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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 19th century
Remove constraint Period: 19th centuryImage Available Available
Remove constraint Image Available: AvailableAssociated People Shakespeare, William (1564–1616), playwright and poet
Remove constraint Associated People: Shakespeare, William (1564–1616), playwright and poetSearch Results
1
- Oberon and Titania
- 1837
2
- The Vine
- 1852
3
- The Vine
- 1852
4
- The Vine
- 1852
5
- The Vine
- 1852
6
- Octavius Augustus Cæsar
- 1821
7
- Shakespeare's Monument at the Church at Stratford upon Avon
- 1834
8
- Shakespeare House, Aldersgate Street
- undated
9
- Queen Katherine's Dream
- 1807
10
- Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
- 1849
11
- Comedy of Errors, Act II Sc. 2
- 1804
12
- Comedy of Errors, Act II, Scene II
13
- Garrick in the Green Room
- 1829
14
- Antony and Cleopatra Act IV Sc. 8
- 1805
15
- Winter's Tale, Act 3, Scene 3
- 1803
16
- Enter Malvolio, Crossgartered..
- 1863
17
- Apotheosis of Shakespeare's Characters
- 1871
18
- Design for Midsummer Night's Dream
- undated
19
- Design for A Winter's Tale
- undated
20
- Malvolio Dancing
- 1827
21
- Set of Seven: Shakespeare's Seven Ages of Man
- 1824
22
- One of a set of four: Much Ado About Nothing or Illustrations of Old Savings
- 1828
23
- One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
- 1828
24
- Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
- 1828
25
- Set of Four: Much Ado About Nothing or Illustrations of Sayings
- 1828
26
- Mrs. Pope as Juliet
- ca. 1804
27
- William Shakespeare
- 1849
28
- St. Mark's Place, Venice - Juliet and her Nurse
- 1842
29
- St. Mark's Place, Venice - Juliet and her Nurse
- 1842
30
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
31
- Shakespeare, Macbeth Act IV, Scene I
- 1802
32
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
33
- The Infant
- 1824
34
- The Lover
- 1824
35
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
36
- Anne Page, Slender and Shallow - "The Merry Wives of Windsor," Act III, Scene IV
- 1850
37
- London. A Street: 'Henry IV Part II,' Act II, Scene I
- after 1857
38
- Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
- after 1857
39
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
40
- Mr. G. V. Brooke as Othello and James Bennett as Iago - 'Othello,' Act III, Scene III
41
- Mrs. Siddons
- 1810
42
- Orlando and the Wrestler - "As You Like It"
43
- Kemble
- 1803
44
- "Tempest", Act I, Scene I
- 1797
45
- The School-Boy
- 1824
46
- Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
- after 1857
47
- Shakespeare in His Study
- 1859
48
- "Antony and Cleopatra," Act III, Scene XI
- undated
49
- "Then go, bid the huntsmen wake them with their horns"
- 1802
50
- Mr. Macready as Hamlet and Mr. Stuart as the Ghost - "Hamlet," Act I, Scene V
- undated
51
- Jack Falstaff and Doll Tearsheet
- 1885
52
- Mr. C. Kemble as Faulconbridge
53
- Oberon and Titania - "Midsummer Night's Dream", Act II, Scene III
54
- Charles Kean in the Character of Hamlet
- 1838
55
- The Merry Wives of Windsor, Act IV, Scene II
- undated
56
- Shakespeare Writing
57
- Falstaff and his Friends
- ca. 1868
58
- Shakespeare brought before Sir Thomas Lucy for the Deer Shooting, from "The Eclectic"
- undated
59
- The Play Scene - "Hamlet", Act III, Scene II
60
- Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
- undated
61
- "Hubert, let me not be bound!"
- 1802
62
- "Mark your divorce young sir, whom son I dare not call"
- 1804
63
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
64
- William Henry West Betty
- 1806
65
- Opera Reminiscences: Desdemona and Othello
- 1829
66
- Opera Reminiscences: Desdemona and Otello
- 1829
67
- The Green Room at Drury Lane Theatre
68
- David Garrick Esq
- 1807
69
- Lysander Awakening to See Helena
- 1825
70
- Prospero and Ariel
- 1821
71
- Falstaff in the Boar's Head
- 1807
72
- Study for 'Finding of the Body of Bassanio'
- 1804
73
- Falstaff Instructing Bardolph
- 1825
74
- Studies for Shylock
- 1825
75
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
76
- Falstaff Dragging the Body of Hotspur
- 1825
77
- Anne Page and Slender
- 1821
78
- Falstaff at Herne's Oak
- 1807
79
- Dover from Shakespeare's Cliff
- 1826
80
- Dover from Shakespeare's Cliff
- 1826
81
- Dover from Shakespeare's Cliff
- 1826
82
- Dover from Shakespeare's Cliff
- 1826
83
- Dover from Shakespeare's Cliff
- 1826
84
- Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
- 1802
85
- The Murder of Banquo
- ca. 1830
86
- Prospero Watching Ferdinand and Miranda
- ca. 1840
87
- Ferdinand Riding the Waves
- ca. 1830
88
- Hecate
- 1815
89
- Sketches for a Scene from 'Macbeth'
- ca. 1811
90
- Macbeth and Banquo on the Heath
- ca. 1830
91
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
92
- Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
- 1828
93
- Titania and Bottom
- undated
94
- A Great Actor between Tragedy and Comedy
- 1834
95
- Pistol eating Fluellen's Leak - "Henry V"
- between 1811 and 1815
96
- The Dreams of the Youthful Shakespeare
- 1827
97
- Theatre Royal Italian, Salon, dans l'Opera "Othello" par Mr. Ferri
98
- The Justice
- 1824
99
- Hamlet
- 1809
100
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849