Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
6
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
7
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
8
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
9
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
10
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
11
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
12
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
13
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
14
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
15
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
16
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
17
Henry Monro, 1791–1814
A Wooded Track
1813
18
Isaac Weld, 1774–1856
An Execution, Rome
1819
19
Paul Sandby, 1731–1809
The Toilet
undated
20
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
21
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
22
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
23
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
24
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
25
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
26
John Thomas Smith, 1766–1833
The Reconcilation
1817
27
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
28
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
29
John Varley, 1778–1842
The Fisherman
undated
30
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
31
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
32
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
33
George Morland, 1763–1804
Peasants in a Grotto
undated
34
John Nixon, ca. 1760–1818
In Mr. Barnard's Boat, Kingston
undated
35
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
36
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
37
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
38
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
39
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
40
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
41
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
42
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
43
James Ward, 1769–1859
Ben Lomond, August 17
ca. 1805
44
Sir John Gilbert, 1817–1897
Wayfarers
undated
45
Thomas Hearne, 1744–1817
Windsor Castle
undated
46
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
47
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
48
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
49
Walter Geikie, 1795–1837
Humorous Family Scene
undated
50
John Glover, 1767–1849
Two Little Girls
ca. 1810
51
Attributed to unknown artist
A Soldier on Horseback
undated
52
Thomas Hearne, 1744–1817
A Rustic Scene
undated
53
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
54
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
55
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
56
Attributed to Samuel Howitt, 1756–1822
Sheet of Studies of Hounds, Hare, Falcon and Ducks
undated
57
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
58
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
59
John Thomas Smith, 1766–1833
The Smock Exposed
1817
60
attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
The Picnic
undated
61
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
62
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
63
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
64
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
65
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
66
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
67
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
68
Edward Francis Burney, 1760–1848
Illustration for- The New Doll: Untitled
1826
69
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
70
Paul Sandby, 1731–1809
Election Scene
undated
71
John Glover, 1767–1849
Greenwich Hospital
undated
72
John Richard Wequelin, 1849–1927
Solvitur Acris Hyems
undated
73
Print made by John Copley, 1875–1950
French Songs
1946
74
Thomas Rowlandson, 1756–1827
New Shoes
undated
75
Thomas Rowlandson, 1756–1827
The London Citizen
undated
76
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
77
James Smetham, 1821–1889
The Country Artist
undated
78
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
79
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
80
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
81
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
82
Thomas Rowlandson, 1756–1827
A Death-Bed Scene
undated
83
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
84
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
85
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
86
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
87
Thomas Girtin, 1775–1802
Figure Costume Study of Edward VI in 1550
between 1793 and 1795
88
Thomas Girtin, 1775–1802
Figure Costume Study: Persian Lady in 1568
between 1793 and 1795
89
David Roberts, 1796–1864
Group of Figures, Gadshill
1862
90
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
91
Thomas Rowlandson, 1756–1827
Two Sleeping Figures
undated
92
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
93
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
94
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
95
Thomas Rowlandson, 1756–1827
Going to Market
undated
96
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
97
Thomas Girtin, 1775–1802
Figure Costume Study: French Lady of Quality in 1501
between 1793 and 1795
98
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
99
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'