Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
309
Samuel Howitt, 1756–1822
A Chaise and Pair, With Post-Boy
undated
310
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
311
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
312
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
313
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
314
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
315
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
316
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
317
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
318
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
319
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
320
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
321
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
322
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
323
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
324
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
325
unknown artist
Mid-Day
1799
326
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
327
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
328
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
329
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
330
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
331
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
332
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
333
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
334
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
335
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
336
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
337
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
338
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
339
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
340
Paul Sandby, 1731–1809
Studies of a Carter Pumping Water For His Horses
undated
341
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
342
Thomas Rowlandson, 1756–1827
A Horse Sale at Hopkins's Repository (An outline)
undated
343
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
344
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
345
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
346
Print made by Day & Co., 1824–1913
New Steine and Rock Gardens
1839
347
James Fittler, 1758–1835
Mail Coach
ca. 1787
348
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
349
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
350
Julius Caesar Ibbetson, 1759–1817
Concealing Charles II
undated
351
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
352
Peter DeWint, 1784–1849
Building a Hayrick
undated
353
Peter DeWint, 1784–1849
Plough Horses
undated
354
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
355
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
356
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
357
Print made by James McNeill Whistler, 1834–1903
The Smith's Yard
ca. 1895
358
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
359
Thomas Rowlandson, 1756–1827
The London Citizen
undated
360
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
361
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
362
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
undated
363
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
364
Thomas Rowlandson, 1756–1827
The Enraged Vicar
undated
365
Thomas Rowlandson, 1756–1827
A Dead Horse on a Knacker's Cart
undated
366
Nathaniel Parr, active 1742–1751
A Prospect of St. James's Park
367
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
368
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
369
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
370
Print made by Sir Charles D'Oyly, 1781–1845
A Syce or Groom
ca. 1830
371
Thomas Rowlandson, 1756–1827
A Carrier's Waggon
between 1785 and 1790
372
Thomas Rowlandson, 1756–1827
The Paris Diligence
undated
373
William Simpson, 1823–1899
Sketchbook from Calcutta to Peshawar
1859
374
Emil Otto Hoppé, 1878–1972
Opening Week of Coaching Season at Hyde Park, London
1933
375
Print made by Francis William Topham, 1808–1877
Festival of Al-Mohurram
ca. 1840
376
James Pattison Cockburn, 1779–1847
Calvary Resting
undated
377
James Pattison Cockburn, 1779–1847
Trotting Past
ca. 1832
378
James Pattison Cockburn, 1779–1847
Constructing a Fort
undated
379
James Pattison Cockburn, 1779–1847
Hussars
ca. 1832
380
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
381
Samuel Hieronymus Grimm, 1733–1794
Landscape with Cottage, Bridge and Figures
1774
382
Samuel Hieronymus Grimm, 1733–1794
Kennington Common
1776
383
Luke Clennell, 1781–1840
Country Toll House
between 1795 and 1800
384
imitator of Peter DeWint, 1784–1849
Bridge over a Stream with Figures
undated
385
Samuel Daniell, 1775–1811
Three Horses
undated
386
Robert Hills, 1769–1844
Farmyard with Horses Waiting
undated
387
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures on Horseback Crossing a Bridge