The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
10
Patrick Nasmyth, 1787–1831
Sportsman and His Dogs
1828
11
James Ward, 1769–1859
Ferrets
undated
12
James Ward, 1769–1859
Head and Shoulders of a Cart Horse
undated
13
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
14
John Nixon, ca. 1760–1818
Brighton Races
1805
15
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
16
Print made by James Basire the younger, 1769–1822
Whalley Abbey (nearer view)
1800
17
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
18
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
19
John Frederick Lewis, 1804–1876
Game Keeper and Boy Ferreting a Rabbit
ca. 1828
20
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
21
George Bryant Campion, 1796–1870
Hastings Races
undated
22
George Vertue, 1684–1756
Sir John Suckling
1744
23
Susannah Wales, Lady Malet, 1779–1868
A Cheetah Hunting Party with Charles Warre Malet
undated
24
Arthur James Stark, 1831–1902
Stable Boy on a Pony
undated
25
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
26
Thomas Sully, 1783–1872
Two Hunters and Two Dogs in Winter Scene
undated
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
28
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
29
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
30
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
31
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
32
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
33
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
34
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
35
Print made by William Ward, 1766–1826
Henry Callender
1812
36
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
37
James Ward, 1769–1859
Study of a Turkey
undated
38
James Ward, 1769–1859
Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825
1825
39
George Augustus Sala, 1828–1895
Pheasant defying Hunters
undated
40
John Martin, 1789–1854
Archers Stalking a Stag
1821
41
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
42
Sawrey Gilpin, 1733–1807
A Horse and Three Groomers
1760
43
Print made by Sir Frank Short, 1857–1945
Huntsmen in a Wood
1891
44
James Mitan, 1776–1822
The Pavilion & Steyne at Brighton
1806
45
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828-1832
46
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828
47
Print made by Robert Wallis, 1794–1878
Virginia Water No. 11
1828
48
Print made by Robert Wallis, 1794–1878
Virginia Water No. 11
1828-1837
49
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828-1832
50
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1828
51
Print made by James T. Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
52
Print made by Thomas Bewick, 1753–1828
Fisherman
undated
53
Print made by James T. Willmore, 1800–1863
Powis Castle, Montgomery
1836
54
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
55
Print made by James T. Willmore, 1800–1863
Llandberis Lake, Wales
1834
56
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go (tail piece)
undated
57
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go
undated
58
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
59
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
60
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
61
Print made by James Baylis Allen, 1803–1876
Falls of the Rhine
1832
62
Print made by Robert Wallis, 1794–1878
Virginia Water. No. II
1826-1837
63
Print made by James C. Allen, active 1821–1831
Falls of the Rhine
1832
64
Print made by Robert Wallis, 1794–1878
Virginia Water. No. I
1828
65
Victor Marie Picot, 1744–1805
Winter
1794
66
unknown artist
Morning
1799
67
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
68
George Alken, 1794–active 1837
Exercising a Racehorse
undated
69
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
70
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
71
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
72
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
73
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
74
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
75
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
76
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
77
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
78
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
79
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
80
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
81
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
82
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
83
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
84
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
85
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
86
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
87
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
88
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
89
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
90
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
91
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
92
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
93
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
94
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
95
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
96
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
97
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
99
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
100
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'