Creator Gender: male / On-site Access: Accessible by appointment in the Study Room / Image Available: Available / Work Type: intaglio print

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Jonathan Girtin, ca.1780–aft.1820

Coastal Scene

undated

Print made by John Martin, 1789–1854

A Classical City

1816

after James de Carle Sowerby, 1787–1871

A Lizard

unknown artist

A Crane

unknown artist

Three Toucans

unknown artist

A Parrot

unknown artist

A Weasel

Print made by Lydia Bates, active 1784

Coastal Scene

1784

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

Print made by Lydia Bates, active 1784

A Choral Band

ca. 1777

Print made by Johan Joseph Zoffany, 1733–1810

Samson Overcome by the Philistines

ca. 1758

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

1797

David Scott, 1806–1849

Duke of Gloucester Taken into the Water Gate of Calais, 1380

1841

Print made by Edward Radclyffe, 1809–1863

Outskirts of the Forest

undated

William Byrne, 1743–1805

Untitled

1765

Francesco Bartolozzi, 1728–1815

The Death of Arcite

1790

William Woollett, 1735–1785

The Battle at La Hogue

1781

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

John Dixon, ca. 1740–1811

A Tigress

1773

Richard Earlom, 1743–1822

Labourers

1790

Kit Barker, 1916–1988

Peacock

Print made by George Townly Stubbs, 1748–1815

Anvil

1794

Print attributed to B. R. Davies, active ca. 1833

Mount Blanc

ca. 1828

Verso by John Talman, 1677–1726

Studies, with Gardens, Possibly for a Talman Family House

undated

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Thomas Girtin, 1775–1802

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated

Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated

Thomas Girtin, 1775–1802

View of the Pantheon from the Arsenal

1802

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

William H. Hoogkamer, 1790–1864

Welgelegen:Vue du Pavillon de Harlem prise du Bois

undated

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Print made by Mary Dawson Turner, 1774–1850

Portrait of Benjamin Robert Haydon

1816

Print made by William Say, 1768–1834

Mrs. Siddons

1810

Gerard Edelinck, 1640–1707

Édouard Colbert, Marquis de Villacerf

1696

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

M. J. Starling, active 1830

Interior of the Hall at the Deepdene

undated

Edward Radclyffe, 1809–1863

Deepdene near Dorking

undated

Walter Geikie, 1795–1837

Edinburgh Castle and Horse Fair

1830

Print made by William Daniell, 1769–1837

Portrait Study of Thomas Hearne

1809

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Ely

1797

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Print made by James Walker, 1748–1808

Carlisle

1797

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by James Walker, 1748–1808

Elgin Cathedral, Morayshire

1797

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by James S. Storer, 1771–1853

Chelsea Hospital

1795

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by George Murray, died 1822

Neath

1795

Print made by Thomas Tagg, died 1809

Flint

1795

Print made by Thomas Rothwell, ca. 1742–1807

Guildford

1795

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1811

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by Joseph Skelton, active 1820–1850

View of the Chapel and Hall of Oriel College

1801

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

Print made by Samuel Rawle, 1771–1860

South West View of Dunster Castle, Somersetshire

1800

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by James Basire the younger, 1769–1822

Seals of Whalley Abbey

1800

Print made by S. Porter, active 1802

Durham Cathedral

1802

Print made by James Basire the younger, 1769–1822

Stonyhurst

1801

Print made by William Byrne, 1743–1805

Abingdon from the Thames Navigation

1805

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1811

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford (small replica)

1828

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870

The Forum

1830

Print made by Edward Goodall, 1795–1870

Perugia

1830

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

Martello Towers at Bexhill

1817

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Finden, 1787–1852

Jorasse

1830

Print made by William Finden, 1787–1852

Travelling Musicians

1830

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On-site Access Accessible by appointment in the Study Room

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On-site Access Accessible by appointment in the Study Room

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Work Type intaglio print

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