Materials & Techniques: laid paper / Collection: Prints and Drawings / Period: 19th century

201. Retriever with Hare in Its Mouth

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Hound Lying Down Snarling

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Hound Sitting Holding up Bleeding Foreleg

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 1/4 inches (14.3 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. A Snarling Dog Chained to Kennel

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Bulldog Facing Left

Creator:: unknown artist
Date:: early 19th century
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Dog with Bone, Facing Left

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/4 inches (18.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Horse on a Sea Shore, Tall Rock Behind

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. A Hound Running to Right

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 7 1/8 inches (11.1 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Study of a Galloping Horse

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Two Dogs Outside a Kennel, Magpie perched above

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 6 3/4 inches (15.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Copy of a Study for a Ceiling Decoration

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Study of a Woman in a Wide-Brimmed Hat

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black iron gall ink, brown ink and black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 8 1/2 inches (31.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. A Faun with Pipes

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 7/8 × 15 inches (58.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: 18th century
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 18 1/2 inches (35.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Gateway to the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Flower Garden Porch at Farnley

Creator:: Print made by unknown artist
Date:: 1816
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Bay Windows in the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 3/4 inches (30.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Corfe Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, 1st published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Bridge and Trees

Creator:: Cornelius Varley, 1781–1873
Date:: ca. 1810
Materials & Techniques:: Watercolor and graphite on medium, slightly-textured, cream laid paper
Dimensions:: Sheet: 8 x 12 1/16 inches (20.3 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Two Bulldogs Playing

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. View of London from Richmond House, Whitehall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 18 1/8 inches (27.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Studies for Shylock

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:: Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. A Prowling Tiger

Creator:: Elizabeth Pringle, active ca. 1800
Date:: ca. 1800
Materials & Techniques:: Graphite, brushed black ink and white gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 23 7/8 inches (47.9 x 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Aldborough, September 4th, 1812

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 14 7/8 inches (15.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Wychwood Forest

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1806
Materials & Techniques:: Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; steel engraving; engraver's proof touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Mount Edgecomb, Devonshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Landscape in North Wales

Creator:: John Linnell, 1792–1882
Date:: 1813
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, white laid paper
Dimensions:: Sheet: 9 3/8 x 14 5/8 inches (23.8 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Studland Dock Yard

Creator:: John Baverstock Knight, 1785–1859
Date:: 1822
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 18 1/2 inches (14.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Dandelion Farm, near Margate

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 15 7/8 inches (31.8 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Capel Church, Near Dorking, Surrey

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, blue white laid paper
Dimensions:: Sheet: 8 5/8 × 11 15/16 inches (21.9 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Farm Building

Creator:: John Monro, 1801–1880
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 15/16 inches (20.3 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Peter the Wild Boy

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 3 7/8 × 3 1/16 inches (9.8 × 7.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Seat of David Godfrey, Isleworth, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 1/2 × 8 1/2 inches (19.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Mansion House, London: Elevation

Creator:: Joseph Wolf, 1820–1899
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/4 inches (29.8 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Design for a Wall Decoration

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on textured, moderately thick, brown laid paper
Dimensions:: Sheet: 11 × 11 5/8 inches (27.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Hinton St. George, Somerset: Plan of Staircase

Creator:: James Wyatt, 1746–1813
Date:: 1804
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 x 13 3/8 inches (54.9 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Stables at Hinton St. George, Somerset: Plan

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Pink wash on graphite, pen and brown and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 3/8 × 14 1/4 inches (56.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Norwich Catherdral, Ambulatory

Creator:: Maria Turner
Date:: 1814
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 7/16 × 10 5/8 inches (39.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. A Small Villa

Creator:: Stow, ca. 1835
Date:: undated
Materials & Techniques:: Pen and black ink on smooth, medium, white laid paper
Dimensions:: Sheet: 19 × 23 1/2 inches (48.3 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Boat Building

