creator:: William Day, 1764–1807
Date:: ca. 1789
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

On-site Access Accessible by appointment in the Study Room

Period 18th century

Associated Places England

Search Results

401. A Perspective View of the Foundling Hospital with Emblematic Figures

402. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

403. Westminster Abbey and St. Paul's from Battersea Fields

404. Blockley Church

405. The Norman Gate and Deputy Governor's House

406. Whitehall Showing Holbein's Gate and Banqueting Hall

407. Gloucester Cathedral

408. View of Leiston Abbey

409. St. Martin's Church

410. Night Watchman

411. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

412. The South Sea House

413. The Admiralty Office

414. Little Missenden Church from the Southeast

415. The South-West View of Battel-Abbey, in the County of Sussex

416. The North Terrace, Windsor Castle, Looking West

417. An Encampment in St. James Park

418. A View of Boxhill from Norbury Park, Surrey

419. The Wreck of the Nuestra Senora de los Remedios

420. Lovelace in Prison

421. The Great Court, Trinity College, Cambridge

422. An Artist Sketching in Windsor Park

423. Bath: The North Parade

424. South View of Bath

425. Bath: Queen Square

426. The City of Bath taken from the London Road

427. Bath: The Crescent

428. Bath: The Circus

429. Bath: The South Parade

430. Hoober Stand at Wentworth Woodhouse, Yorkshire

431. The Conservatory at Wentworth Woodhouse, Yorkshire

432. The Monument of King Edward III in Westminster Abbey

433. The Monument in Westminster Abbey of King Henry V

434. Windsor Bridge

435. A View of the Fire in Covent Garden

436. A View of the Bridge at Walton-on-Thames in Surrey

437. Bordesley Hall, the Seat of John Taylor, Esq.

438. Eddystone Lighthouse

439. The House of William Russell, Esq., Showell Green

440. The New Meeting

441. Details of the Screen of Entrance Porch, St Stephen's Chapel

442. Comforts of Bath: The Music Master

443. Entrance Doorway in the Tower, St Stephen's Chapel

444. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

445. Coits Played opposite the Horns, Kennington Common

446. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

447. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

448. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

449. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

450. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

451. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

452. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

453. View of the Office of Ordnance with the Entrance of the House of Lords

454. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

455. East Front of Painted Chamber

456. Side Window, North, Painted Chamber

457. Details of Capitals and Arches, Painted Chamber

458. East End, Painted Chamber

459. Enlarged Detail of Figures from Painting Shown in Previous Sketch

460. Paintings on the Wall by H in Plan

461. Details of one of the Figures

462. View of Queen Square

463. Continuation of the Preceeding Ornaments

464. Seats in Henry VII Chapel, Westminster Abbey

465. Door-way in Wall of South Precints of Westminster Abbey

466. South View of the Abbey Church, Westminster, Taken from Dean's Yard

467. Figure study, Henry VII Chapel

468. Window, Dean's Yard

469. Comforts of Bath: Coaches Arriving

470. Fives played at the Tennis court Leicester Fields

471. Foot Ball played at Market Place, Barnet

472. Four Corners Played at the Swan, Chelsea