Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
7
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
8
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
9
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
10
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
11
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
12
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
13
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
14
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
16
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
17
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
18
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
19
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
20
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
37
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
38
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
39
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
40
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
41
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
42
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
43
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
44
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
46
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
47
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
48
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
49
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
50
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
51
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
52
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
53
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
54
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
55
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
56
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
57
George Harley, 1791–1871
Ruins of Westminster Palace
1834
58
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
59
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
60
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
61
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
62
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
63
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
64
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
65
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
66
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
67
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
68
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
69
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
70
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
71
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
72
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
73
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
74
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
75
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
76
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
77
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
78
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
79
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
80
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
81
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
82
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
83
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
84
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
85
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
86
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
92
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
94
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
96
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
97
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
99
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West