Creator:: John Varley, 1778–1842
Date:: 1806
Materials & Techniques:: Watercolor, gum and scraping out over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/16 x 21 9/16 inches (34.2 x 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. A Project for the Monument of the Apotheosis of Nelson

Creator:: Benjamin West, 1738–1820
Date:: 1806
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/4 × 12 1/2 inches (60.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Sketch of Elevation of Amphitheatre at El Djem showing archways

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

Creator:: Paul Sandby, 1731–1809
Date:: 1802
Materials & Techniques:: Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Quadrifrontal Arch Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on moderately thick, textured, white laid paper
Dimensions:: Sheet: 9 3/16 × 15 inches (23.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Measured sketches of arch at Assuras

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 15 3/4 inches (54.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Engraving and etching , first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1819
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper with cream chine collé
Dimensions:: Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Heysham and Cumberland Mountain

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 × 11 3/16 inches (20.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 inches (28.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Church of St. Laurent

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 5/8 × 13 inches (54.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

264. Cascade of Terni

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Rome, from the Farnese Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Mount Blanc

Creator:: Print made by B. R. Davies, active ca. 1833
Date:: 1828
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Portrait of a Monk

Creator:: Richard Dadd, 1817–1886
Date:: 1857
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 x 4 5/8 inches (19.1 x 11.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Landscape with an Abbey

Creator:: Jonathan Girtin, ca.1780–aft.1820
Date:: 1805
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper, laid on contemporary mount made of thick, slightly textured, cream card
Dimensions:: Mount: 12 3/4 x 21 1/2 inches (32.4 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. George Viscount Malden and Lady Elizabeth Capel

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 9/16 × 16 1/2 inches (57.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

271. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

272. Love

Creator:: Print made by William Say, 1768–1834
Date:: c.1813
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 inches (42.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

273. The Infant Hercules

Creator:: Print made by William James Ward, ca. 1800–1840
Date:: 1819
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

274. The Snake in the Grass

Creator:: Print made by William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

275. Mrs. Arbuthnot

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1800
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 15/16 × 10 7/8 inches (37.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

276. Mrs. Billington as St. Cecilia

Creator:: Print made by James Ward, 1769–1859
Date:: 1803
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 11/16 × 17 5/16 inches (67.8 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

277. The Dilettanti Society

Creator:: Print made by William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint (proof before letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

278. Mary Countess Harcourt

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: ca. 1824
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 9/16 × 9 5/16 inches (31.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

279. John Philip Kemble as Cato

Creator:: Print made by William Ward, 1766–1826
Date:: between 1800 and 1820
Materials & Techniques:: Mezzotint (before any letters) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 32 3/8 × 21 9/16 inches (82.2 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

280. Lady Leicester as Hope

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: 1823
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 30 1/16 × 19 1/2 inches (76.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

281. Lady Wigram

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint (first published state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 33 3/8 × 22 1/2 inches (84.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

282. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

283. Samuel Declareth to Eli the Judgements of God Upon his House

Creator:: Print made by James Daniell, active ca. 1780–1820
Date:: 1805
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 26 × 20 1/8 inches (66 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

284. George Spencer, Earl of Sunderland, and Lord Charles Spencer

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 17 inches (56.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

285. La Baiser Envoye

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1807
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 17 13/16 inches (54.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

286. Waterloo Bridge from the West, 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, mounted on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 18 1/2 inches (24.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. George Viscount Malden and Lady Elizabeth Capel

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 7/8 × 19 13/16 inches (68.3 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

288. John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne

Creator:: Print made by James Ward, 1769–1859
Date:: 1847
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 29 3/16 inches (54.9 × 74.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

289. Lord Keith

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1800
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, ream, laid paper
Dimensions:: Sheet: 20 3/4 × 14 3/4 inches (52.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

290. Lady Louisa Vaughan

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1807
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 9 3/4 inches (35.2 × 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

291. Lady Beresford

Creator:: Print made by Thomas Hodgetts, active 1801–1846
Date:: undated
Materials & Techniques:: Mezzotint (proof before all letters) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 15/16 × 13 13/16 inches (45.6 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

