Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
6
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
7
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
8
unknown artist
Elevation of the Ordnance Office
after 1780
9
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
10
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
11
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
12
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
13
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
14
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
15
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
16
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
17
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
18
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
19
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
20
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
21
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
22
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
23
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
24
unknown artist
View of Cumberland Terrace
undated
25
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
26
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
27
William Payne, active 1850s
Private View of the Royal Academy
1858
28
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
34
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
35
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
39
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
40
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
43
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
44
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
45
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
46
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
47
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
48
Print made by unknown artist
Part of Westminster
ca. 1850
49
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
50
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
51
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
52
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
53
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
54
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
55
Attributed to John Carter, 1748–1817
Springing of groins
1815
56
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
57
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
58
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
59
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
60
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
61
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
62
unknown artist
Westminster Hall
ca. 1850
63
Print made by Day & Co., 1824–1913
North side of the Star Chamber, Westminster
ca. 1845
64
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
65
unknown artist
Henry VII Chapel, Westminster Abbey
undated
66
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
67
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
68
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
69
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
70
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
71
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
72
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
77
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
78
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
79
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
80
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
81
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
82
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
83
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
84
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
85
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
86
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
88
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
89
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
97
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room