Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
14
Jan Siberechts, 1627–ca. 1703
Wollaton Hall and Park, Nottinghamshire
1697
Not on view
15
Bernard Lens III, 1682–1740
Figures Walking in a Landscape
undated
16
Jan Griffier the Elder, ca. 1645–1718
A view of Greenwich from the River with many Boats
Between 1700-1710
Not on view
17
Jan Stevens, died 1722
South Prospect of Hampton Court, Herefordshire
ca. 1705
Not on view
18
unknown artist
Fishing Cove near Columbo
undated
19
unknown artist
A Bridge in Wales
undated
20
John Wootton, 1682–1764
The Duke of Rutland's Bonny Black
ca. 1715
Not on view
21
William Taverner, 1703–1772
An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
undated
22
James Seymour, 1702–1752
Old Fox held by a Groom
1721
Not on view
23
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the City of Naples
undated
24
Thomas Bowles, ca. 1712–died 1753
A View of Florence from the Convent of Capuchins at Montugi
undated
25
John Wootton, 1682–1764
A Fox Hunt
ca. 1735
Not on view
26
Gaspar Butler, active ca. 1718–1730
The Gulf of Pozzuoli
ca. 1735
Not on view
27
Matthias Read, 1669–1747
Whitehaven, Cumbria, Showing Flatt Hall
between 1730 and 1735
Not on view
28
William Kent, ca.1686–1748
Design for a Pavilion in a Deer Park
ca. 1735
29
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
30
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
31
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
32
George Lambert, 1700–1765
Box Hill, Surrey, with Dorking in the distance
1733
Not on view
33
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
34
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
35
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
36
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
37
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
38
Richard Wilson, 1713/4–1782
Caernarfon Castle
ca. 1745
Not on view
39
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
40
attributed to James Barry, 1741–1806
The Cave of the Cumean Sybil on the Shore of the Lake Avernus
between 1740 and 1759
41
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
42
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
43
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
44
imitator of Thomas Gainsborough, 1727–1788
Landscape and Cattle
undated
45
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
46
Richard Bernard Godfrey, 1728–op.1794
Knighton, the Seat of George M. Bisset, Esq
before 1781
47
Thomas Smith of Derby, ca. 1720–1767
An Imaginary Landscape with a Wagon and a Distant View of a Town
ca. 1749
Not on view
48
Anthony Devis, 1729–1817
Landscape with stream in foreground
undated
49
Anthony Devis, 1729–1817
Landscape with Shepherd and Sheep
undated
50
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
51
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
52
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
53
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
54
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
55
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
56
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
57
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
61
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
62
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
64
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
66
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
67
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
68
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
69
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
70
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
71
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
72
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
73
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
74
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
75
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
76
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
77
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
78
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
79
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
80
Alexander Cozens, 1717–1786
The Glade
ca. 1750
81
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
82
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
83
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
84
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
85
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
86
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
87
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
88
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
89
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
90
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
91
pupil of John Malchair, 1730–1812
Castle on a Distant Hill
undated
92
pupil of John Malchair, 1730–1812
Road Between Hills
undated
93
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
94
Giovanni Battista Borra, 1713–1770
View of the Source of the Lycus River (Nahr el-Kelb)