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Collection Prints and Drawings

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Period 18th century

Remove constraint Period: 18th century

Subject Terms hills

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William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
George Romney Landscape in Westmoreland
George Romney, 1734–1802
Landscape in Westmoreland
undated
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Pianura dell'Hermo in Faccia a Sardes
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Napolosa in Samaria
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
Giovanni Battista Borra Veduta Occidentale del Monte Tabor
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
Giovanni Battista Borra View of the Source of the Lycus River (Nahr el-Kelb)
Giovanni Battista Borra, 1713–1770
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
Sir Richard Colt Hoare View at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
S. Einslie Ann Elizabeth, Countess of Aldborough
Print made by S. Einslie, active 1785–1808
Ann Elizabeth, Countess of Aldborough
1788
William Byrne Untitled
William Byrne, 1743–1805
Untitled
1765
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
Thomas Gainsborough Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
Giovanni Battista Borra Monte delle Beatitudini
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
Giovanni Battista Borra Plan of Lake Tiberias
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
Giovanni Battista Borra View of Hill Towns or Ruins near Damascus
Giovanni Battista Borra, 1713–1770
View of Hill Towns or Ruins near Damascus
1751
Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
Giovanni Battista Borra Gierusalemme
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
unknown artist Smithills Hall, Lancashire: Exterior View
unknown artist
Smithills Hall, Lancashire: Exterior View
1769
Robert Adam Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
James Barry The Cave of the Cumean Sybil on the Shore of the Lake Avernus
attributed to James Barry, 1741–1806
The Cave of the Cumean Sybil on the Shore of the Lake Avernus
between 1740 and 1759
Mary Harcourt Tournon Opposite to Teint on the Rhone
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
Charles Gore Konigstein
Charles Gore, 1729–1807
Konigstein
1789
Thomas Hearne View from Skiddaw over Derwentwater
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
William Kent Design for a Pavilion in a Deer Park
William Kent, ca.1686–1748
Design for a Pavilion in a Deer Park
ca. 1735
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
John Dean Miss Ann Parry
Print made by John Dean, 1754–1798
Miss Ann Parry
1777
Jean B. C. Chatelain A View from Durdham-Down near Bristol looking down the Avon
Print made by Jean B. C. Chatelain, 1710–1771
A View from Durdham-Down near Bristol looking down the Avon
1756
Rev. William Gilpin Two Men in a Landscape and a Castle on a Hill
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
Rev. William Gilpin Two Men Looking Into Landscape with Castle, River and Mountain Scene
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
Rev. William Gilpin Tree and Lake
Rev. William Gilpin, 1724–1804
Tree and Lake
between 1762 and 1783
Rev. William Gilpin Pine Trees and Castle in a Landscape
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
1765
Rev. William Gilpin View of Windermere
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
Rev. William Gilpin Landscape (unfinished)
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
Rev. William Gilpin Landscape with Fisherman
Rev. William Gilpin, 1724–1804
Landscape with Fisherman
between 1762 and 1783
Rev. William Gilpin Two Men Walking in a Landscape
Rev. William Gilpin, 1724–1804
Two Men Walking in a Landscape
1783
Rev. William Gilpin View of Castle Ruin
Rev. William Gilpin, 1724–1804
View of Castle Ruin
between 1762 and 1783
Rev. William Gilpin Landscape with House at the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
Rev. William Gilpin Landscape with Two Men on a Hill and a Castle in the Distance
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
Rev. William Gilpin A Castle at the Edge of a Lake
Rev. William Gilpin, 1724–1804
A Castle at the Edge of a Lake
between 1762 and 1783
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
John Robert Cozens Bath: The New Bridge
Print made by John Robert Cozens, 1752–1797
Bath: The New Bridge
1773
Joseph Grozer The Honorable Miss Harris
Print made by Joseph Grozer, ca. 1755–1798
The Honorable Miss Harris
1791
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
Robert Dunkarton Miss Ann Catley in the Character of Euphrosyne
Print made by Robert Dunkarton, 1744–1811
Miss Ann Catley in the Character of Euphrosyne
1777
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
Giovanni Battista Borra Is'Tmo e Penisola di Cizico
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
Giovanni Battista Borra View of a Long Aqueduct
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
Giovanni Battista Borra View of Tivoli in the Direction of the North Wind
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
Giovanni Battista Borra View of Tivoli
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
Giovanni Battista Borra View of the Ruined Baths at Hadrian's Villa at Tivoli
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
Giovanni Battista Borra View of Ruins at Tivoli
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Giovanni Battista Borra View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
Samuel Buck The South View of Berwick Upon Tweed
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
Giovanni Battista Borra Samos
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
Giovanni Battista Borra View of Sigacik (Ancient Teos)
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
Giovanni Battista Borra Scutari
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
Giovanni Battista Borra View of Micale Promontorio
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
Michael "Angelo" Rooker Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
Michael "Angelo" Rooker, 1746–1801
Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
undated
Alexander Cozens A Valley
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780