292. Lady Georgiana Fane

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1828
Materials & Techniques:: Mezzotint (first published state III) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/4 × 15 3/4 inches (59.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

293. Marchioness of Exeter

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1803
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 20 inches (71.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

294. View in Suffolk

Creator:: Cornelius Varley, 1781–1873
Date:: 1803
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 5/8 inches (26.7 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Chichester Canal

Creator:: Print made by Lion Gaucherel, 1816–1886
Date:: 1878
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 inches (26.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

296. George, first Marquis Townshend

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1807
Materials & Techniques:: Mezzotint (only state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 1/2 × 15 3/4 inches (67.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

297. Mrs. Apollonia Wodehouse

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

298. Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: c.1826
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/16 × 9 inches (29.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

299. Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 1/16 × 12 3/8 inches (43.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

300. A View of Petersham & Twickenham Meadows from Richmond Hill

Creator:: Print made by John Jones, ca. 1745–1797
Date:: published 1800
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 23 1/8 inches (52.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques laid paper

Collection Prints and Drawings

Period 19th century

Search Results

201. Retriever with Hare in Its Mouth

202. Hound Lying Down Snarling

203. Hound Sitting Holding up Bleeding Foreleg

204. A Snarling Dog Chained to Kennel

205. Bulldog Facing Left

206. Dog with Bone, Facing Left

207. Horse on a Sea Shore, Tall Rock Behind

208. A Hound Running to Right

209. Study of a Galloping Horse

210. Two Dogs Outside a Kennel, Magpie perched above

211. Copy of a Study for a Ceiling Decoration

212. Study of a Woman in a Wide-Brimmed Hat

213. A Faun with Pipes

214. Temple of Jupiter and Minerva, Thugga

215. Gateway to the Flower Garden at Farnley

216. Flower Garden Porch at Farnley

217. Bay Windows in the Flower Garden at Farnley

218. Corfe Castle, Dorsetshire

219. Plymouth, from Mount Batten

220. Bridge and Trees

221. Two Bulldogs Playing

222. View of London from Richmond House, Whitehall

223. Studies for Shylock

224. A Prowling Tiger

225. Aldborough, September 4th, 1812

226. Wychwood Forest

227. Minehead, Somersetshire

228. Boscastle, Cornwall

229. Mount Edgecomb, Devonshire

230. The Vale of Ashburnham

231. Dover from Shakespeare's Cliff

232. Landscape in North Wales

233. Studland Dock Yard

234. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

235. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

236. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

237. Dandelion Farm, near Margate

238. High Street at Bushey, Hertfordshire

239. Capel Church, Near Dorking, Surrey

240. Farm Building

241. Peter the Wild Boy

242. Seat of David Godfrey, Isleworth, Middlesex

243. The Mansion House, London: Elevation

244. Design for a Wall Decoration

245. Hinton St. George, Somerset: Plan of Staircase

246. Stables at Hinton St. George, Somerset: Plan

247. Norwich Catherdral, Ambulatory

248. A Small Villa

249. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

250. Boat Building

251. A Project for the Monument of the Apotheosis of Nelson

252. Windsor Castle, Berkshire

253. Sketch of Elevation of Amphitheatre at El Djem showing archways

254. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

255. Quadrifrontal Arch Tripoli

256. Measured sketches of arch at Assuras

257. Falmouth, Cornwall

258. Junction of the Greta and Tees at Rokeby

259. Junction of the Greta and Tees at Rokeby

260. Junction of the Greta and Tees at Rokeby

261. Heysham and Cumberland Mountain

262. Tantallon Castle

263. The Church of St. Laurent

264. Cascade of Terni

265. Rome, from the Farnese Gardens

266. Mount Blanc

267. A View of Core's Library, Dawlish, Devon

268. Portrait of a Monk

269. Landscape with an Abbey

270. George Viscount Malden and Lady Elizabeth Capel

271. Cupid and Psyche

272. Love

273. The Infant Hercules