Subject Terms: chains - YCBA Collections Search Search Results

1. Herne's Oak from 'The Merry Wives of Windsor,' V, v

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1857
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Allegory of Fortune

Creator:: Balthazar Nebot, active 1730–1762
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 28 5/16 x 35 1/8 inches (71.9 x 89.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 95, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 65, "To decide Two Worlds...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 67, "By those who drink their blood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 51

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

Creator:: Ford Madox Brown, 1821–1893
Date:: 1858
Materials & Techniques:: Watercolor, gouache, graphite and pastel on medium, slightly textured cream wove paper mounted to thick, gray card
Dimensions:: Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Bambridge on Trial for Murder by a Committee of the House of Commons

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

18. The Enchantress

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1786
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Prométhée

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 10 1/8 inches (22.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. The Enchantress

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1786
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Water Engine, Cold-Bath-Field's Prison

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

22. Fortune

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Pyramus and Thisbe

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/16 × 10 1/8 inches (20.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. The Temptation of Saint Anthony

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Mount: 18 13/16 × 11 11/16 inches (47.8 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Battersea Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 19 1/2 inches (30.4 × 49.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Two Heads in a Roundel

Creator:: attributed to John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 x 4 3/4 inches (12.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hulks at Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Artist Assaulted by Time, Ignorance and Envy

Creator:: Mauritius Lowe, 1746–1793
Date:: between 1772 and 1790
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 5/8 inches (21.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. French Coast Scene with Fisherboy

Creator:: James Duffield Harding, 1798–1863
Date:: 1829
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, pen and gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 3/4 inches (37.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Farm House with a Well

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 3 1/16 inches (12.1 × 7.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. "Hubert, let me not be bound!"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

34. The Plough

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. The Angelus

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 9/16 x 13 7/16 inches (26.9 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

36. Thomas Sutton

Creator:: Renold Elstrack, 1570–1625(?)
Date:: between 1616 and 1621
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 6 inches (22.8 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Hay Whitney

37. A Military Escapade

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. The Futtock Shrouds

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 11/16 x 7 15/16 inches (29.7 x 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Harold Hugo, Hon. M.A. 1963

40. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Fishing Village (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 6 5/8 inches (10.2 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Alphonso and Aciloe

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

46. The Pilot

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1925
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Securing the Boats

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 10 7/16 inches (42.4 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. Aloft

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 11 3/4 x 17 inches (29.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. The Main Tack

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on thin, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 9 5/8 inches (38.8 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

50. At the Tiller

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 9 5/8 x 14 3/4 inches (24.5 x 37.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. In the Tropics

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/8 x 10 15/16 inches (40.9 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Captive

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1786
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 22 11/16 inches (46.7 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. John E. Larkin Jr. in honor of Jules D. Prown

54. Spanish Inquisition

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Chain Fashion for 'She'

Creator:: Lewis Morley, 1925–2013
Date:: 1969
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 15 × 6 3/8 inches (38.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

56. Coast Scene

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 × 9 5/8 inches (17.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Thomas M. Folds

57. Ariadne Watching the Struggle of Theseus with the Minotaur

Creator:: Henry Fuseli, 1741–1825
Date:: 1815 to 1820
Materials & Techniques:: Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Prometheus

Creator:: Prince Hoare, 1755–1834
Date:: undated
Materials & Techniques:: Black chalk on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Dover Pier

Creator:: Joshua Cristall, 1768–1847
Date:: 1807
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 19 inches (31.4 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Main Rigging

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 11 1/8 inches (39.7 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Donaldson Liner at Sea

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1925
Materials & Techniques:: Etching and drypoint with graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 14 5/8 inches (24.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

63. First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 18 3/8 inches (64.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Man Overboard

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1926
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 1/2 x 11 5/8 inches (44.4 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Making Sail

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1938
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 18 1/16 inches (30.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. The Main Brace

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 18 9/16 x 12 1/2 inches (47.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. Command

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1937
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, light green laid paper
Dimensions:: Sheet: 10 3/16 x 15 9/16 inches (25.9 x 39.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

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1. Herne's Oak from 'The Merry Wives of Windsor,' V, v

2. Allegory of Fortune

3. Visions of the Daughters of Albion, Plate 1, Frontispiece

4. The Poems of Thomas Gray, Design 95, "Ode for Music."

5. Jerusalem, Plate 1, Frontispiece

6. Jerusalem, Plate 65, "To decide Two Worlds...."

7. Jerusalem, Plate 67, "By those who drink their blood...."

8. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

9. The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

10. Jerusalem, Plate 51

11. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

12. America. A Prophecy, Plate 1, Frontispiece

13. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

14. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

15. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

16. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

17. Bambridge on Trial for Murder by a Committee of the House of Commons

18. The Enchantress

19. Prométhée

20. The Enchantress

21. Water Engine, Cold-Bath-Field's Prison

22. Fortune

23. Pyramus and Thisbe

24. The Temptation of Saint Anthony

25. Battersea Bridge

26. Two Heads in a Roundel

27. Hulks at Plymouth

28. The Artist Assaulted by Time, Ignorance and Envy

29. French Coast Scene with Fisherboy

30. Farm House with a Well

31. Unidentified Periodical / Play Illustration

32. "Hubert, let me not be bound!"

33. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

34. The Plough

35. The Angelus

36. Thomas Sutton

37. A Military Escapade

38. The Building

39. The Futtock Shrouds

40. The Valley of the Shadow of Death

41. Part of Waterloo Bridge with the Shot Tower, &c.

42. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

43. A Fishing Village (tail piece)

44. Alphonso and Aciloe

45. Demolition of St. James's Hall, Interior

46. The Pilot

47. Securing the Boats

48. Aloft

49. The Main Tack

50. At the Tiller

51. In the Tropics

52. New Steine and Rock Gardens

53. The Captive

54. Spanish Inquisition

55. Chain Fashion for 'She'

56. Coast Scene

57. Ariadne Watching the Struggle of Theseus with the Minotaur

58. Lady Percy Watching the Sleeping Hotspur

59. Prometheus

60. Dover Pier

61. The Main Rigging

62. Donaldson Liner at Sea

63. First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

64. Man Overboard

65. Making Sail

66. The Main Brace

67. Command