The City of Westminster from Near the York Water Gate
between 1746 and 1747
5
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
6
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
7
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
8
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
9
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
10
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
11
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
12
William Payne, active 1850s
Private View of the Royal Academy
1858
13
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
14
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
15
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
16
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
17
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
18
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
19
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
27
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
31
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
32
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
33
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
34
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
35
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
36
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
37
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
38
Charles Heath, 1785–1848
The Penitentiary and Distant View of Westminster Bridge
1825
39
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
44
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
45
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
46
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
47
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
48
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
49
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
50
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
51
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
52
Print made by Michael Hanhart, active 1841–1852
L'Adieu
ca. 1858
53
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
54
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
55
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
56
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
57
Attributed to John Carter, 1748–1817
Springing of groins
1815
58
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
59
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
60
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
61
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
62
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
63
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
64
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
65
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
66
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
67
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
68
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
71
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
72
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
73
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
74
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
75
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
76
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
77
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
78
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
79
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
80
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
81
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
82
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
83
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
84
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
85
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
86
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
87
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
88
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
89
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
90
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
91
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
92
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
93
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
94
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
95
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
96
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
97
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
98
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
99
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West