Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
402
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
403
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
404
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
405
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
406
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
407
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
408
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
409
Benjamin West, 1738–1820
Parsonage House at Henstead
undated
410
Samuel Prout, 1783–1852
Beach Scene
undated
411
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
412
unknown artist
Windsor Castle
undated
413
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
414
James Wyatt, 1746–1813
Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy
1795
415
James Wyatt, 1746–1813
Cobham Hall, Kent: Windows in Dairy
1795
416
James Wyatt, 1746–1813
Cobham Hall, Kent: Cornice and Battlement for the Dairy
1795
417
James Wyatt, 1746–1813
Cobham Hall, Kent: North Elevation of South Wing
undated
418
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Ceiling of the Dairy
1795
419
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
420
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
421
John Thomas Smith, 1766–1833
The Smock Exposed
1817
422
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
423
John Thomas Smith, 1766–1833
The Reconcilation
1817
424
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
425
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
426
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
427
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
428
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
429
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
430
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
431
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
432
Henry William Burgess, active 1809–1860
St. Jacques, Dieppe
1820
433
Studio of Thomas Telford, 1757–1834
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
1819
434
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
435
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
436
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
437
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
438
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
439
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Dairy
1795
440
Samuel Davis, 1760–1819
The Former Winter Capital of Bhutan at Punakha Dzong
1783
441
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
442
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
1789
443
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan for a Passage
ca. 1790
444
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
ca. 1790
445
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
446
James Wyatt, 1746–1813
Cobham Hall, Kent: Mezzanine Floor Plan of Stables
1789
447
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
448
Isaac Weld, 1774–1856
Caernarvon (Castle) Eagle Tower
ca. 1809
449
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
450
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
451
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
452
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
453
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
454
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
455
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
456
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
457
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
458
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
459
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: South Elevation
1819
460
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: West Elevation
1819
461
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
462
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
463
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: East Elevation
1819
464
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: Ground Plan
1819
465
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: North Elevation
1819
466
James Jefferys, 1751–1784
The Body of Lucretia Exposed to the Romans
between 1777 and 1778
467
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
468
James Bruce, 1730–1794
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
469
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
470
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
471
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
472
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
473
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
474
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
475
Attributed to John Martin, 1789–1854
Christ with Three Figures
undated
476
Attributed to John Martin, 1789–1854
Christ Healing the Palsied Man
undated
477
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
478
attributed to John Martin, 1789–1854
The Raising of Lazarus
undated
479
Attributed to John Martin, 1789–1854
Christ Healing a Blind Man
undated
480
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
481
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
482
Francis Nicholson, 1753–1844
Westminster from the South Bank
ca. 1790
483
William Wickham, born ca.1750
Unidentified House for Giles Hudson, Putney, Surrey: Chamber Floor Plan
undated
484
Thomas Peploe Wood, 1817–1845
Roslyn Castle - a wooded river landscape
1839
485
James Bruce, 1730–1794
Weighing Scale
undated
486
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
487
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
488
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
489
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
490
Adam Buck, 1759–1833
The Artist and his Family
1813
491
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
492
unknown artist
Study of a Woman in a Wide-Brimmed Hat
undated
493
Print made by John Doyle ('H.B.'), 1797–1868
Supposed Colloquy between a Top Sawyer and his Brother Labourer
1843
494
Print made by John Doyle ('H.B.'), 1797–1868
Telemachus and Mentor
1847
495
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
496
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
497
Print made by John Doyle ('H.B.'), 1797–1868
Alarming Case of Indigestion: The Doctor Called In
1847
498
Print made by John Doyle ('H.B.'), 1797–1868
The State Wagon in Difficulties
1847
499
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"