The City of Westminster from Near the York Water Gate
between 1746 and 1747
7
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
8
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
9
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
10
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
11
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
12
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
13
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
14
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
15
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
16
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
17
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
18
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
19
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
20
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
39
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
40
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
41
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
44
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
45
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
46
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
47
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
50
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
51
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
52
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
53
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
54
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
55
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
56
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
57
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
58
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
59
unknown artist
Survey view of a lobby, Palace of Westminster
undated
60
unknown artist
Peers' Entrance
undated
61
unknown artist
New Rooms at Westminster for the Bishops
undated
62
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
63
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
64
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
65
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
66
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
67
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
70
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
72
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
73
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
74
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
75
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
76
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
77
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
78
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
79
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
80
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
81
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
82
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
83
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
84
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
85
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
86
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
87
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
88
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
89
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel