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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkMaterials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryImage Available Available
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Remove constraint Image Use: Free to UseSearch Results
1
- The Valley of Vision
- undated
2
- Lake Geneva and Mount Blanc
- 1802 to 1805
3
- Bavella, Corsica
- ca. 1868
4
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
5
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
6
- Catania
- 1847
7
- Bangor, Belfast Lough
- undated
8
- Ealing House, Middlesex
- undated
9
- The Mansion House, London: Elevation
- undated
10
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
11
- Design for a Castellated Entrance
- 1808
12
- Beauvais
- ca. 1831
13
- Plan for Entrance at Hinton St. George
- 1812
14
- Design for Branch for the Speaker's Chair
- undated
15
- Sketch of a Gothic Church and Monastery
- undated
16
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
17
- Shipping off the Isle of Wight
- undated
18
- Welsh Mountain Stream
- ca. 1850
19
- Design for Small Tables for the Library of the House of Lords
- undated
20
- View of Port Orotava, Tenerife, from El Limpio de Las Calaveras
- undated
21
- The Village of Kirkstall, Yorkshire
- 1801
22
- Levens, Westmoreland, The Small Drawing Room
- 1873
23
- Caernarvon (Castle) Eagle Tower
- ca. 1809
24
- Belfast from Bunker's Hill / On the Road to Hollywood
- undated
25
- The Artist and his Family
- 1813
26
- Ship Building
- 1841
27
- Roslyn Castle - a wooded river landscape
- 1839
28
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
29
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
30
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
31
- The Rialto
- 1846
32
- Preparatory drawing for The Waltz
- 1820s
33
- Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
- 1819
34
- Christ with Three Figures
- undated
35
- Feeding the Five Thousand
- undated
36
- An Elderly Man Petitioning Christ
- undated
37
- Christ Healing a Blind Man
- undated
38
- Design for a Park Gateway
- undated
39
- Stables at Hinton St. George, Somerset: Plan
- undated
40
- Hinton St. George, Somerset: Plan of the Principal Story
- undated
41
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
42
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
43
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
44
- Maraccas Waterfall
- 1851
45
- View Near Arundel Castle
- 1823 and 1874
46
- Album of Landscape and Figure Studies: Profile of a Man with an Umbrella
47
- Snowdon, an Approaching Storm
- 1853
48
- On the Cimaronero River
- 1857
49
- View at Swiss Cottage, London
- 1836
50
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
51
- Street Scene at Stratford by Bow
- undated
52
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
53
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
54
- The Reconcilation
- 1817
55
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
56
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
57
- Hogarth Sitting to Roubiliac for His Bust
- 1817
58
- St. Jacques, Dieppe
- 1820
59
- Perspective View: the New Houses of Parliament
- ca. 1840-1849
60
- Coast Scene near Plymouth
- undated
61
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
62
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
63
- The Meat Market
- undated
64
- The Greengrocer
- ca. 1819
65
- A View in a Lane near Hampstead
- 1801
66
- Temple Near the Site of Ancient Phigalia
- 1803
67
- The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
- 1802-1804
68
- The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
- 1802-1804
69
- Castle Fraser, Aberdeenshire, Scotland: West Elevation
- 1819
70
- My Father Feeding Ducks, Drawn by His Father
- ca. 1805
71
- Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
- 1871
72
- Part of the Construction in the Old House of Lords
- 1823
73
- Part of the Construction in the Old House of Lords
- 1823
74
- Ceiling to Boudoir House in Old Palace Yard
- 1871
75
- Ceiling of Front Parlor House in Old Palace Yard
- 1871
76
- Drawing Room Ceiling, No. 3 Old Palace Yard
- 1871
77
- Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
- 1871
78
- Decoration between Windows of Parlor, No. 3 Old Palace Yard
- 1871
79
- Doctor Syntax loses his Money on the Race Ground at York
- 1820
80
- The 48th Regiment with Casemate, Gibraltar
- 1844
81
- A Regency Pair
- 1802
82
- The Canada Lynx from the Life
- ca. 1817
83
- The Conversion of Saul
- undated
84
- Christ Preaching to the Elders in the Temple
- undated
85
- The Raising of Lazarus
- undated
86
- Christ Healing the Palsied Man
- undated
87
- Design for Gameskeeper's Cottage
- undated
88
- Design for Midsummer Night's Dream
- undated
89
- Design for Love's Labour's Lost
- 1839
90
- Totnes from the Seymour Hotel
- 1838
91
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
92
- Design for the Rotunda, Ranelagh Gardens
- undated
93
- The Market Place, Tanta, Egypt
- 1874
94
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
95
- Hogarth Declaring His Love to Miss Thornhill
- 1817
96
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
97
- The Smock Exposed
- 1817
98
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
99
- Hogarth Drawing Sarah Malcolm
- 1817
100
- "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
- undated