Collection: Prints and Drawings / Associated Places: City of Westminster

201. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Plate XIX: St Stephen's Chapel

Creator:: Print made by John Carter, 1748–1817
Date:: 1811
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Grave of the Supposed William Lyndewode

Creator:: unknown artist
Date:: 1852
Materials & Techniques:: Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. The House of Commons

Creator:: Print made by Henry Melville, active 1826–1841
Date:: 1834
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. House of Commons, the Speaker Reprimanding a Person at the Bar

Creator:: Print made by Henry Melville, active 1826–1841
Date:: after 1850
Materials & Techniques:: Line engraving on moderately thick, smooth cream wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Palace at Westminster

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. View of Modern Gateway in South East Angle of Dean's Yard

Creator:: John Carter, 1748–1817
Date:: between 1780 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. View of Guy Fawkes' Tower

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The House of Lords, as Restored after the Fire

Creator:: Print made by T. Kearnan, active 1821–1850
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 7 13/16 inches (24.9 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Ruins of Westminster Palace

Creator:: George Harley, 1791–1871
Date:: 1834
Materials & Techniques:: Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Plate XXXVIII: House of Lords, as Fitted up in 1835

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1836
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. House of Lords, Her Majesty Opening the Session of Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: ca. 1837
Materials & Techniques:: Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Elevation of Buildings Fronting Westminster Hall

Creator:: Attributed to William Capon, 1757–1827
Date:: 1822
Materials & Techniques:: Graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/4 × 23 3/8 inches (33.7 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. View of the King's Entrance &c. From the South-West

Creator:: Print made by Charles Burton, active 1830–1840
Date:: 1835
Materials & Techniques:: Lithograph on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/16 × 18 1/4 inches (28.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. The Houses of Lords and Commons

Creator:: Print made by Miss Mary Byrne, 1776–1846
Date:: 1815
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. The King's Entrance to the House of Lords, From Poets Corner

Creator:: Print made by William Deeble, active 1814–1849
Date:: 1829
Materials & Techniques:: Line engraving on smooth, medium white wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Parliament House, from Old Palace Yard, Westminster

Creator:: Print made by William Deeble, active 1814–1849
Date:: 1829
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 4 15/16 × 7 inches (12.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Ceiling to Boudoir House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, brown wash, and pink wash on smooth, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 10 3/16 inches (29.5 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Chance. The London Firemen's Dog

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Decoration between Windows of Parlor, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, brown wash, and pink wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white wove paper
Dimensions:: Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Creator:: Print made by R.C. Roffe, active in London 1806–1835
Date:: 1827
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, brown wove paper
Dimensions:: Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Houses of Parliament

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Henry VII's Shrine

Creator:: Print made by Herbert Railton, 1857–1910
Date:: ca. 1890
Materials & Techniques:: Etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Henry the Seventh's Chapel, North Side

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: undated
Materials & Techniques:: Lithograph on slightly textured, medium, white wove paper
Dimensions:: Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Henry VII Chapel (Exterior)

Creator:: Print made by unknown artist
Date:: ca. 1890
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832
Date:: undated
Materials & Techniques:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Henry VII Chapel

Creator:: William Capon, 1757–1827
Date:: ca. 1793
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1793
Materials & Techniques:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Houses Adjacent to Westminster Abbey in the Process of Demolition

Creator:: John Phillipps Emslie, 1839–1913
Date:: 1896
Materials & Techniques:: Graphite and watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Doorway, Dean's Yard, Westminster

Creator:: Attributed to Sir Charles Barry, 1795–1860
Date:: 1837
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, white wove paper
Dimensions:: Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1815
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Detail for Preceding Elevations

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Detail, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 5/8 inches (32.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Window, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Part of Westminster

Creator:: Print made by unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Interior of the Star Chamber, Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1848
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Four Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Royal Palace of St. James's next the Park

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. A Perspective of ye Royal Palace of Somerset next ye River

