Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
203
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
204
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
205
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
206
unknown artist
Peers' Entrance
undated
207
unknown artist
New Rooms at Westminster for the Bishops
undated
208
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
209
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
210
unknown artist
Exterior of Painted Chamber, North View
undated
211
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
212
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
213
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
214
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
215
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
216
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
217
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
218
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
219
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
220
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
221
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
222
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
223
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
224
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
225
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
226
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
227
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
228
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
229
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
230
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
231
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
232
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
233
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
234
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
235
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
236
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
237
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
238
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
239
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
240
unknown artist
Henry VII Chapel, Westminster Abbey
undated
241
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
242
Print made by unknown artist
Houses of Parliament
undated
243
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
244
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
245
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
246
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
247
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
248
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
249
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
250
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
251
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
252
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
253
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
254
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
255
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
256
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
257
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
258
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
259
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
260
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
261
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
262
unknown artist
Survey view of a lobby, Palace of Westminster
undated
263
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
264
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
265
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
266
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
267
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
268
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
269
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
270
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
271
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
272
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
273
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
274
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
275
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
276
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
277
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
278
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
279
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
280
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
281
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
282
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
283
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
284
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
285
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
286
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
287
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
288
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
289
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
290
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
291
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
292
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
293
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
294
Print made by unknown artist
Chance. The London Firemen's Dog
1834
295
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
296
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
297
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
298
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
299
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster