Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
9
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
10
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
11
George Romney, 1734–1802
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
12
George Romney, 1734–1802
Howard Visiting a Prison
undated
13
George Romney, 1734–1802
The Wave
undated
14
George Romney, 1734–1802
Borghese Gladiator
undated
15
George Romney, 1734–1802
The Temptation of Christ
undated
16
George Romney, 1734–1802
The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
undated
17
George Romney, 1734–1802
John Henderson as Falstaff
1780
18
George Romney, 1734–1802
Howard Visiting a Prison
undated
19
George Romney, 1734–1802
Howard Visiting a Prison
between 1790 and 1794
20
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
21
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
22
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
23
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
24
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
25
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
26
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
27
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
28
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
29
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
30
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
31
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
32
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
33
Sir George Howland Beaumont seventh Baronet, 1753–1827
Abbey Church at St. Albans
1781
34
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
35
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
36
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
37
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
38
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
39
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
40
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
41
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
42
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
43
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
44
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
45
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
46
Richard Brookes, 1721–1763
Rough Diamonds
ca. 1760
47
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
48
Richard Brookes, 1721–1763
Crystals and Fossils
ca. 1760
49
Richard Brookes, 1721–1763
The Humble Bee and Insects
1760
50
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
51
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
52
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
53
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
54
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
55
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
56
Lt. Paul Sandby, ca. 1820
Goat Hill and Ships
ca. 1820
57
Lt. Paul Sandby, ca. 1820
A View of Carlisle Bay, Barbados, with Cottages
ca. 1820
58
Lt. Paul Sandby, ca. 1820
View of Carlisle Bay, Barbados, with Ships and Boat
ca. 1820
59
Lt. Paul Sandby, ca. 1820
A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
ca. 1820
60
Samuel Wale, 1721–1786
An Eclipse in Harvest Time
undated
61
Captain T. Richbell, active 1792–1825
Man of War with Other Shipping
1791
62
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
63
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
64
unknown artist
Little Sypeland
undated
65
unknown artist
Torrs
undated
66
unknown artist
Townhead and Drummore
undated
67
unknown artist
Culraven and Broadfield
undated
68
unknown artist
Mayfield
undated
69
unknown artist
Little Kirkland
undated
70
John Howatson, active 1813
Farm of Highbanks
1813
71
unknown artist
Balgreddan and Whinny Liggate
undated
72
unknown artist
North Nunton; South Nunton
undated
73
unknown artist
Whinny Liggate; Balgredan
undated
74
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
75
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
76
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
77
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
78
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
79
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
80
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
81
William H. Overend, 1851–1898
The Wreck of the Apollo Frigate, 1803
undated
82
Samuel Owen, 1768–1857
Shipping on a Stormy Day
undated
83
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
84
Henry Monro, 1791–1814
A Wooded Track
1813
85
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
86
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
87
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
88
John Hamilton Mortimer, 1740–1779
A Man Kneeling
1770
89
Francis Place, 1647–1728
East Side of Sheriff Hutton Castle
undated
90
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
91
unknown artist
Peter the Wild Boy
undated
92
Thomas Stothard, 1755–1834
Seated Girl by an Urn
undated
93
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Right
undated
94
John Taylor, 1739–1838
Study of a Man Asleep on a Bench
undated
95
Samuel Wale, 1721–1786
Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
96
Samuel Wale, 1721–1786
The Murder of Kenith Hossack by Captain Lowry
undated
97
Samuel Wale, 1721–1786
The Pursuit (Probably a Design for The Tyburn Chronicle)
undated
98
Sir George Howland Beaumont seventh Baronet, 1753–1827