Little Devil's Bridge over the Russ above Altdorft, Switzerland
1812
8
after Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
9
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
10
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
11
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
12
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
13
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
14
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
15
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
16
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
17
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
18
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
19
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
20
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
21
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
22
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
23
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
24
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
25
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
26
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
27
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
28
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
29
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
30
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
31
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
32
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
33
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
34
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
35
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
36
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
37
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
38
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
39
William Blake, 1757–1827
Caius Julius Cæsar
1821
40
William Blake, 1757–1827
Epicurus
1821
41
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
42
William Blake, 1757–1827
Theocritus
1821
43
William Blake, 1757–1827
From Antique Coins
1821
44
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
45
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
46
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
47
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
48
Print made by Thomas Rothwell, ca. 1742–1807
Worcester
1795
49
Print made by Bartholomew Howlett, 1767–1827
Sleaford Church
1801
50
Print made by James Basire the younger, 1769–1822
A View of the Chapel and Hall of Oriel College
1807
51
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
52
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
53
Print made by James Basire the younger, 1769–1822
View of Exeter College, All Saints Church, from the Turl
1806
54
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
55
Print made by James S. Storer, 1771–1853
Part of Balliol College Quadrangle
1809
56
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
57
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
58
Print made by Joseph Skelton, active 1820–1850
View of the Chapel and Hall of Oriel College
1801
59
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
60
Print made by James Basire the younger, 1769–1822
Browsholme
1800
61
Print made by James Basire the younger, 1769–1822
Clitheros from Eadsford Bridge
1800
62
Print made by James Basire the younger, 1769–1822
Stonyhurst
1801
63
Print made by James Basire the younger, 1769–1822
The Sherburne Chapel in Mitton Church
1801
64
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
65
Print made by James Basire the younger, 1769–1822
Townley Hall
1800
66
Print made by William Byrne, 1743–1805
Abingdon from the Thames Navigation
1805
67
Print made by S. Porter, active 1802
Durham Cathedral
1802
68
Print made by James Heath, 1757–1834
Loch Lomond
1805
69
Engraved by John Pye, 1782–1874
Pope's Villa
1810
70
Print made by James Fittler, 1758–1835
A Fishing Smack with a Boat (Dutch Boat in a Gale)