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John Talman Studies, with Gardens, Possibly for a Talman Family House
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
John Raphael Smith So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
Isaac Weld The Wine Tasting
Isaac Weld, 1774–1856
The Wine Tasting
1819
John Raphael Smith He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
John Flaxman Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
George Lambert A Young Man Asleep
George Lambert, 1700–1765
A Young Man Asleep
undated
Marcellus Laroon the Younger A Youth Carrying a Basket
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
Sir Edwin Henry Landseer Lions at Play
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
unknown artist Study of a Lion, Resting
unknown artist
Study of a Lion, Resting
undated
Augustin Heckel Album of Fifty-five Ornamental Designs
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
Benjamin Robert Haydon Study of a Man in a Long Robe
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
Duncan Grant 'Diana and Acteon', after Titian, done for the National Gallery appeal in London
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
Giles Hussey Album of 36 Drawings Selected by Benjamin West, P.R.A.
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A
between 1730 and 1768
unknown artist Studies of a Sleeping Lion
unknown artist
Studies of a Sleeping Lion
undated
Thomas Ross Figures, Horses and Cows
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
Thomas Ross Riders, Figures and a Dog
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
Thomas Ross Figures with a Wagon and Horses
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
John Michael Rysbrack Two Horses' Heads
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
James Seymour Horse, With Rider Lightly Sketched, Walking to Left
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
unknown artist Head of a Leopard
unknown artist
Head of a Leopard
undated
unknown artist Head of a Male Lion
unknown artist
Head of a Male Lion
undated
Archibald Thorburn Hounds: "Seagull"
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
James Seymour A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken A Charging Mameluke Firing a Pistol
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
Henry Thomas Alken Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
unknown artist Entrance Doorway in the Tower, St Stephen's Chapel
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
Edward Francis Burney An Allegory of America Carrying the Cap of Liberty
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
unknown artist Head of an Eagle, Facing Left
unknown artist
Head of an Eagle, Facing Left
undated
Philippe Mercier Seated Woman with a Book
Philippe Mercier, 1689 or 1691–1760
Seated Woman with a Book
1725
Hercules Brabazon Brabazon Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
Hercules Brabazon Brabazon, 1821–1906
Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
undated
William Mulready Drawing for The First Voyage
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
Alfred Stevens Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
Alfred Stevens, 1817–1875
Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
undated
Alfred Stevens Study for Massacre of the Innocents
Alfred Stevens, 1817–1875
Study for Massacre of the Innocents
undated
David Cox Panorama Old London Bridge
David Cox, 1783–1859
Panorama Old London Bridge
1820s
Augustin Heckel Design for a Cartouche with Mythological Figures
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Mythological Figures
undated
Alfred Stevens Study of three figures in Movement
Alfred Stevens, 1817–1875
Study of three figures in Movement
undated
Alfred Stevens Design for a Coat of Arms
Alfred Stevens, 1817–1875
Design for a Coat of Arms
undated
David Cox Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813
Charles West Cope Study of a Boy Holding a Horse's Head
Charles West Cope, 1811–1890
Study of a Boy Holding a Horse's Head
undated
David Cox Fishing off Hastings
David Cox, 1783–1859
Fishing off Hastings
early 1810s
Augustin Heckel Two Columns with a Head of a Woman and a Grotesque Head
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head
undated
Augustin Heckel Design for a Cartouche
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
Augustin Heckel Design for a Cartouche with Putti
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
Augustin Heckel Design for a Cartouche with Putto
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
Augustin Heckel Design for a Cartouche with Putti
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
Augustin Heckel Design for a Cartouche
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
Augustin Heckel A Grotesque Mask
Attributed to Augustin Heckel, 1690–1770
A Grotesque Mask
undated
Thomas Daniell William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
Thomas Daniell, 1749–1840
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
Hubert-François Gravelot Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
Hubert-François Gravelot Design for a Medal: Boths Hand Fil'd for Britain
Hubert-François Gravelot, 1699–1773
Design for a Medal: Boths Hand Fil'd for Britain
between 1734 and 1736
Hubert-François Gravelot Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
Hubert-François Gravelot Design for a Vignette: Figure of Abundance
Hubert-François Gravelot, 1699–1773
Design for a Vignette: Figure of Abundance
undated