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Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 19th century
Remove constraint Period: 19th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
1
- Plate VIII, Human Body, Posterior View
- 1804
2
- Plate X, Fowl Body, Lateral View
- 1804
3
- Taj Mahal, Agra
- 1831
- On view at YUAG
4
- Windsor Castle from Salt Hill
- 1812
5
- Crowhurst
- 1812
6
- Hedging and Ditching
- 1812
7
- Little Devil's Bridge over the Russ above Altdorft, Switzerland
- 1812
8
- Scene in the Campagna
- 1812
9
- Tours - Looking Backward
- 1833
10
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
11
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
12
- For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
- 1826
13
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
14
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
15
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
16
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
17
- Thomas Hayley (1780-1800)
- 1800
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
18
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
19
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
20
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
21
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
22
- Rev. John Caspar Lavater
- 1800
23
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
24
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
25
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
26
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
27
- For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
- 1826
28
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
29
- For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
- 1826
30
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
31
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
32
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
33
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
34
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
35
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
36
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
37
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
38
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
39
- Caius Julius Cæsar
- 1821
40
- Epicurus
- 1821
41
- Octavius Augustus Cæsar
- 1821
42
- Theocritus
- 1821
43
- From Antique Coins
- 1821
44
- Publius Virgilius Maro
- 1821
45
- Thomas Hayley (1780-1800)
- 1800
46
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
47
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
48
- Worcester
- 1795
49
- Sleaford Church
- 1801
50
- A View of the Chapel and Hall of Oriel College
- 1807
51
- A View of Worcester College &c
- 1804
52
- Inside View of the East End of Merton College Chapel
- 1802
53
- View of Exeter College, All Saints Church, from the Turl
- 1806
54
- A View of Worcester College &c
- 1804
55
- Part of Balliol College Quadrangle
- 1809
56
- View of Oxford from the South Side of Heddington Hill
- 1808
57
- Part of Balliol College Quadrangle
- 1820
58
- View of the Chapel and Hall of Oriel College
- 1801
59
- Christ Church Cathedral and Part of Corpus Christi College
- 1820
60
- Browsholme
- 1800
61
- Clitheros from Eadsford Bridge
- 1800
62
- Stonyhurst
- 1801
63
- The Sherburne Chapel in Mitton Church
- 1801
64
- Hampton Court, Herefordshire
- 1801
65
- Townley Hall
- 1800
66
- Abingdon from the Thames Navigation
- 1805
67
- Durham Cathedral
- 1802
68
- Loch Lomond
- 1805
69
- Pope's Villa
- 1810
70
- A Fishing Smack with a Boat (Dutch Boat in a Gale)
- 1812
71
- Harewood House
- 1816
72
- St. Michael's Mount, Cornwall
- 1813
73
- Lulworth Cove, Dorset
- 1811-1812
74
- Poole, Dorsetshire
- 1814
75
- Lulworth Cove, Dorset
- 1814
76
- Weymouth
- 1814-1826
77
- Lulworth Cove, Dorset
- 1811-1812
78
- Lulworth Cove, Dorset
- 1811-1812
79
- Lulworth Cove, Dorset
- 1811-1812
80
- Lulworth Cove, Dorset
- 1811-1812
81
- Lyme Regis
- 1814
82
- Teignmouth, Devon
- 1815
83
- Pendennis Castle and Entrance of Falmouth Harbour
- 1814 to 1826
84
- Pendennis Castle and Entrance of Falmouth Harbour
- 1814-1826
85
- Bow and Arrow Castle, Isle of Portland
- 1814-1826
86
- High Street, Oxford
- 1812
87
- Pope's Villa
- 1810
88
- Crypt in Kirkstall Abbey, Yorkshire
- 1814
89
- A View of Oxford from the Abingdon Road
- 1818
90
- View of Redcliff Church &c. Bristol
- 1814
91
- Crypt in Kirkstall Abbey, Yorkshire
- 1814
92
- Harewood House
- 1816
93
- Gledhow
- 1816
94
- Gateway to the Flower Garden at Farnley
- 1814
95
- Gledhow
- 1816
96
- Flower Garden Porch at Farnley
- 1816
97
- St. Michael's Mount, Cornwall
- 1813
98
- Poole, Dorsetshire
- 1814-1826
99
- Poole, Dorsetshire
- 1814-1826
100
- Land's End, Cornwall
- 1814-1826