Creator:: John Maurer, active 1713–1761
Date:: 1742
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Inside of St. Martin's Church in the Fields

Creator:: Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Exhibition of the Royal Academy of Painting 1771

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 1/2 x 22in. (47 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Exhibition of Royal Academy

Creator:: Print made by Pietro Antonio Martini, 1738–1797
Date:: 1787
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 x 20 1/2in. (38.1 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

285. The National Gallery

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

286. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. The Banqueting House, Whitehall, from the River

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1810
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

289. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Athenaeum

Creator:: Print made by R. F. Cahusac, active 1830
Date:: 1830
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. The Penitentiary and Distant View of Westminster Bridge

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1791
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. The Church of St. John's, Smith Square

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

294. Green Park

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Skating in Hyde Park

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. 'A Whistler!'

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 3/8 inches (21.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Westminster Abbey, Hospital &c.

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on thick, slightly textured, cream card
Dimensions:: Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

299. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

300. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

YCBA Collections Search

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Collection Prints and Drawings

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201. Plate VIII: St Stephen's Chapel

202. Plate XIX: St Stephen's Chapel

203. Plate XI: St Stephen's Chapel

204. Compartment on One Side, St Stephen's Chapel

205. Plan of Moldings, St Stephen's Chapel

206. Impost moldings, St Stephen's Chapel

207. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

208. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

209. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

210. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

211. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

212. Oak Door Discovered in the Speaker's State Dining Room

213. Grave of the Supposed William Lyndewode

214. The House of Commons

215. Part of the Construction in the Old House of Lords

216. House of Commons, the Speaker Reprimanding a Person at the Bar

217. Palace at Westminster

218. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

219. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

220. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

221. View of Modern Gateway in South East Angle of Dean's Yard

222. Details of Imposts and Bases of Columns, St Stephen's Chapel

223. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

224. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

225. Wall Paintings

226. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

227. View of Guy Fawkes' Tower

228. The House of Lords, as Restored after the Fire

229. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

230. Ruins of Westminster Palace

231. Plate XXXVIII: House of Lords, as Fitted up in 1835

232. House of Lords, Her Majesty Opening the Session of Parliament

233. Princes Chamber, East Side with the Old House of Lords

234. Elevation of Buildings Fronting Westminster Hall

235. View of the King's Entrance &c. From the South-West

236. The Houses of Lords and Commons

237. The King's Entrance to the House of Lords, From Poets Corner

238. Ceiling of Front Parlor House in Old Palace Yard

239. The Parliament House, from Old Palace Yard, Westminster

240. Ceiling to Boudoir House in Old Palace Yard

241. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

242. Chance. The London Firemen's Dog

243. Decoration between Windows of Parlor, No. 3 Old Palace Yard

244. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

245. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

246. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

247. Houses of Parliament

248. Henry VII's Shrine

249. Henry the Seventh's Chapel, North Side

250. Henry VII Chapel (Exterior)

251. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

252. Henry VII Chapel

253. Seats in Henry VII Chapel, Westminster Abbey

254. Houses Adjacent to Westminster Abbey in the Process of Demolition

255. Doorway, Dean's Yard, Westminster

256. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

257. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

258. South View of the Abbey Church, Westminster, Taken from Dean's Yard

259. Detail for Preceding Elevations

260. Buildings on East Side of Dean's Yard

261. Continuation of Detail

262. Detail, Dean's Yard

263. Window, Dean's Yard

264. View of the Coronation Procession of George IV

265. View of Palace Yard on the day of the Coronation of His Majesty George IV

266. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

267. Plan of the Old Parliament Houses, Westminster

268. Part of Westminster

269. Elevations and Plans of the Court of Kings Bench

270. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

271. Interior of the Star Chamber, Westminster

272. Interior of Westminster Hall as Prepared for the Banquet

273. East View of Modern Buildings in Continuation from St Stephen's Chapel

274. Four Illustrations of Westminster